Announcements
First Panels Announced for 2013 Conference
05.20.13 Built around one of the most prestigious screenwriting competitions in the country, Austin Film Festival and Screenwriters Conference attracts groundbreaking producers, agents, managers, and development execs, as well as countless working screenwriters and filmmakers. Hitting its 20th anniversary this year, the Conference is as devoted as ever to nurturing creativity – a rare oasis in a rough-and-tumble business. The access and intimacy is unmatched …
05.20.13
Built around one of the most prestigious screenwriting competitions in the country, Austin Film Festival and Screenwriters Conference attracts groundbreaking producers, agents, managers, and development execs, as well as countless working screenwriters and filmmakers. Hitting its 20th anniversary this year, the Conference is as devoted as ever to nurturing creativity – a rare oasis in a rough-and-tumble business. The access and intimacy is unmatched with registrants and speakers under one roof, attending panels, parties and screenings in Austin, a city known for its creative culture, big heart, and zero pretensions.
This October 24-31, join the minds behind such films as THE SILENCE OF THE LAMBS, BIG FISH, A BEAUTIFUL MIND, DONNIE DARKO, MUD, THE MOTORCYCLE DIARIES, LOOPER, SHREK, BLAZING SADDLES, ZOOLANDER, 500 DAYS OF SUMMER, NOW YOU SEE ME, A TIME TO KILL, ON THE ROAD, BILL & TED’S EXCELLENT ADVENTURE, LITTLE WOMEN, FIGHT CLUB, and television shows Breaking Bad, Curb Your Enthusiasm, House of Cards, Fargo, Treme, The Wire, John Adams, The Office, and Boardwalk Empire… to name a few!
A sampling of the panels already planned for the Conference…
As part of the continuing “Conversation with” series, join in-depth, one-on-one conversations with top filmmakers as they discuss their experiences in the industry, including: Jonathan Demme, Vince Gilligan, Akiva Goldsman, Beau Willimon, Mark Johnson, Robin Swicord, Leslie Dixon, and more!
Staged Script Reading of Vince Gilligan’s 2-FACE
A special staged script reading of Vince Gilligan’s dark comedy script, 2-FACE.
Crowdfunding Case Study: VERONICA MARS movie project with Rob Thomas
As our world becomes more connected and technologically developed, filmmakers are finding numerous avenues and opportunities to get their projects off the ground. Join Veronica Mars creator Rob Thomas as he discusses his record-breaking Kickstarter campaign for the upcoming VERONICA MARS movie and how crowdfunding is quickly changing the ways films are getting made.
The Throw with Terry Rossio
Terry Rossio will lead a presentation on “The Throw,” otherwise known as the transition between scenes. He will discuss very practical, actual writing techniques, and show film clips to demonstrate successful (and not so successful) throws.
Scriptnotes LIVE!
For the second year, veteran filmmakers John August and Craig Mazin will record a live presentation of their incredibly informative screenwriting podcast, Scriptnotes, in which they discuss craft and career, complete with audience questions and other surprises.
The Psychology of Storytelling
Producer Lindsay Doran will explore the secrets of creating a satisfying script and what psychology can teach us about making mood-elevating movies.
Advance Sign-Up Opportunity: This Thursday, May 30th
Script-to-Screen with Rian Johnson: BRICK*
With script in hand and film clips on the screen, writer/director Rian Johnson will dissect his critically acclaimed film BRICK, discussing his writing process – what worked, what didn’t, what needed to be changed for film production – and why.
*Austin Film Festival will be opening an advance sign-up for current Conference and Producers badgeholders to Rian Johnson’s Script-to-Screen panel on Thursday, May 30th. Be sure to look out for the weekly AFF Wednesday newsletter for further instructions!
Don’t miss your opportunity to take part in the 20th Annual Austin Film Festival and buy your badge before prices go up on June 1st! For more information on Badge pricing, and to purchase, click here.
AFF and ATX Fest to Co-Present Panels
05.08.13 | Celina Guerrero Austin Film Festival is excited to partner with ATX Television Festival for “Season Two” of the TV centric celebration this June. In addition to offering AFF followers 15% off any badge level (use code ATXAFF15), we will be co-presenting panels at each festival! First up, AFF presents “Face Off: Movies vs. TV, Presented by Austin Film Festival” on Saturday, June 8th …
05.08.13 | Celina Guerrero
Austin Film Festival is excited to partner with ATX Television Festival for “Season Two” of the TV centric celebration this June. In addition to offering AFF followers 15% off any badge level (use code ATXAFF15), we will be co-presenting panels at each festival! First up, AFF presents “Face Off: Movies vs. TV, Presented by Austin Film Festival” on Saturday, June 8th with AFF alums Rob Thomas (Veronica Mars and the upcoming offshoot film of the series) and Kyle Killen (Awake, THE BEAVER) to be joined by ATX panelist Jonathan Prince (creator of American Dreams and director of the beloved ’90′s Camp Nowhere).
The panel will focus on the demands and benefits of writing both for film and television, the differences between the two mediums, and how to navigate transitioning from one to the other. Feature film screenwriters and successful showrunners will discuss the art, craft and business of their diverse careers, with a special focus on how they have been affected by the changing landscape of television. For more information on panelists and events at ATX, click here.
AFF Interview: David Magee on Breaking In and Taking Chances
05.08.13 | Erin Hallagan Wednesday, May 22nd, join Austin Film Festival for A Conversation with David Magee, writer of LIFE OF PI and FINDING NEVERLAND. The conversation will focus on adaptation, writing for imaginative worlds, and using language to articulate enchanting stories that have been so beautifully translated to the screen. Following the conversation will be a retrospective screening of FINDING NEVERLAND and post-screening Q&A. …
05.08.13 | Erin Hallagan
Wednesday, May 22nd, join Austin Film Festival for A Conversation with David Magee, writer of LIFE OF PI and FINDING NEVERLAND. The conversation will focus on adaptation, writing for imaginative worlds, and using language to articulate enchanting stories that have been so beautifully translated to the screen. Following the conversation will be a retrospective screening of FINDING NEVERLAND and post-screening Q&A. We sat down with Magee beforehand for a pre-interview about how he broke into the industry and his advice to screenwriting students. To hear more from David Magee and to join us May 22nd, click here.
AUSTIN FILM FESTIVAL (AFF): What did you do professionally before you became a screenwriter and how did you break into the film industry?
MAGEE: I started as a theatre actor, having a great time and earning no money, and I supported myself by doing voiceover. I narrated several audiobooks, which are usually recorded in full length and abridged versions. One day I went in to a recording studio with an abridgment of a novel that was horribly done – it was unfair to the original writer to record it – and I said to the producer offhandedly that I could have done a better job abridging it. She asked if I wanted to give it a try. It turned out that abridging was a perfect job for an actor who needed time to go to auditions and to regional theatres, and in the next five years I wrote abridgments of 85 books. Without intending it, I got incredible training in story structure. Toward the end of that period I began writing for the stage, which led to my opportunity to write FINDING NEVERLAND.
AFF: How does your experience as a theatre actor influence your writing style?
MAGEE: When I write dialogue, I am essentially performing the characters in my head, and thanks to my acting background, I know when a bit of dialogue gives an actor something they can sink their teeth into and when something sounds good on paper but can’t be said with a straight face.
AFF: On LIFE OF PI, what was your collaboration with Ang Lee like? How closely was he involved in the adaptation/writing process?
MAGEE: I worked very closely with Ang throughout the writing process. In the initial stages, I would write notes, sketch scenes, and so on. Once a week or so send what I had over to Ang and then join him in New York for lunch and an afternoon of throwing ideas around, then I’d head back home for another week of writing. Once we had a first draft, Ang began working with computer animators to plan out the filming of the sea adventure, essentially designing the film shot by shot. As I watched his visual ideas unfold, I revised the script to reflect what he was doing, and he changed the animation as the script evolved as well. I was in Taiwan for all of pre-production. Once the filming began I headed home – the script didn’t change at all during filming, which was a highly technical process that took place primarily in a wave tank – but when the editing process began, Ang invited me back regularly to tweak voiceovers and throw in my two cents worth on the process.
AFF: Initially you thought the novel was not filmmable. How did you make it work and how much research did you do?
MAGEE: Well, all of us made it work. Ten years ago, when the book came out, I couldn’t imagine how you could possibly film a real tiger and animals in a boat with a teenager, and the technology to create such amazing visual effects simply didn’t exist. I also didn’t imagine a studio would have had the guts to take on what I knew would have been an expensive and difficult film to make with no stars and an ambiguous ending. And if Ang hadn’t been directing, I don’t think I would have ever taken on the project myself four years ago – without a director of his caliber I don’t think it would have mattered what I wrote. My challenge was to tell a story about religious and philosophical issues that took place primarily in the mind of a teenage boy as he floated across the ocean in a lifeboat, and finding the actions that made his internal struggle visible onscreen, and the short answer to how I made my part of the process work was through a lot of trial and error, constant rewrites and input from a team of incredibly talented filmmakers.
Research was an essential part of the writing process. When I began I knew next to nothing about India, Hinduism, and even lifeboats for that matter. Early on, Ang and I met with Steven Callahan, a sailor who wrote a book called “Adrift” about his real life experience floating across the Atlantic in a five-foot round inflatable lifeboat. His stories about the ways in which the journey changed him physically and emotionally became an essential part of the story, and in fact Steve became our Survival Expert on the film, charting the exact journey through the ocean Pi would have taken, where he would have landed on the beach, where the island would have been located and so on. We also traveled through India to all the locations in the book before I had begun writing, and one of our associate producers, Jean Castelli, became our research expert on religious issues, prayers, different forms of Indian dance and the like. In a film with so many wondrous elements, you have to fully ground your story in the real to make the journey believable.
AFF: How did you decide what went into the film’s interpretation of the open-ended conclusion?
MAGEE: From the very beginning of the writing process, Ang and I saw this film not so much about religion as being about how different narratives help us get through the ordeals of our lives. A Hindu, a Christian, and an atheist can watch the same events unfold and come to different conclusions about the hidden forces at work beneath it all – but they all rely on a narrative to understand what they’ve witnessed. We didn’t want to force any one conclusion upon our audience, we simply wanted them to see the ways in which different views of the same story can add up to a larger view of our journey through life. Ideally, you own interpretation of what really happened to Pi on that boat says more about your world view than it says about what conclusions we wanted you to take from the ending.
AFF: Who are some of your favorite playwrights or screenwriters?
MAGEE: I’m going to stick with dead writers, because while I love a lot of writers working today, I also know a lot of them, and I don’t want to forget anyone or offend someone by not mentioning them. So… Shakespeare, Harold Pinter, Arthur Miller, Joe Mankiewicz, Billy Wilder, Ernest Lehman, Preston Sturges, Philip Barry, Tennessee Williams, Frank Capra, Frank Pierson and while he wasn’t a screenwriter, exactly, Buster Keaton. And I still feel bad that I left dozens of others off the list.
AFF: What do you find yourself telling your screenwriting students most? Any advice for up-and-coming writers?
MAGEE: The number one bit of advice I have is that if you keep showing up, if you keep working at your craft, if you always do just a little more than you’re asked and take your work far more seriously than you take yourself, eventually you will get your chance. It may be a small chance, and it may take many more chances along the way to get to your ultimate goal, but a door will crack open somewhere, and all that matters then is whether or not you’re prepared to step through it.
Austin Film Festival’s “Conversations in Film” program was created in 2007 and is sponsored by The Academy of Motion Pictures Arts & Sciences®. It is a year-round series of film seminars and script readings that provide the public with the unique experience to meet and work with local and visiting filmmakers.
Season 3 Episode 3: Re-imagining the Classics
The writers of re-imagined classics and popular franchises such as GHOST, CHARLIE & THE CHOCOLATE FACTORY, TWINS and SNOW WHITE AND THE HUNTSMAN deliberate how to keep stories fresh while remaining faithful to the original version. Accompanied by Spencer and Lloyd Harvey’s short film JACK & JILL, a fresh take on the classic nursery rhyme that follows a young Australian girl who finds an inventive way to contact her father, a soldier stationed in New Guinea during WWII.
Announcing the 2013 AFF & Travis County Sheriff PSA Competition Winners
05.10.2013 Austin Film Festival is happy to announce the winners of the 7th annual “Make a Movie, Make a Difference’ video PSA competition. Congratulations to: Asia Walker of Manor Tech High School and Keren Rico of Del Valle High School Austin Film Festival & The Travis County Sheriff’s Office invited local teens to participate in the 7th Annual “Make A Movie, Make A Difference” video …
05.10.2013
Austin Film Festival is happy to announce the winners of the 7th annual “Make a Movie, Make a Difference’ video PSA competition. Congratulations to:
Asia Walker of Manor Tech High School and Keren Rico of Del Valle High School
Austin Film Festival & The Travis County Sheriff’s Office invited local teens to participate in the 7th Annual “Make A Movie, Make A Difference” video competition. Travis County high school students were encouraged to create either a 30 sec. commercial or a 2-5 min. short film that addresses the theme “How Your Choices Affect The World Around You.” Students could creatively express the theme by raising awareness on issues such as Bullying, Dating Violence, Drugs & Alcohol, Gangs, Teen Pregnancy or Suicide.
Season 3 Episode 2: Explosive Action! Creating Action Through Character
The writers behind WANTED, THE BOURNE ULTIMATUM, CON AIR, and SNITCH discuss how they use action scenes to further the plot, convey tension, and build toward a satisfying climax. Followed by Lucas Martell’s animated short film, PIGEON: IMPOSSIBLE, about a trained CIA agent faced with an unexpected sudden threat to national security.
Season 3 Episode 1: A Conversation with Chris Carter
Legendary television writer Chris Carter reveals the secret behind the creation and success of The X-Files and how he stirred audiences using the power of mythology. Lost and PROMETHEUS writer, Damon Lindelof, speaks with Carter on how his use of the paranormal and search for the truth have become staples of popular culture. Followed by Todd Somodevilla and Marysia Makowska’s surreal short film, SEA PAVILION, about a picnic outing by an abandoned seaside dwelling, that ends up encompassing more than just sand dunes and forgotten memories.
AFF Interview: AFF Alum G.J. Echternkamp on VIRTUALLY HEROES
04.10.13| Bears Fonté On Monday April 15, Austin Film Festival debuts its brand new AFF INDIE SPIRIT SERIES with the film VIRTUALLY HEROES, an action comedy from Executive Producer Roger Corman. AFF Alum G.J. Echternkamp (2011’s CAPTAIN FORK) directed the film, a meta-narrative about two Vietnam War soldiers who realize their never-ending mission is actually a video game that systematically regenerates. Echternkamp will be in …
04.10.13| Bears Fonté
On Monday April 15, Austin Film Festival debuts its brand new AFF INDIE SPIRIT SERIES with the film VIRTUALLY HEROES, an action comedy from Executive Producer Roger Corman. AFF Alum G.J. Echternkamp (2011’s CAPTAIN FORK) directed the film, a meta-narrative about two Vietnam War soldiers who realize their never-ending mission is actually a video game that systematically regenerates. Echternkamp will be in attendance for the screening at the Texas Spirit Theatre at the Bob Bullock, but AFF had a chance to ask him a few questions about the film before his arrival.
Austin Film Festival: Virtually Heroes had a very different path to the cinema. Can you tell us a bit about where the idea came from and how you went about it?
G.J. Echternkamp: Roger Corman has quite a few Vietnam action movies in his vaults from the late 80′s and early 90′s. He approached me with the idea to shoot a new, extremely low-budget picture using as many of the action scenes from those films as possible. Our initial script was a fairly straight-forward thing, but Roger rejected it, wanting a hook that would make the film more relevant to today’s audiences. Somewhere along the way we came up with the idea to make the film set in a video game like “Call of Duty”. Not only would it be more entertaining, it would allow us to re-use the old footage in a more thematic, almost comical way, letting the audience in on the fact we were obviously recycling scenes.
Our writer came up with a script based around the setups in the other movies, and I went ahead and edited them all together, to have a sense of how the new footage would have to be shot to intercut with the stock. Ultimately it was very complicated, as the backdrops, eyelines, color correction, and so on had to be very carefully thought out for the editing to not seem completely jarring (or ridiculous).
The final product is admittedly a little ridiculous! But hopefully in a good way.
AFF: What’s Roger Corman like to work with?
GJE: Roger is intimidating as hell. He’s extremely smart and extremely to the point. But the great part is that once he signed off on the script he trusted me enough to let me shoot it with no interference whatsoever. It’s definitely not easy making an action film with very little money, but having that creative freedom made it all worthwhile.
AFF: We’re you a big Corman fan before? What are some of your favorite films of his and why?
GJE: I was very much a Corman fan. I definitely like the classics; LITTLE SHOP OF HORRORS, BUCKET OF BLOOD, THE TRIP, etc. But I love the Edgar Allen Poe movies he directed, which less people seem to talk about. THE MASQUE OF RED DEATH really stands out to me as a great film that transcends its B-Movie origins.
AFF: Our Earlybird Film Deadline is coming up (May 1st). You’ve certainly got a lot of experience playing the festival circuit with your films. What sort of advice can you offer a filmmaker starting that journey?
GJE: Well, I guess the biggest advice I could give is to understand that it’s is a very long journey. You have to keep making projects and keep putting them out there for as long as it takes. When I started I had some magical idea that you make a student film and you screen at Sundance and then you get signed and suddenly you’re directing the next STAR WARS. Bottom line, that’s stupid. For every Wes Anderson there’s a thousand other filmmakers who don’t find that level of success until they are much, much older. And that’s fine. Every little thing you do will slowly pay off down the road, even if you can’t see it at the time.
AFF: What are you working on next?
GJE: I’m in pre-production for an adaptation of a documentary I made back in 2008 called Frank & Cindy. We hope to get things off the ground very quickly to shoot in June. If that doesn’t work out, who knows? I’ve been talking to Roger about directing the sequel to Sharktopus….
VIRTUALLY HEROES plays Monday, April 15th at 7 pm at the Texas Spirit Theatre at the Bob Bullock Texas State History Museum located at 1800 Congress Ave, 78701. Tickets are $5 for AFF Members and $8 for the general public and available here.
AFF Interview: Brian Helgeland
04.03.2013 | Erin Hallagan In anticipation for our Wednesday, April 10th Conversation with Brian Helgeland and Advance Screening of his new film 42, Austin Film Festival sat down with Brian for a sneak peak on his thoughts on screenwriting, filmmaking, and his research and process. Joins us Wendesday for a Conversation with Brian Helgeland where we will discuss his career, inspirations, and advice for writers, …
04.03.2013 | Erin Hallagan
In anticipation for our Wednesday, April 10th Conversation with Brian Helgeland and Advance Screening of his new film 42, Austin Film Festival sat down with Brian for a sneak peak on his thoughts on screenwriting, filmmaking, and his research and process. Joins us Wendesday for a Conversation with Brian Helgeland where we will discuss his career, inspirations, and advice for writers, particularly sharing his experience on directing his own scripts. For more information on the Conversation, and for tickets, click here.
AFF: You are originally from the Northeast and were a fisherman before you became a screenwriter and filmmaker. What made you decide to start writing screenplays?
Brian Helgeland: I was in a bookstore in between fishing trips in 1984 looking for something to read on the boat. I have been reading voraciously since I can remember. I had graduated a year before from college with a degree in English. I couldn’t find a job and as the only male member of my family who had never been to sea… I went to sea. Browsing through the store, a ‘Guide to Film School’ book caught my eye. I loved movies, but I literally had no idea you could go to school to learn how to make them. My second, cold winter of fishing was coming up; I had saved some decent money, and I cashed it in for the warmth of Los Angeles.
AFF: You’ve said before that you don’t like to call yourself a screenwriter. Why do you prefer the term filmmaker?
BH: I prefer filmmaker because that is what I am. If I wanted to write for a living I’d be a novelist. But I want to make movies; therefore I am a filmmaker. Screenwriting is just my end of it. I consider film editors to be filmmakers. Editing is just their end of it. If only the director is a filmmaker, then what are the cinematographer, the costume designer and the rest of us doing?
AFF: What excites you the most about writing a screenplay?
BH: The best part of writing a screenplay is full immersion. When I am working on a script, I don’t leave the house, I barely speak on the phone, I work seven days a week until it is done. It’s often frustrating and confounding, but I get to make a world, populate it and live in it, as imperfect as it might be.
AFF: How much research do you usually do before writing a screenplay?
BH: I do an inordinate amount of research. I try to read anything and everything I can get my hands on if it relates to what I am doing. There is no substitute. You cannot be smarter or know more than the actual reality of something. The key is when you think you finally know, then read one more book to make sure. And then another after that. I also interview people if it is appropriate for the story. When I was doing MAN ON FIRE with Tony Scott we spent a week in Mexico City simply interviewing people who had been kidnapped, families of kidnap victims, ransom negotiators, police experts and even former kidnap gang members. When you see the process shown in the film it is all real. On ’42′, besides the plethora of books available that touch upon the Dodgers 1947 season, I had the good fortune of being able to talk with Jackie’s widow Rachel and with former teammate Ralph Branca directly. Research becomes the breadcrumbs others have dropped before you to help lead you where you’re going.
AFF: How does your writing and process differ when you know that someone else will direct your work compared to when you direct the film yourself?
BH: My scripts are longer if I write for another director. I need to make what I am getting at clearer and easier to understand. The scripts I write that I direct are always 10 pages shorter.
AFF: 42 is based on a true story. What did you enjoy most about writing this screenplay? What were some of the challenges and benefits in writing something based on true events?
BH: In ‘A Knight’s Tale’ the character of William accuses Chaucer of lying. Chaucer’s reactive response is, “I’m a writer; I give the truth scope!” The trickiest thing for a screenwriter working on bringing to life a true story is to do their best not to lie. In ’42′ I tried my absolute best to document every major scene in the film. In fact, there is only one scene I made up and I felt I had enough circumstantial evidence to do so. Of course, ‘the truth’ can always be pushed left or right, but I did my best to avoid that as well. My job was to dramatize and structure so that, hopefully, the truth of two years of a man’s life could be boiled down to two hours.
Favorite moment/experience in making 42?
BH: The day Hank Aaron visited set, watched 20 minutes of footage and told me he thought I got it right.
Who are some screenwriters/filmmakers that have influenced your work?
BH: I am a big admirer of screenwriters who traded in their pen for the director’s chair. John Huston, Richard Brooks, Frank Pierson, Walter Hill. All bare knuckled directors who started out as bare knuckled screenwriters.
Interview: Conversations in Film: Making Your Feature Film, Panelists
In preparation and excitement for our upcoming MAKING YOUR FEATURE FILM event, panelists Emily Hagins (MY SUCKY TEEN ROMANCE), Brandon Dickerson (SIRONIA), John Fiege (MISSISSIPPI CHICKEN), and Jeremiah Jones (RESTIVE) reflect on some of their experiences, joys and trials as filmmakers. Don’t forget to mark your calendars for much more insight and advice during Austin Film Festival’s next Conversation in Film! AUSTIN FILM FESTIVAL …
In preparation and excitement for our upcoming MAKING YOUR FEATURE FILM event, panelists Emily Hagins (MY SUCKY TEEN ROMANCE), Brandon Dickerson (SIRONIA), John Fiege (MISSISSIPPI CHICKEN), and Jeremiah Jones (RESTIVE) reflect on some of their experiences, joys and trials as filmmakers. Don’t forget to mark your calendars for much more insight and advice during Austin Film Festival’s next Conversation in Film!
AUSTIN FILM FESTIVAL (AFF): What do you consider a strong story?
HAGINS: I think a strong story is one that you feel passionate about as a writer, because you’re able to really bring all the details of the world your characters live in to life.
DICKERSON: I gravitate toward true stories I find will translate to screen in an authentic and honest way..
FIEGE: A strong story portrays the world from a distinctive perspective.
AFF: What were some of the biggest challenges with making your film?
HAGINS: One of the biggest challenges was keeping the narrative concise with a simple, character-driven story. There were a lot of character moments we could’ve expanded on, and themes we could’ve explored– but it would’ve deviated from what the big picture really was. Understanding what the movie would ultimately feel like in the early stages was definitely a necessary but difficult step for a movie like this.
FIEGE: Finding the story tends to be the hardest part of production. With documentary, even when you think you’ve found a great story, you’re never sure how it’s going to play out. Following strong documentary stories is, by definition, a risky endeavor; and one of the hardest parts of production is pouring everything you have into such an uncertain process.
DICKERSON: For SIRONIA, we were pulling crew from Austin+Dallas+Los Angeles as well as working with locals in Waco. Every one of those cities has its own vibe. Crew from each city has their own unique approach to production. It was a challenge to be at the helm of those different personalities within an abbreviated 20 day shoot with little prep time. A film crew needs to work as a passionate family with a unified vision and we had to create that connection on a train that had left the station. It all worked out in the end.
JONES: Finding money to make a film is always a big challenge. I have only made ultra low-budget films, so scheduling and moving efficiently to get what you need with not much time is another big challenge. When people come into a project and spend a lot of time and resources working, you need to make sure that you are on the same page and have the same expectations. The indie environment can be kind of all hands on deck, so just talk everything out.
AFF: Working on a low-budget, what type of compromises did you have to make along the way? Were there any that were particularly painful to you?
HAGINS: Luckily we had an amazing cast and crew that really went above and beyond when things were tough– like one day we shot 9 pages in a location with 100 extras, and everyone really worked hard to get everything done in the best way possible… I really don’t feel like we had to make compromises, because this story was designed for a budget we would be able to work with.
JONES: I try to hopefully make the most out of the current situation that we are facing. I don’t think it’s compromising, it’s problem solving. Make the most out of what you have in that moment and don’t let one moment bring the movie down. A lot of challenges can be happening all around the set but you only see what goes into the frame.
FIEGE: Art is a compromise between a vision and the representation of that vision. I have to constantly make difficult choices about how to spend extremely limited resources of time and money. Yet, it is these choices that result in a particular artistic representation of a story. I always wish I had more time and money, but I also believe that when I figure out how to tell a story in a stronger way, more time and money will become available somehow. As Robert Bresson wrote, “One does not create by adding, but by taking away.”
AFF: What was one of the most memorable parts of shooting?
JONES: If it is possible and the schedule allows, I like picking up the cast from the airport. An actor puts a lot of faith into you – they read the work, we talk on the phone about it, the details or business get worked out – but I always find myself still hoping that they get on the plane. Meeting them at the airport is when I have the realization of” Hey, they actually came. We have a chance – let’s get this thing done.”
FIEGE: Seeing the story appear before my eyes for the first time.
DICKERSON: The first day [of SIRONIA] was insane. I had fallen on my sword that we needed to shoot at an actual rodeo with real Mutton Bustin’ so it moved up our shoot two weeks and became the first day of filming. It turned out that the time the rodeo had generously given us to film the dialogue sequences was during a pre-concert so we had to shoot between songs. On top of this, the reality that you were finally doing what you wanted to do since you were eight years old felt like an astronaut taking off for the moon.
HAGINS: The day we shot 9 pages was definitely the most memorable for me. We were working with one of our lead actors for the first time, difficult lighting, 100 teenagers, stunts, and one of the most emotional scenes of the whole movie… I felt like a different person at the end of it, and very grateful for the people involved in the production.
Hear more from Emily, Jeremiah, John and Brandon on Saturday, March 2nd at 12PM at the George Washington Carver Museum. The conversation will continue with panelists offering tangible advice for aspiring filmmakers including creative ways to raise money, find marketing and distribution, and utilize acquired tricks of the trade. Click here to get your tickets.
Mopacalypse at Garza High School: A Meditation on the Revision Process
Patrick, YFP Director, gives us an update on Digital Storytelling, AFF’s art education program that provides film and screenwriting curriculum and resources to Austin public schools. To learn more about Digital Storytelling, click here. “Oh crap, mops!” Thus jumpstarted a screenplay about killer mops, “Mopacalypse,” penned by an especially clever Garza High School student. In the script, a group of terrified teenagers outrun a horde …
Patrick, YFP Director, gives us an update on Digital Storytelling, AFF’s art education program that provides film and screenwriting curriculum and resources to Austin public schools. To learn more about Digital Storytelling, click here.
“Oh crap, mops!”
Thus jumpstarted a screenplay about killer mops, “Mopacalypse,” penned by an especially clever Garza High School student. In the script, a group of terrified teenagers outrun a horde of bloodthirsty killer mops. They swab, sop, and wring their victims into a damp and sputtering pulp.
The table read for the script felt light and breezy, garnering a few laughs along the way. Each Garza student, and even myself, assumed a role in the script and acted the story aloud. By reading the script, the writer gained a sense of momentum and flow to his story. Did the characters sound realistic? Did the killer mop premise hold water (yuk yuk) over the course of five minutes? When the script concluded, the students, teachers, and I harped on these questions and provided constructive feedback for the author. We lauded the horror film parody inherent in the script, and pushed the author to take the premise even further.
“What if someone gets a phone call,” I suggested, “and they hear a mop wringing on the other end?”
“Or the students try to kill the mop, and it breaks into smaller mops, like scrub brushes. . . or toothbrushes!”
“Or the mop dies, then pops back up like Michael Myers in HALLOWEEN?”
“Or there’s a nest of mops run by a Queen?”
“And you see a mop hatching out of an egg!”
The rapid fire exchange of ideas is something I live for in a writing workshop, and I’m always happy to see students catch a spark of inspiration. Along with the help of two other guest filmmakers, I helped each student shape their idea into a cohesive whole. I encouraged the students to cut extraneous scenes and hone in on the material that worked – all killer and no filler. I also reminded the students to add more focus to their scripts. Consider what each character wants and what is stooping them them from getting it. Pinning down a clear goal and obstacles for each character helps spin a tight story loaded with conflict.
We read another script, a music video about a ladybug longing for a human.
“How are you going to direct a ladybug?” I asked.
“You could make it stop motion.”
“Maybe you could use a combination of live ladybug and a fake ladybug for still shots?”
“Or pull a dead ladybug on a string!”
“Gross!”
The diversity of the screenplays at Garza High School astounded me. We acted out an absurdist murder mystery about mercury poisoned top hats, felt for a boy who lost his hearing, and cringed at a schizoid werewolf hunting yarn. As a screenwriter, I’m always excited to see where the students take their material. How will the finished product look? Often, the final film will not resemble the first draft of the script. It’s these revisions, growing pains, and sometimes happy production accidents that really breathe life into the creative process.
The next time I visit Garza, the students will have revised their scripts and produced a second draft. I can’t wait to see how their ideas have grown!
First Round of 2013 Panelists!
The 20th Annual Austin Film Festival will run October 24th-31st, 2013, once again magnetically attracting the most talked about, prolific, outlaw and legendary filmmakers and screenwriters in the entertainment industry. Plans are well under way to produce another exceptional Conference to inspire, educate and entertain you. Just some of the panelists already confirmed for the 2013 Conference: …
The 20th Annual Austin Film Festival will run October 24th-31st, 2013, once again magnetically attracting the most talked about, prolific, outlaw and legendary filmmakers and screenwriters in the entertainment industry. Plans are well under way to produce another exceptional Conference to inspire, educate and entertain you. Just some of the panelists already confirmed for the 2013 Conference:
- Terry Rossio, writer SHREK, DÉJÀ VU, THE MASK OF ZORRO, PIRATES OF THE CARIBBEAN franchise
- John August, writer FRANKENWEENIE, CHARLIE AND THE CHOCOLATE FACTORY, BIG FISH, CHARLIE’S ANGELS I & II, GO
- Peter Craig, writer THE TOWN, FATHERS AND GUNS, BAD BOYS 3
- Lindsay Doran, producer STRANGER THAN FICTION, NANNY MCPHEE, NANNY MCPHEE RETURNS, SENSE AND SENSIBILITY
- Jim Hart, writer HOOK, BRAM STOKER’S DRACULA, CONTACT, TUCK EVERLASTING, THE LAST MIMZY, AUGUST RUSH
- Robin Swicord, writer MEMOIRS OF A GEISHA, LITTLE WOMEN, PRACTICAL MAGIC
- Dan Sterling, producer Girls, The Office, The Daily Show with Jon Stewart, writer, The Sarah Silverman Program, King of the Hill, South Park
- Rick Jaffa & Amanda Silver, writers/producers RISE OF THE PLANET OF THE APES, THE HAND THAT ROCKS THE CRADLE, writers THE RELIC
- Barry Josephson, Josephson Entertainment
- Nicholas Kazan, writer MATILDA, AT CLOSE RANGE, BICENTENNIAL MAN
- Franklin Leonard, Overbrook Entertainment, creator of The Black List
- Jim Uhls, writer FIGHT CLUB, SEMPER FI, JUMPER
- Craig Mazin, writer IDENTITY THEFT, TURKEYS, THE HANGOVER PART II, SCARY MOVIE 3 & 4, ROCKETMAN
- Alvaro Rodriguez, writer MACHETE, SHORTS, FROM DUSK TILL DAWN 3: THE HANGMAN’S DAUGHTER, ALLIED FORCES
- Daniel Petrie, Jr., Enderby Entertainment, creator/producer Combat Hospital, writer BEVERLY HILLS COP, THE BIG EASY, SHOOT TO KILL, writer/director FRAMED, former WGAw President
- Rick Dugdale, Enderby Entertainment
We’ll be announcing more of our confirmed panelists and events for the 2013 Conference in the coming months. Please know that we also greatly value your input and if you have suggestions for panel discussions, please send them to our Conference Director Erin Hallagan at erin@austinfilmfestival.com. Our goal is to provide you with the best writing and filmmaking conference yet.
Click here to get your 2013 AFF Badge!
All panelists are confirmed, schedules permitting. All speakers and events are based on permitting schedules and subject to change and/or cancellation without notice.
2013 Film Competition is Open – A Note from Bears
Happy 2013, filmmakers! Over the New Year’s holiday I found myself enjoying two very different cinematic celebrations that filled me with renewed excitement for the year ahead. First, on New Year’s Eve, I had the privilege of introducing a series of shorts at Austin’s New Year, a City of Austin Cultural Arts Division public festival of music, film and other live entertainment on Auditorium Shores. …
Happy 2013, filmmakers! Over the New Year’s holiday I found myself enjoying two very different cinematic celebrations that filled me with renewed excitement for the year ahead. First, on New Year’s Eve, I had the privilege of introducing a series of shorts at Austin’s New Year, a City of Austin Cultural Arts Division public festival of music, film and other live entertainment on Auditorium Shores. Six local groups (including SXSW and Austin Film Society) were invited to showcase films from 2012 on the giant Alamo Drafthouse Rolling Roadshow screen. Austin Film Festival concluded the evening with three films that played last year’s Festival, LOVE, EMILY (written and directed by Kevin Harger, co-written by Chris Bourke), INCIDENT AT PUBLIC SCHOOL 173 (written and directed by Andrew Tilley), and the Animated Short Academy Award® Shortlisted HEAD OVER HEELS (written and directed by Timothy Reckart). The night was cold, and a bit rainy, but the crowd huddled together to laugh and smile as one. There was a lot going on all around us, loud retro-soul from one stage, police sirens out on the street. Fortunately, somehow, I had happened to select three shorts that told their stories in images rather than words, and the effect was rather unquestionable. The audience virtually tripled by the time the last short finished and I heard several teens walk away with a new resolution, to make films of their own this year.
The next day I finally made it to LIFE OF PI, a film that came out while I was still recovering from AFF 2012 and the last thing I wanted to do was see a movie. The film is beautifully shot, and I think I cried more than I have since Frodo stepped up at Rivendell and volunteered to carry the One Ring, ‘though he did not know the way.’ What makes LIFE OF PI so fantastic is that it is a story about telling a story. I won’t ruin it for you, but the book-end device of the film (and, of course, the book it is based on) is a man telling another man his life story, a story that only he can tell, and one that he is entrusting to someone else to tell to the world. Our stories only exist as events or ideas until we tell them. It is then that they take on meaning. The meaning comes from the audience, who bring with them their own particular experiences and understanding in interpreting the story. That’s what I think I enjoyed most about the 2012 AFF, hearing the audiences discuss the films we had chosen. I knew what they meant to me, but to see them through the eyes of a new viewer, that was magical.
Which is a long way to say that I’m pretty excited the film competition for the 2013 Austin Film Festival officially opens today. No, there is no rush (the cost is $50 until the Earlybird deadline of May 1), but if you’ve got a story you want to share, we want to help you find your audience. You can submit your film three ways.
1) Online through Withoutabox.com. Just click here.
2) Online though our website, where we can offer you a $5 discount.
3) Through the mail by downloading the entry form.
Both the online entry and downloadable form can be found on our website at: http://www.austinfilmfestival.com/submit/film/online/
Also on this page you can find links to the rules for this year, the FAQ for the film competition, and the awards available for entrants. This year, we’ve INCREASED the CASH prizes attached to every Jury Award category.
I am also really excited to announce this year’s new Competition Category: DARK MATTERS FEATURE. As this year’s festival ends on Halloween, it seemed like a good time to showcase films in the Horror genre. DARK MATTERS FEATURES must be feature-length narratives, 60 minutes or longer, and easily identified as belonging to the horror genre or a particularly dark suspense, thriller or sci-fi film.
As the Director of Programming, I really look forward to viewing your films, and am available to answer any questions you have during the entry process. Just email me at bears@austinfilmfestival.com.
Remember, Austin Film Festival searches submissions for the best stories. We are looking to include the most original and inspiring entries from all over the world in the festival, regardless of race, religion, or lifestyle. Please do not hesitate to submit a film that may not portray so-called ‘traditional’ characters or life choices. A great story shares a universal truth from a distinctive viewpoint. We can’t wait to see what you have to show us.
Hope you all have great 2013 full of great film and great filmmaking.
Bears Fonte, Director of Programming
bears@austinfilmfestival.com
Eric Roth’s Acceptance Speech
It was our esteemed honor to present Eric Roth with the 2012 Distinguished Screenwriter Award at this year’s Festival. Not surprisingly, the man who gave us FORREST GUMP, MUNICH, THE INSIDER, ALI, THE CURIOUS CASE OF BENJAMIN BUTTON, and EXTREMELY LOUD & INCREDIBLY CLOSE has a way with words. Many of us were moved to tears by his warm and heartfelt acceptance speech — so …
It was our esteemed honor to present Eric Roth with the 2012 Distinguished Screenwriter Award at this year’s Festival. Not surprisingly, the man who gave us FORREST GUMP, MUNICH, THE INSIDER, ALI, THE CURIOUS CASE OF BENJAMIN BUTTON, and EXTREMELY LOUD & INCREDIBLY CLOSE has a way with words. Many of us were moved to tears by his warm and heartfelt acceptance speech — so much so that we asked him if we could share it with all of you. Read on to be inspired…
Eric Roth: “Barbara said don’t just say thank you.. okay, so..; How did this happen? A kid from Bedford Stuyvesant ends up in the land of cowboys and Indians. A kid whose mother would say everyday.. what did you write today?! And read everything! Who when he was ten she would read the boys books to me The Hardy Boys and Jules Verne and Victor Hugo.. and who would for fun have me pretend to be answering personals in the Saturday review of literature…. Where I would be an English teacher from a small college who loved Chaucer and good food.. Or a blind poet but great companion.. Or when I was thirteen and piss petrified to go to school in the rocky neighborhood she yanked me by the hand and had me take boxing lessons and she was the only voice I could hear when I boxed golden gloves from somewhere in the crowd.. knock him on his ass.. or the first time I remember seeing a movie at the Brooklyn Paramount when I was like eight and she took me up to the balcony and we watched Invaders from Mars…and the stars on the ceiling made it like it was happening in a night sky to me… and leaving Brooklyn in my last year of high school to a place called North Hollywood High School and begging them I don’t even know anybody let me stay with grandma.. or seeing The Sterile Cuckoo at the victory drive-in and later personally thanking Alan Paula for taking my virginity with a girl named Laura Nuccio who I of course never saw again and still of course love beyond imagination.. or my English teachers at Columbia.. or sitting on the lions with Abbie Hoffman.. on strike shut it down.. no Vietnam.. after two of my best friends had ended with their names on the wall.. and movies after movies everyday movies.. Amarcord and The Ruling Class and Weekend and oh my god 2001.. and how I Loved living in those dark places.. Where the music made me weep and my heart would soar at courage and frailty.. and.. at 67.. twenty odd of my own some good some bad some laughable… have done for somebody the same.. and two women who for some reason loved me and gave me a handful plus of children and they gave me near two handfuls of grandchildren later.. who still looks out of a 17-year-old’s eyes.. who sits in a little room and dreams of going down strange rivers to places nobody knows.. of people who run crooked.. Or fight windmills or live on distant planets.. that’s pretty much how it happened and you end up at the Austin Club with a little typewriter and a belly full of chili. Thank you for coming along.”
Buy a Weekend Badge, Win a 2-Night Hotel Stay
The 2013 Weekend Badge is the perfect opportunity to get away for a weekend full of great film, inspiring panels, and a meeting of the minds. Whether you’re driving in from Dallas or taking the red-eye from LA, you can experience all that AFF has to offer without missing a beat. Now, if you buy your Weekend Badge before January 1st, you’ll be entered to …
The 2013 Weekend Badge is the perfect opportunity to get away for a weekend full of great film, inspiring panels, and a meeting of the minds. Whether you’re driving in from Dallas or taking the red-eye from LA, you can experience all that AFF has to offer without missing a beat.
Now, if you buy your Weekend Badge before January 1st, you’ll be entered to win a 2-night hotel stay at the Holiday Inn Austin – Town Lake during the Festival!
Click here to purchase your Weekend Badge and on January 4th, we’ll announce the lucky winner!
The Holiday Inn Austin is located right on Town Lake, with beautiful views and access to the jogging and biking paths around the lake. Amenities include an outdoor pool and fitness center, bar and lounge, and free wi-fi. The hotel also offers free shuttles to and from the airport and downtown Austin.
AFF Receives Film Festival Grant From Academy of Motion Picture Arts and Sciences for 20th Anniversary
We are thrilled to announce that AFF has been awarded a $25,000 Film Festival Grant from the Academy of Motion Picture Arts and Sciences. The grant funds will go towards 20th Anniversary programming, including our Retrospective Screening Series, which honors acclaimed screenwriters and filmmakers and their historic films through revelatory, educational screenings for the public. AFF’s Retrospective Screenings offer the rare opportunity for veteran screenwriters …
We are thrilled to announce that AFF has been awarded a $25,000 Film Festival Grant from the Academy of Motion Picture Arts and Sciences. The grant funds will go towards 20th Anniversary programming, including our Retrospective Screening Series, which honors acclaimed screenwriters and filmmakers and their historic films through revelatory, educational screenings for the public.
AFF’s Retrospective Screenings offer the rare opportunity for veteran screenwriters and filmmakers to present one of their renowned works to the public, shedding new light on the film and their career through candid discussion during the event. Through the Retrospective Series, we aim to connect the viewer to the filmmaker, to open dialogue between artist and audience, and to promote the education of classic cinema.
Some Retrospective Screenings over the years have included: Joel and Ethan Coen present Blood Simple, Robert Altman presents Nashville, Frank Pierson presents Dog Day Afternoon, John Landis presents American Werewolf in London, Danny Boyle presents Shallow Grave, Lawrence Kasdan presents Body Heat, Sydney Pollack presents Tootsie, Shane Black presents The Long Kiss Goodnight, Steven Zaillian presents The Falcon and the Snowman, Whit Stillman presents Metropolitan, Oliver Stone presents Born on the Fourth of July, and Eric Roth presents The Insider.
The Academy Foundation – the Academy’s cultural and educational wing – annually distributes more than $1 million to film scholars, cultural organizations and film festivals throughout the U.S. and abroad. The Foundation also presents the Academy’s rich assortment of screenings and other public programs each year.
Black Friday Producers Badge
Sold out! Skip the crazed Black Friday crowds. This Friday, November 23rd, Austin Film Festival will sell a very limited number of 2013 Producers Badges for $475 ($650 value). The 2012 Festival was filled with incredible experiences… Watching some of the year’s best films and Oscar® contenders like SILVER LININGS PLAYBOOK, FLIGHT, NOT FADE AWAY, and JAYNE MANSFIELD’S CAR at the Paramount Theatre… Absorbing words …
Sold out!
Skip the crazed Black Friday crowds. This Friday, November 23rd, Austin Film Festival will sell a very limited number of 2013 Producers Badges for $475 ($650 value).
The 2012 Festival was filled with incredible experiences…
- Watching some of the year’s best films and Oscar® contenders like SILVER LININGS PLAYBOOK, FLIGHT, NOT FADE AWAY, and JAYNE MANSFIELD’S CAR at the Paramount Theatre…
- Absorbing words of wit and wisdom from AFF 2012 Awardees Frank Darabont (SHAWSHANK REDEMPTION), Eric Roth (FORREST GUMP) and Chris Carter (The X-Files)…
- Feeling inspired, enthralled, educated and amused by the words of Paul Feig, Terry Rossio, Marti Noxon, Alec Berg, Phil Rosenthal, Scott Z. Burns, Aline Brosh McKenna, Rob Thomas, I. Marlene King, and all the many fantastic panelists…
- Enjoying Salt Lick BBQ, drinks in the Driskill Bar, brunch at Ranch 616, the view of downtown Austin at the Conference Wrap Party, and great conversation through it all.
Just imagine what you’ll experience next year at Austin Film Festival’s 20th Anniversary!
Be inspired. Be a part of the conversation. Be the first to see this year’s award-winning movies and discover tomorrow’s star filmmakers (Jason Reitman, James Franco and Craig Brewer all screened their short films at AFF). Break into the business. Eat good barbecue. Have a beer. Go ahead, have another one.
Most importantly, don’t miss it.
How to purchase
Black Friday Producers Badges will go on sale at midnight EST Thursday night/Friday morning, November 23rd.
Click here to visit our online store. Add a Producers Badge to your cart and when checking out, enter the coupon code BLACKFRIDAY. Once they run out, the code will no longer be valid.
Hurry, they go fast.
2012 AUDIENCE AWARD WINNERS Presented by ESURANCE
We are proud to announce the 2012 Audience Award winners presented by Esurance. Throughout the week of the Festival and Conference, audience members were invited to numerically rate films by ballot following each film’s screening. The winners are as follows: Marquee Feature Audience Award: SILVER LININGS PLAYBOOK Writer/Director: David O. Russell Narrative Feature Audience Award: JUNK Writers: Kevin Hamedani, Ramon Isao Director: Kevin …
We are proud to announce the 2012 Audience Award winners presented by Esurance. Throughout the week of the Festival and Conference, audience members were invited to numerically rate films by ballot following each film’s screening. The winners are as follows:
Marquee Feature Audience Award:
SILVER LININGS PLAYBOOK
Writer/Director: David O. Russell
Narrative Feature Audience Award:
JUNK
Writers: Kevin Hamedani, Ramon Isao
Director: Kevin Hamedani
Documentary Feature Audience Award: (Tie)
SPINNING PLATES
Writer/Director: Joseph Levy
and
RISING FROM ASHES
Director: T.C. Johnstone
Comedy Vanguard Audience Award:
THE MUSLIMS ARE COMING!
Directors: Negin Farsad, Dean Obeidallah
Dark Matters Audience Award:
SATURDAY MORNING MASSACRE
Writers: Jory Balsimo, Aaron Leggett, Jason Wehling
Director: Spencer Parsons
Narrative Short Audience Award:
ASAD
Writer/Director: Bryan Buckley
Narrative Student Short Audience Award:
THE TELEPORTED MAN
Writer/Director: Zach Endres
Animated Short Audience Award:
HEAD OVER HEELS
Writer/Director: Timothy Reckart
Documentary Short Audience Award:
GOOD KARMA $1
Directors: Jason Berger, Amy Laslett
The 2012 Film Competition and Screenplay/Teleplay winners have already been announced – read about them here.
Last year’s Audience Awards included The Artist and The Fantastic Flying Books of Mr. Morris Lessmore, both of which won Academy Awards®. The 2009 Out of Competition Audience Award Winner was Jason Reitman’s Up in the Air, which was nominated for several Academy Awards®, including “Best Picture” and “Best Director.”2008 AFF Audience Award winner, Slumdog Millionaire, presented by director Danny Boyle, went on to win 8 Oscars®, including “Best Picture”, “Best Director” and “Best Screenplay.”
The AFF Audience Award Film Series is sponsored by Esurance, the direct-to-consumer car insurance company. Esurance has been a longtime supporter of filmmakers and artists who help bring compelling stories to life.
We’ve also announced our dates for the 20th Annual Austin Film Festival & Conference, October 24-31, 2013. To purchase your Badge at the early discounted prices, click here.
2012 Screenplay, Teleplay, and Film Competition Winners
Announcing Austin Film Festival’s 2012 Screenplay, Teleplay, and Film Competition Winners! Film Competition Winners Young Filmmakers – CRUMBS, Director: Nicco Vasquez, Writer: Keith Limon Documentary Short – SEE THE DIRT, Directors: Chelsea Hernandez, Erik Mauck Documentary Feature – INFORMANT, Director: Jamie Meltzer Animated Short – HEAD OVER HEELS, Writer/Director: Timothy Reckart Narrative Student Short – HATCH, Writer/Director: Christoph Kuschnig, Writer: Karl Goldblat Narrative Short – …
Announcing Austin Film Festival’s 2012 Screenplay, Teleplay, and Film Competition Winners!
Film Competition Winners
Young Filmmakers – CRUMBS, Director: Nicco Vasquez, Writer: Keith Limon
Documentary Short – SEE THE DIRT, Directors: Chelsea Hernandez, Erik Mauck
Documentary Feature – INFORMANT, Director: Jamie Meltzer
Animated Short – HEAD OVER HEELS, Writer/Director: Timothy Reckart
Narrative Student Short – HATCH, Writer/Director: Christoph Kuschnig, Writer: Karl Goldblat
Narrative Short – ASAD, Writer/Director: Bryan Buckley
Narrative Feature – SPARROWS DANCE, Writer/Director: Noah Buschel
Screenplay/Teleplay Competition Winners
Sitcom Spec – Modern Family: “Earthquake Party”, Writer: Abi Wurdeman & Phil Wurdeman
One Hour Spec – Dexter: “The Second Coming”, Writer: David Radcliff
Sitcom Pilot – Katie and Becca: “Grow Up”, Writer: Leila Cohan-Miccio
One-Hour Pilot – Horizon, Writer: B.D. Flory
Comedy Screenplay – The P.A.N.D.A. War, Writer: Daniel Shea
Drama Screenplay presented by Writer’s Guild of America, East – Clouds of Sorrow, Writer: Jack Davidson
Enderby Entertainment Award – The Break-Up Nurse, Writer: Adelline Colangelo
Dark Hero Studios Sci-Fi Award – The Domain, by Michael Raymond
Congratulations to these incredibly talented winners for their outstanding work. This year we received a record number of submissions in all categories and were blown away by the level of talent and hard work reflected. We look forward to getting submissions for next year!
Film and Conference Schedule Grids
Print them out! Pin them up! Put them in your pocket! Below are PDFs of the 2012 Film Schedule grid and Conference Schedule grid. 2012 AFF Film Schedule 2012 AFF Conference Schedule
Print them out! Pin them up! Put them in your pocket!
Below are PDFs of the 2012 Film Schedule grid and Conference Schedule grid.
Short Focus – Documentary Shorts Competition
Another edition of Short Focus by Lauren Means featuring the Documentary Short Competition Films. THE BRONZER Possibly the last traveling salesman in America comes to you on the big screen in this powerfully told story. Stue Larkin isn’t just your average salesman. He is easily the most passionate person about his job that I have ever seen and has a personality all of his …
Another edition of Short Focus by Lauren Means featuring the Documentary Short Competition Films.
THE BRONZER
Possibly the last traveling salesman in America comes to you on the big screen in this powerfully told story. Stue Larkin isn’t just your average salesman. He is easily the most passionate person about his job that I have ever seen and has a personality all of his own. Stue doesn’t sell cars or magazine subscriptions, he sells bronzed baby shoes. A trendy tradition in the 80s but lost in today’s world, Stue tries to make bronzing mementos popular again. Come feel his passion in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
THE DEBUTANTE HUNTERS
In The Debutante Hunters, Director Maria White provides an intimate look into a way of life most people perceive as a man’s domain: hunting. One woman eats only the meat she kills herself, another uses it as a way to spend time with her mom, while yet another goes out alone to become one with nature. You’re sure to fall in love with this film as the people at Sundance Film Festival did giving it the Audience Award. Come see it in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
GOOD KARMA $1
Lock the doors, don’t make eye contact, pretend to look at your phone. People deal with homeless people in different ways. More often than not it involves ignoring them. However, praised ad-guru Alex Bogusky approaches the situation in an unusual way. He collects the homeless signs as a way to understand one of the world’s most simple forms of communication. Along his journey, he makes friends and learns a heart-warming lesson. See my this Audience Award winner of the DC Shorts Festival in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
ILLEGAL
Everyone has different opinions about illegal immigrants, but what about their children? This documentary short offers an interesting perspective on their unique position through a series of interviews with the children, policymakers, and educators. Director John X. Carey seeks to raise the consciousness level of the public concerning the significance of immigration reform beginning with the Dream Act. If you feel passionate about the issue after watching the film like I did, feel free to check out their mission statement at illegalmovie.org after seeing it in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
JEWPHORIA
It’s not often one finds a good comedy documentary short. But comedian Randy Kagan’s Jewphoria is exactly that. In a personal account of his trip to Israel, Randy finds not only laughs but also adventure. He manages to both confirm and break Jewish stereotypes. Come see this World Premiere and laugh out loud in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
SEE THE DIRT
Baseball cards, superhero figurines, stamps – we all collect different things. But one boy has taken his passion in a different direction. Scott MacMillan collects vacuums. In fact, he has hundreds of the bulky, loud machines. At age 14, he has found a hobby to last a lifetime when most never find hobbies at all. This documentary short delves into the lovable quirks that everyone has. Scott brings out the goofy, awkward kid in me all over again. Don’t miss the chance to see it in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
UNRAVEL
What happens to all the clothes you throw away? This short follows your unwanted clothes all the way to Panipat, Northern India where they are shredded and recycled back into yarn. The story centers on Reshma, a kind and bright woman, and the other women workers of the factory. Our unwanted clothes are tales of the West to them. They use their imagination of how an American could have worn a dress that has a neckline down to the belly button. This beautifully shot film opened my eyes to how a foreign country might view us. See how our trash can become someone’s treasure in the Documentary Shorts Program 12 at the Hideout Theatre, Saturday, October 20 7:15pm, or Tuesday, October 23 3:00pm.
UNWIELDY BEAST
Piano + Bike = Piano Bike? Pianist Gary Frank Skaggs roams around the streets of San Francisco playing his distinctive piano, which happens to be on top of a bike. This unwieldy beast is St. Frankenstein; a piano that Gary found on it’s way to the dump. Transformed with different parts, hence it’s name, it provides this fun documentary short with original music that is sure to put you in a good mood. Come see it play before RISING FROM ASHES at the Imax, Thursday, October 18 7:30pm, or at the Texas Spirit, Wednesday, October 24 8:00pm.
CLOSING NIGHT FILM – JAYNE MANSFIELD’S CAR
WRITER/DIRECTOR BILLY BOB THORNTON IN ATTENDANCE NEW FILM ADDITIONS INCLUDE FRANCOPHRENIA WITH JAMES FRANCO IN ATTENDANCE HYDE PARK ON HUDSON, WHOLE LOTTA SOLE, AND DEADFALL We are happy to announce our Closing Night Film JAYNE MANSFIELD’S CAR with writer/director/actor Billy Bob Thornton in attendance on October 25th. Set in 1969 Alabama, JAYNE MANSFIELD’S CAR is a rich, heartfelt drama about two clashing families brought together …
WRITER/DIRECTOR BILLY BOB THORNTON IN ATTENDANCE
NEW FILM ADDITIONS INCLUDE
FRANCOPHRENIA WITH JAMES FRANCO IN ATTENDANCE
HYDE PARK ON HUDSON, WHOLE LOTTA SOLE, AND DEADFALL
We are happy to announce our Closing Night Film JAYNE MANSFIELD’S CAR with writer/director/actor Billy Bob Thornton in attendance on October 25th.
Set in 1969 Alabama, JAYNE MANSFIELD’S CAR is a rich, heartfelt drama about two clashing families brought together by the death of a woman who was married first to the Alabaman Jim Caldwell and then to the British Kingsley Bedford. The result is a culture clash of the Sixties, and of the Old World versus the Old South. Directed by Billy Bob Thornton and written by Thornton and Tom Epperson, the film stars Robert Duvall, Kevin Bacon, John, Hurt, Robert Patrick, and Thornton.
Also of note: our Opening Night feature is David Chase’s NOT FADE AWAY on October 18th with Chase in attendance. This year’s Centerpiece film is Robert Zemeckis’ FLIGHT starring Denzel Washington. Other recently added films to the lineup include FRANCOPHRENIA, comprised of footage from James Franco’s appearances on “General Hospital,” with Franco in attendance at the screening. HYDE PARK ON HUDSON, WHOLE LOTTA SOLE, and DEADFALL described below are also new additions to the schedule. To view the full film schedule, go here.
FRANCOPHRENIA
James Franco in attendance
Writers: Ian Olds, Paul Felten
Directors: Ian Olds, James Franco
With: James Franco, Kalup Linzy, Owen Renfroe, Steve Burton, Dominic Zamprogna, Julie Berman
This wholly unique documentary follows James Franco’s time on the set of General Hospital, utilizing a thrilling experimental style to focus on Franco’s experiences as an established movie star joining a long-running soap opera and as “Franco,” the performance artist he portrayed on the show. Franco in attendance.
HYDE PARK ON HUDSON
Writer: Richard Nelson
Director: Roger Michell
Cast: Bill Murray, Laura Linney, Olivia Williams, Samuel West, Olivia Colman
In June 1939, President Franklin Delano Roosevelt (Murray) and his wife Eleanor (Williams) host the King and Queen of England for a weekend at the Roosevelt home at Hyde Park on Hudson, in upstate New York – the first-ever visit of a reigning English monarch to America. With Britain facing imminent war with Germany, the Royals are desperately looking for FDR’s support. But international affairs must be juggled with the complexities of FDR’s domestic establishment, as wife, mother, and mistresses all conspire to make the royal weekend an unforgettable one.
WHOLE LOTTA SOLE
Writers: Terry George, Thomas Gallagher
Director: Terry George
Cast: Brendan Fraser, Colm Meaney, and David O’Hara
This latest film from writer/director Terry George (Hotel Rwanda, In the Name of the Father, The Boxer, Reservation Road), is a charming Irish crime caper starring Brendan Fraser as an unwitting hostage caught up in the schemes of a hapless criminal. Featuring a delightful group of character actors, including Colm Meaney and David O’Hara.
DEADFALL
Writer: Zach Dean
Director: Stefan Ruzowitzky
Cast: Eric Bana, Charlie Hunnam, Olivia Wilde, Kris Kristofferson, Sissy Spacek, Kate Mara
Siblings Addison (Bana) and Liza (Wilde) are on the run from a casino heist gone wrong. When a car accident leaves their wheel man and a state trooper dead, they split up and make a run for the Canadian border in the worst of circumstances – a near whiteout blizzard.
2012 EXTRAORDINARY CONTRIBUTION TO FILMMAKING AWARDEE – FRANK DARABONT
We’re thrilled to announce that this year’s Extraordinary Contribution to Filmmaking Awardee is Frank Darabont, director of film favorites THE SHAWSHANK REDEMPTION, THE GREEN MILE, THE MAJESTIC, THE MIST, and more. Darabont will accept the award at the Festival’s annual Award Luncheon on Saturday, October 20 at the Austin Club. Frank Darabont is a three-time Academy Award® nominee (director, writer, and producer) and is one …
We’re thrilled to announce that this year’s Extraordinary Contribution to Filmmaking Awardee is Frank Darabont, director of film favorites THE SHAWSHANK REDEMPTION, THE GREEN MILE, THE MAJESTIC, THE MIST, and more. Darabont will accept the award at the Festival’s annual Award Luncheon on Saturday, October 20 at the Austin Club.
Frank Darabont is a three-time Academy Award® nominee (director, writer, and producer) and is one of only six filmmakers in history to have had their first two feature films as director receive Oscar® nominations for Best Picture, with 1994’s THE SHAWSHANK REDEMPTION and 1999’s THE GREEN MILE. Both these films were adaptations based on works by Stephen King, and both garnered Oscar® nominations for Best Adapted Screenplay. He is also the director of 2001’s THE MAJESTIC starring Jim Carrey and another Stephen King adaptation, 2007’s THE MIST starring Thomas Jane. Darabont most recently is credited as the creator of the critically acclaimed AMC television series, The Walking Dead.
The award winner will contribute to this year’s Conference in “A Conversation with Frank Darabont,” which will take an in-depth look inside Darabont’s career in both film and television as a writer and director.
The Extraordinary Contribution to Filmmaking Award recognizes outstanding filmmakers for going above and beyond with their consistently exceptional bodies of work. Frank Darabont will join the ranks of past recipients, which include the likes of John Lasseter (TOY STORY), Robert Rodriguez (SIN CITY), Ron Howard (THE DA VINCI CODE), Danny Boyle (127 HOURS), Oliver Stone (PLATOON), and Sydney Pollack (OUT OF AFRICA).
Short Focus – Narrative Shorts Competition
Another installment of Short Focus – a new blog series by AFF’s Film Department interns highlighting this year’s Short Film Line-Up. Narrative Short Competition Films, by Alex Gadway. My Left Hand Man As the title suggests, MY LEFT HAND MAN shows a twisted tale of unhealthy co-dependence and tumultuous relationships. Samuel, 17, Beckett, 19, and their father, Warren, are living in a world of debt …
Another installment of Short Focus – a new blog series by AFF’s Film Department interns highlighting this year’s Short Film Line-Up.
Narrative Short Competition Films, by Alex Gadway.
My Left Hand Man
As the title suggests, MY LEFT HAND MAN shows a twisted tale of unhealthy co-dependence and tumultuous relationships. Samuel, 17, Beckett, 19, and their father, Warren, are living in a world of debt controlled by loan sharks. They are constantly trying to play catch-up, performing Shakespeare in the street as a means to scrap by while still finding time to escape their dismal lives; Samuel secretly reads his “Cardinal Comet” comic, and his father drinks and gambles. The aesthetic of the shots alone make this film successful. Having previously dabbled in photography and oil painting, writer/director Antonia Bogdanovich’s intuition and creativity shine. This short also stars Thomas Drodie-Sangster, who is unbelievable in this film, and who I am sure you’ll recognize from LOVE, ACUTALLY and NOWHERE MAN. Despite the film’s dramatic genre, it is still accessible to everyone. Bogdanovich teaches us that we always have hope and can learn to persevere onto better things. See it in Shorts Program 3 – Postcards from the Battlefield at the Hideout Theatre, Sunday, October 21 7:15pm, or Tuesday, October 23 9:30pm.
Asad
This film is a fantastic coming-of-age fable about one Somali boy, Asad. Writer/director Bryan Buckley made it his mission to tell this story after coming across thousands of displaced Somalis in Kenya during his work on a short subject documentary (NO AUTOGRAPHS) in 2010. While the Somalis’ stories of escape and survival were harrowing, Buckley and his crew found their sense of pride and humor astounding. This film’s entire cast is composed of Somali refugees who fled to South Africa. Harun and Ali Mohammad, the two leading boy actors in the film, come from a family of sixteen children. Before the start of this film they had never attended school. Imagine being completely illiterate and having to memorize nineteen pages of dialogue in front of a camera crew and for a director who only knew how to say “yes” and “no” in Somali! ASAD has already screened at multiple festivals, and has won the “Audience Award” at the Los Angeles Film Festival as well as “Best Narrative Short” at the Tribeca Film Festival. See it in Shorts Program 6 – The World Comes of Age at the Hideout Theatre, Saturday, October 20 4:30pm, or Monday, October 22 5:30pm.
Peter at the End
This film is universally relatable because it takes place at home during a dysfunctional family Thanksgiving. Peter (Jon Heder, from NAPOLEON DYNAMITE) returns home after an unexplained absence. As Peter looks for ways to connect with those he left behind, the audience can undoubtedly feel anxiety and frustration as his friends and family don’t realize that there is an “end.” Director Russ Lamoureux allows Peter’s “end” to remain somewhat abstract and ambiguous, but what’s important is that there is an imminent one. Overall, this film gives a hard look at the flaws of humanity. As much as we have experienced our own “ends,” we may never truly grasp something’s significance until it’s truly gone. Like the end of this film, with or without concrete resolution, the end inevitably always comes. See it in Shorts Program 2 – The Search for Ourselves at the Hideout Theatre, Friday, October 19 7:15pm, or Thursday, October 25 6:30pm.
Yardbird
In short, Yardbird tells the tale of a small girl who takes on the town bullies that come to torment her dad. But the way this film came to fruition has an even more rewarding back story. Director Michael Spiccia (who studied design at the Western Australian School of Art and Design) and writer Julius Avery met through mutual friends and colleagues at Cannes (Julius Avery’s film Jerrycan screened at Cannes in 2008). Both hail from Western Australia. Both are the same age. Both have uncannily similar upbringings. That is, neither considered himself a “cool” or “tough” kid, and so both were inspired to use their childhood as a means to focus on themes like control and bullying. Main character Ruby (Mitzi Ruhlmann) portrays a perfect mix of both, without using a single world of dialogue. Yardbird was an official selection at the Cannes Film Festival earlier this year. It is Michael Spiccia’s first film at Cannes. Even better? It’s his first film. Period. See it in Shorts Program 2 – The Search for Ourselves at the Hideout Theatre, Friday, October 19 7:15pm, or Thursday, October 25 6:30pm.
Friday
Struggling to come to terms with his mother’s tragic death one year later, FRIDAY is an emotional, intense, and thrilling short. This is no cookie-cutter plot. Director Sebastian Rice-Edwards starts the film with many things left unsaid. It’s what makes this film so intriguing, and it’s what allows us to put the pieces together as the plot unfolds. Just like the main character’s emotions, our feelings toward him fluctuate between sympathy (for his mother’s death) and hatred (towards his own intolerances). But despite our own judgments, this piece remains very current and relevant. See it in Shorts Program 6 – The World Comes of Age at the Hideout Theatre, Saturday, October 20 4:30pm, or Monday, October 22 5:30pm.
Buzkashi Boys
This fascinating film transcends Western media’s portrayal of war to show that life continues beyond. This film focuses on the lives of unlikely friends: a charismatic street boy, Ahmad, and a defiant blacksmith’s son, Rafi. Director Sam French inspires his audience by showing the boys’ determination to realize their dreams, despite their chosen destinies and despite their war-torn country. This film was shot entirely on location in Kabul, Afghanistan, by an alliance of Afghan and international filmmakers. It was produced through the Afghan Film Project, a non-profit foundation that tells Afghan stories and builds its country’s film industry. Through the creation of this film, more than a dozen Afghan filmmakers learned new skills and techniques in which they have been able to continue building their film industry. See it in Shorts Program 6 – The World Comes of Age at the Hideout Theatre, Saturday, October 20 4:30pm, or Monday, October 22 5:30pm.
La Vitesse du Passé
Translated as THE SPEED OF THE PAST, here writer/director Dominique Rocher toys with our concept of time in a completely new way. While some films show time through a series of non-chronological events, this film portrays it at varying speeds. While Margot and Joseph are renovating their countryside home, Joseph’s sense of time freezes as he’s falling off the roof. On the other hand, Margot’s life continues on normally. This scientific phenomenon is bizarre, imaginative, and thought-provoking. Rocher’s shots and editing are aesthetically pleasing and put the past, literally, right in front of us. While such a loss would stay with us emotionally, in this film it is physically present as well. Rocher succeeds in showing the mortality of humans, and more importantly, the fleeting (or not) nature of time. See it in Shorts Program 1– The Space Between Us at the Hideout Theatre, Sunday, October 21 9:30pm, or Tuesday, October 23 5:30pm.
Atlantis
When N.A.S.A. closed its shuttle program on July 8, 2011, the last launch (Atlantis) brought about a public audience unseen since the days of the Apollo moon missions. In this movie, specifically, we see “hope” as two people — a photographer and a 10th grade science teacher (played by Kate French and Jason Ritter, respectively) — come together. ATLANTIS strongly portrays nostalgia using a grainy aesthetic and black and white images. The film’s informative and inspiring nature transported me back to my middle school days where I dreamt of becoming an astronaut. The film also portrays the N.A.S.A. Program itself as well as the unknown future of Titusville, previously a thriving factory town. I found ATLANTIS to be enjoyable and also accessible to all audiences. See it in Shorts Program 1– The Space Between Us at the Hideout Theatre, Sunday, October 21 9:30pm, or Tuesday, October 23 5:30pm.
Damaged Ones
DAMAGED ONES suitably describes the story of these teenagers. The plot is relatively simple; the beautiful Bella has a new boyfriend, but her friend Cissi always finds herself one step behind. However, it is Bella who makes one bad decision and is completely unaware of the terrible consequences that are to follow. Director Johanna Paulsdotter allows the audience to harshly judge these teens. But what we all must remember is that being a teenager is really a game of survival filled with angst, confusion, and frustration. Never forget, we’ve all been there too. See it in Shorts Program 4 – Dirty Laundry at the Hideout Theatre, Thursday, October 18 9:40pm, or Monday, October 22 9:45pm.
Pray
PRAY exists in an alternate reality, where a girl can be sentenced to be buried-alive. Everything writer/director Theylia Petraki portrays is realistic. Everything, that is, except that this death sentence is so commonplace. Petraki places heavy emphasis on the inevitability of her looming death, and the girl seems to be the only one with the common sense and desperation to save herself. Even though the girl is able to escape home to research survival tactics, inevitably her hearse arrives to take her to the cemetery. It’s like a nightmare: no matter how fast you run (always in slow motion, of course), the person chasing you always catches up. You can try and escape, but Petraki successfully lures you into this bizarre reality that you can’t help but experience. See it in Shorts Program 2 – The Search for Ourselves at the Hideout Theatre, Friday, October 19 7:15pm, or Thursday, October 25 6:30pm.
2012 AFF Film Schedule!
The 2012 AFF Film Schedule is up! Click here for the Schedule Powered by Festival Genius, you can search the schedule by day, film category, event type (panel, film, party), venue, or use the grid view. You can customize your own schedule, as well as download the iPhone app so you can keep your schedule at your fingertips. New additions: HYDE PARK ON HUDSON (UK, …
The 2012 AFF Film Schedule is up!
Click here for the Schedule
Powered by Festival Genius, you can search the schedule by day, film category, event type (panel, film, party), venue, or use the grid view. You can customize your own schedule, as well as download the iPhone app so you can keep your schedule at your fingertips.
New additions:
(UK, 95 min)
Writer: Richard Nelson
Director: Roger Michell
Cast: Bill Murray, Laura Linney, Olivia Williams, Samuel West, Olivia Colman
In June 1939, President Franklin Delano Roosevelt (Murray) and his wife Eleanor (Williams) host the King and Queen of England for a weekend at the Roosevelt home at Hyde Park on Hudson, in upstate New York – the first-ever visit of a reigning English monarch to America. With Britain facing imminent war with Germany, the Royals are desperately looking to FDR for support. But international affairs must be juggled with the complexities of FDR’s domestic establishment, as wife, mother, and mistresses all conspire to make the royal weekend an unforgettable one. Seen through the eyes of Daisy (Linney), Franklin’s neighbor and intimate, the weekend will produce not only a special relationship between two great nations, but, for Daisy – and through her, for us all – a deeper understanding of the mysteries of love and friendship.
(USA, 94 min)
Writer: Zach Dean
Director: Stefan Ruzowitzky
Cast: Eric Bana, Charlie Hunnam, Olivia Wilde, Kris Kristofferson, Sissy Spacek, Kate Mara
Siblings Addison (Bana) and Liza (Wilde) are on the run from a casino heist gone wrong. When a car accident leaves their wheel man and a state trooper dead, they split up and make a run for the Canadian border in the worst of circumstances – a near whiteout blizzard. While Addison heads cross-country, creating mayhem in his wake, Liza is picked up by ex-boxer Jay (Hunnam), en-route for a Thanksgiving homecoming with his parents, June (Spacek) and retired sheriff Chet (Kristofferson). It’s there the siblings are reunited in a terse and thrilling showdown that pushes the bonds of family to the limit.
Short Focus – Animated Shorts Competition
Our talented Film Department interns have created a new blog series, Short Focus, highlighting this year’s Short Film Line-Up. First up, Lauren Armstrong explores the 2012 Animated Short Competition Films. Head Over Heels In ten minutes, director Timothy Reckart manages to steal the heart of even the most cynical viewer with his film HEAD OVER HEELS. In this endearing animated short, made using stop- motion …
Our talented Film Department interns have created a new blog series, Short Focus, highlighting this year’s Short Film Line-Up.
First up, Lauren Armstrong explores the 2012 Animated Short Competition Films.
Head Over Heels
In ten minutes, director Timothy Reckart manages to steal the heart of even the most cynical viewer with his film HEAD OVER HEELS. In this endearing animated short, made using stop- motion animation, Reckart tells the story of an old married couple who has grown apart, literally. She occupies the ceiling of the house and he lives on the floor. I found myself “awwww-ing” at the husband’s cute attempts to reignite the flame between him and his wife. The fact that absolutely no dialogue is used to tell the story is even more impressive. The animation of the character’s faces conveys all the emotion and words would have been superfluous in this sweet and charming short. See it in Shorts Program 1 – The Space Between Us, at the Hideout Theatre, Sunday, October 21st, 9:30 pm or Tuesday, October 23rd, 5:30 pm.
Sleight of Hand
SLEIGHT OF HAND has recently been nominated for Best Animation at the Australian Academy of Cinema and Television Arts, and it’s no wonder why. This charming animated short was created using the stop-motion technique, in which the puppet is moved frame by frame. It takes 25 separate moves to create one second of the movie… that’s over 14,000 individual shots for this one, 9-minute short. The film is essentially a tongue-in-cheek movie about the technique itself and follows a puppet trying to create what writer/director/animator Michael Cusack did in creating the puppet himself. I thoroughly enjoyed watching the technique come to life on the screen, and the puppet’s facial expressions are truly a work of art. AFF is proud to feature this patiently created stroke of genius. See it in Shorts Program 7 – A Glimpse Into Another World, at the Hideout Theatre, Saturday, October 20th at 9:30 pm, and Wednesday, October 24th at 7:30 pm.
From A to B and Back Again
FROM A TO B AND BACK AGAIN stands out amongst competition because of the unique story it tells. The film is part of BBC’s ‘Seeking Refuge’ series that seeks to tell real-life stories of asylum seekers in the UK. Director Andy Glynne tells the story about a young girl and her family fleeing from religious persecution. In a world where animated film is often used for fairy tales or stories for kids, I found it refreshing to see an animated short with such a relevant message behind it. The story compels the audience to care about the family and their issue at hand, while also raising awareness in an interesting way, in this case, through animated re-telling of a true story. See it in Shorts Program 6 – The World Comes of Age, at the Hideout Theatre, Saturday, October 20th at 3:30 pm or Monday, October 22nd at 5:30 pm
Jamón
If you enjoy animated films that are more on the bloody side and involve mature themes of questionable nature, then JAMÓN is the film for you. A graduation film from Iria López, the film follows a teenage pig, José, who is struggling with his identity as the only pig in his family. When a questionable neighbor moves in and involves himself with “interesting” activities, José learns that he may have more in common with the neighbor than he thought. The film uses traditional animation technology and silkscreen printed backgrounds that allow for a very classy look and a thoroughly enjoyable experience. See it in Shorts Program 2 – The Search For Ourselves, at the Hideout Theatre, Friday, October 19th at 7:15 pm, or Thursday, October 25th at 6:30 pm.
Pasteurized
PASTEURIZED is a cute animated film about a cow making pasteurized milk in space. When a cat in a space shuttle comes to check out his laboratory, his world is rocked, literally. Director Nicolás P. Villareal is also a published children’s author- and it shows. The film brought out my inner child and took me on a ride to outer space with a mischievous cat (is there any other kind?) and an interesting-looking green cow. The film has no dialogue, and the score provides all the sound needed. I found myself bouncing along with the cat and the cow on their boisterous, 7-minute journey and was reminded how fun animated movies can be. See it in Shorts Program 11 at the Alamo Drafthouse Village on Saturday, October 20th at 1:00 pm or at the Hideout Theatre on Sunday, October 21st at 3:30 pm.
Buy Buy Baby
In our recent recession, what can be more relevant than an animated short about a baby hanging out at a Wall Street office and unknowingly tearing the place apart? Kids will love the funny anecdotes in the short, and adults will enjoy the not-so-subliminal message of the stock market tumbling with Baby Betty on the loose in the roaring twenties. Gervais Merryweather directed this as his graduation film, and has since won accolades at film festivals all over the world. I was really amused by this film and enjoyed the animation style, as it brought me back to the old school cartoon days. See it in Shorts Program 11 at the Alamo Drafthouse Village on Saturday, October 20th at 1:00 pm or at the Hideout Theatre on Sunday, October 21st at 3:30 pm.
Snack Attack
In four minutes and thirty-five seconds, director Andrew Cadelago manages to draw two very distinct characters, an old lady and a punk teenager! I found myself laughing through SNACK ATTACK, and curious to see how it all ends for the bitter old lady. The film has a very professional, Pixar-like feel to it (Cadelago has worked in the animation department at Pixar), which should make it a fan favorite. The old lady even resembles the beloved character, “Carl,” from UP. See it in Shorts Program 11 at the Alamo Drafthouse Village on Saturday, October 20th at 1:00 pm or at the Hideout Theatre on Sunday, October 21st at 3:30 pm.
2012 SCREENPLAY & TELEPLAY FINALISTS
AFF is pleased to announce the 2012 Screenplay & Teleplay Competition Finalists. They were chosen from a record field of more than 6,500 entries in the Drama, Comedy, Enderby Entertainment Award, Dark Hero Studios Sci-Fi Award, and Teleplay categories. The winners will be announced during this year’s Conference at the Awards Luncheon on Saturday, October 20, 2012 at the Austin Club. Winners will receive cash …
AFF is pleased to announce the 2012 Screenplay & Teleplay Competition Finalists. They were chosen from a record field of more than 6,500 entries in the Drama, Comedy, Enderby Entertainment Award, Dark Hero Studios Sci-Fi Award, and Teleplay categories. The winners will be announced during this year’s Conference at the Awards Luncheon on Saturday, October 20, 2012 at the Austin Club. Winners will receive cash prizes ranging from $1,000 to $5,000, reimbursements for travel and lodging while at AFF, and access to and recognition by some of the most important writers, agents, producers and filmmakers in the industry.
The 2012 Screenplay & Teleplay Finalists are (listed by category and alphabetically by title):
SCREENPLAY – COMEDY
Blind Date by Alex Cramer
Concession Olympics by Megan Grano
Get Real by Bev Atkinson
The P.A.N.D.A. War by Daniel Shea
Santagate by Mike Sundy
SCREENPLAY – DRAMA
Clouds of Sorrow by Jack Davidson
Cumberland by Scott Larson
Dali by Lorraine Mauvais
Dark Ops by Andrew Sodroski & Raven Burnett
From New York to Florida by Austin Reynolds
Lukomorie by Margot Arakelian
ENDERBY ENTERTAINMENT AWARD
For feature scripts in all genres with an original concept and distinctive voice that can be produced for under $5 million. The production company was founded by Rick Dugdale and Daniel Petrie, Jr.
Bad Blood by Chris Connolly
The Break-Up Nurse by Adeline Colangelo
Cancer by Bobby Duncan
Drink With a Stranger by Anita J Skibski
From New York to Florida by Austin Reynolds
DARK HERO STUDIOS SCI-FI AWARD
Open to Science Fiction, Fantasy, Horror, Surrealism, Myth/Legend and Fantastical Storytelling. The studio was founded by David Hayter and Benedict Carver
Bad Blood by Chris Connolly
Dark Ops by Andrew Sodroski & Raven Burnett
The Domain by Michael Raymond
The House of Bathory by Shannon Pestock
My Sweet Genevese by William Viglione
TELEPLAY – ONE-HOUR PILOT
Horizon by B.D. Flory
Mustard by Christian Canterbury
The Photographer by Jennifer Raite & Chris Cullari
Static – “Someone to Watch Over Me” by Keith Davidson
Thin Air by Niceole R Levy
TELEPLAY – SITCOM PILOT
The Doghouse by Greg Karber
Fangirls – “I Love Aquaman” by Lillian DeRitter
Katie and Becca Grow Up by Leila Cohan-Miccio
TELEPLAY – ONE-HOUR SPEC
Dexter – “The Second Coming” by David Radcliff
Justified – “Mama’s in the Graveyard; Papa’s in the Pen” by Courtney Kirkpatrick & Edward Kirkpatrick
Parenthood – “How to Jew” by Nathaniel Orr
TELEPLAY – SITCOM SPEC
30 Rock – “Clinical Implantation” by Dayo Adesokan
The Middle – “To Heck and Back” by Sheela Shrinivas
Modern Family – “Earthquake Party” by Abi Wurdeman & Phil Wurdeman
Finalist scripts will be reviewed by an industry panel of judges including:
Drama Finalist Judges (provided by the Writers Guild of America, East)
- Christopher Kyle – writer SERENA (2013). ALEXANDER
- John J. McLaughlin – writer HITCHCOCK, BLACK SWAN
- Stephen Schiff – writer WALL STREET: MONEY NEVER SLEEPS, TRUE CRIME
Comedy Finalist Judges
- Larry Doyle – writer I LOVE YOU, BETH COOPER; DUPLEX
- Craig Mazin – writer IDENTITY THIEF (2013), THE HANGOVER PART II
- Herschel Weingrod – writer KINDERGARTEN COP, TRADING PLACES
Teleplay Finalist Judges
- Noah Hawley – showrunner “My Generation”, “The Unusuals”
- Kyle Killen – showrunner “Awake”, “Lone Star”
- Nancy Pimental – writer/producer “Shameless”
A PDF of the full list of Finalists and Semifinalists:
2012 Finalists and Semifinalists
A PDF of the full list of Second Rounders:
2012 Austin Film Festival Program Book
Can’t wait until the Festival to take a look at this year’s Program Book? Download a digital copy! 2012 Program Book Please note that we have already made a few changes to the schedule since the Program Book was designed. For the most up-to-date schedule, visit our Conference Schedule page and Film Schedule page.
Can’t wait until the Festival to take a look at this year’s Program Book? Download a digital copy!
Please note that we have already made a few changes to the schedule since the Program Book was designed. For the most up-to-date schedule, visit our Conference Schedule page and Film Schedule page.
2012 AUSTIN FILM FESTIVAL LINE-UP
David Chase to Present NOT FADE AWAY as Opening Night Film Film Line-Up Includes SILVER LININGS PLAYBOOK, THE SESSIONS, FLIGHT, QUARTET, THE SAPPHIRES, SHADOW DANCER, A LATE QUARTET, IT’S A DISASTER, THE FITZGERALD FAMILY CHRISTMAS, and FREE SAMPLES We’re thrilled to announce today this year’s full feature-length film lineup! This year’s films include David Chase’s Not Fade Away (Opening Night Film) with Chase in attendance; …
David Chase to Present NOT FADE AWAY as Opening Night Film
Film Line-Up Includes SILVER LININGS PLAYBOOK, THE SESSIONS, FLIGHT, QUARTET, THE SAPPHIRES, SHADOW DANCER, A LATE QUARTET, IT’S A DISASTER, THE FITZGERALD FAMILY CHRISTMAS, and FREE SAMPLES
We’re thrilled to announce today this year’s full feature-length film lineup! This year’s films include David Chase’s Not Fade Away (Opening Night Film) with Chase in attendance; the previously announced Centerpiece Film Flight; the new film by David O. Russell Silver Linings Playbook, fresh off its Audience Award-winning premiere at the Toronto International Film Festival; The Sessions starring John Hawkes, Helen Hunt, and William H. Macy; Dustin Hoffman’s directorial debut Quartet; The Sapphires; Shadow Dancer starring Clive Owen; Edward Burns’ The Fitzgerald Family Christmas, and the world premieres of Spinning Plates, To Kill a Memory, The Muslims Are Coming!, The Rep, Ex-Girlfriends, and Mar Del Plata.
Below is a listing of AFF’s film lineup which includes Marquee Screenings; the new Guest Programmers series, featuring films selected and presented by panelists and filmmakers like Paul Feig, Phil Rosenthal, and Chris Carter; Comedy Vanguard; Dark Matters; Family Films; Passport to Africa, comprised of four documentary stories about this endlessly fascinating continent; and Texas Independents, a showcase for Texas filmmakers.
AFF 2012 Film Line-Up
Marquee Screenings
NOT FADE AWAY – David Chase (Writer/Director); David Chase in attendance
FLIGHT – John Gatins (Writer), Robert Zemeckis (Director)
SILVER LININGS PLAYBOOK – David O. Russell (Writer/Director); Julia Stiles in attendance
THE SESSIONS – Ben Lewin (Writer/Director)
QUARTET – Ronald Harwood (Writer), Dustin Hoffman (Director)
SHADOW DANCER – Tom Bradby (Writer), James Marsh (Director)
THE SAPPHIRES – Tony Briggs, Keith Thompson (Writers), Wayne Blair (Director)
A LATE QUARTET – Seth Grossman, Yaron Zilberman (Writers), Yaron Zilberman (Director)
IT’S A DISASTER – Todd Berger (Writer/Director); Julia Stiles and America Ferrera in attendance
THE FITZGERALD FAMILY CHRISTMAS – Edward Burns (Writer/Director)
FREE SAMPLES – Jim Beggarly (Writer), Jay Gammill (Director)
A.K.A. DOC POMUS – William Hechter, Peter Miller (Directors)
ANN RICHARDS’ TEXAS – Keith Patterson (Writer), Jack Lofton, Keith Patterson (Directors)
CONGRATULATIONS – Juan Cardarelli, Brian Dietzen, Eric M. Levy, Abby Miller (Writers), Juan Cardarelli, Eric M. Levy (Directors) – World Premiere
THE EYES OF THAILAND – Windy Borman, Tim O’Brien (Writers), Windy Borman (Director)
GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING – Bradford Thomason (Writer), Brett Whitcomb (Director)
I DO – David W. Ross (Writer), Glenn Gaylord (Director)
IDOL IS DEAD – Yukihiro Katô (Writer/Director) – US Premiere
THE KITCHEN – Jim Beggarly (Writer), Ishai Setton (Director)
LAST WILL. & TESTAMENT – Laura Wilson, Lisa Wilson (Directors) – US Premiere
ONLY THE YOUNG – Elizabeth Mims, Jason Tippet (Directors)
THE REP – Morgan White (Writer/Director) – World Premiere
SAMPLE THIS – Dan Forrer (Writers/Director), Robert Burris (Producer) – World Premiere
SPINNING PLATES – Joseph Levy (Writer/Director) – World Premiere
TO KILL A MEMORY – Dustin Rikert, William Shockley, Philip Tiboni (Writers), Dustin Rikert (Director) – World Premiere; star and musician Kix Brooks (of the country music duo Brooks and Dunn) in attendance
Guest Programmers
Chris Carter (2012 Outstanding Television Writer Awardee) presents… Murder by Decree; episodes from “The X-Files” and “Millennium”
Eric Roth (2012 Distinguished Screenwriter Awardee) presents… The Insider
Paul Feig presents… The Human Tornado
Phil Rosenthal presents… Broadway Danny Rose
Comedy Vanguard
BAD PARENTS – Caytha Jentis (Writer/Director)
THE BITTER BUDDHA – Steven Feinartz (Director) – Comedian Eddie Pepitone in attendance
EX-GIRLFRIENDS – Alexander Poe (Writer/Director) – World Premiere; Jennifer Carpenter (“Dexter”) in attendance
THE EXQUISITE CORPSE PROJECT – Adam Conover, Chioke Nassor, Dave Segal, Joel Clark, Raphael Bob-Waksberg (Writers), Ben Popik (Director)
LAST MAN(S) ON EARTH – Aaron Hultgren (Writer/Director)
MISSED CONNECTIONS – Kenny Stevenson (Writer), Eric Kissack (Director)
THE MUSLIMS ARE COMING! – Negin Farsad, Dean Obeidallah (Directors) – World Premiere
PICTURES OF SUPERHEROES – Don Swaynos (Writer/Director) – World Premiere
Dark Matters
BONEBOYS – Kim Henkel (Writer), Duane Graves, Justin Meeks (Directors)
IT’S IN THE BLOOD – Scooter Downey, Sean Elliot (Writers), Scooter Downey (Director)
SATURDAY MORNING MASSACRE – Jory Balsimo, Aaron Leggett, Jason Wehling (Writers), Spencer Parsons (Director)
VAMPIRA AND ME – R.H. Greene (Director)
Family Films
FLATLAND 2: SPHERELAND – Dano Johnson (Writer/Director)
MURT RAMIREZ WANTS TO KICK MY ASS – Dan Lee (Writer/Director) – World Premiere
R.L. STINE’S THE HAUNTING HOUR – Episodes presented by Billy Brown and Dan Angel (Writers/Producers)
Passport to Africa
THE FADE – Andy Mundy-Castle (Director)
FINDING MERCY – Robyn Paterson (Director)
PUNK IN AFRICA – Keith Jones, Deon Maas (Writers/Directors)
RISING FROM ASHES – T.C. Johnstone (Director)
Texas Independents
THE GIRL – David Riker (Writer/Director)
SATELLITE OF LOVE – Jonathan Case, Will Moore (Writers). Will Moore (Director)
SPRING EDDY – George Anson (Writer/Director) – World Premiere
Narrative Feature Competition
ALLEGIANCE – Michael Connors (Writer/Director)
COME MORNING – Derrick Sims (Writer/Director) – World Premiere
JUNCTION – Tony Glazer (Writer/Director)
JUNK – Kevin Hamedani, Ramon Isao (Writers), Kevin Hamedani (Director) – World Premiere
LAST STOP: SALVATION – Baris Pirhasan (Writer), Yusuf Pirhasan (Director)
LIARS FIRES AND BEARS – Jeremy Cloe (Writer), Jeremy Cloe, Lundon Boyd (Directors)
MAR DEL PLATA – Ionathan Klajman (Writer), Ionathan Klajman, Sebastian Dietsch (Directors) – World Premiere
SPARROWS DANCE – Noah Buschel (Writer/Director)
Documentary Feature Competition
ELEMENTAL – Emmanuel Vaughan-Lee (Director)
FOUR HORSEMEN – Ross Ashcroft (Director) – US Premiere
INFORMANT – Jamie Meltzer (Director)
LAST DAY AT LAMBEAU – Michael Neelsen (Director)
THE MISSING PIECE: THE TRUTH ABOUT THE MAN WHO STOLE THE MONA LISA – Joe Medeiros (Director)
MR. CAO GOES TO WASHINGTON – S. Leo Chiang (Director)
PLIMPTON! STARRING GEORGE PLIMPTON AS HIMSELF – Thomas Bean, Luke Poling (Directors)
WHERE HAVE ALL THE MERMAIDS GONE? – Nathaniel Kramer (Director) – US Premiere
For the full list of short films playing at the Festival, download the PDF below:
Note: the Shorts Line-Up does not include the Young Filmmakers Competition Shorts.
Eric Roth – 2012 Distinguished Screenwriter Award Recipient
We’re so proud to announce that Eric Roth, screenwriter of THE INSIDER, FORREST GUMP, THE CURIOUS CASE OF BENJAMIN BUTTON, EXTREMELY LOUD & INCREDIBLY CLOSE, MUNICH, and more, will receive our 2012 Distinguished Screenwriter Award! Roth will accept the award at the Festival’s annual Award Luncheon held on Saturday, October 20, 2012 at the Austin Club. Eric Roth won an Academy Award® and a Writers …
We’re so proud to announce that Eric Roth, screenwriter of THE INSIDER, FORREST GUMP, THE CURIOUS CASE OF BENJAMIN BUTTON, EXTREMELY LOUD & INCREDIBLY CLOSE, MUNICH, and more, will receive our 2012 Distinguished Screenwriter Award! Roth will accept the award at the Festival’s annual Award Luncheon held on Saturday, October 20, 2012 at the Austin Club.
Eric Roth won an Academy Award® and a Writers Guild of America Award (WGA) for his screenplay FORREST GUMP, the Oscar®-winning Best Picture directed by Robert Zemeckis. Roth received his second Oscar®, Golden Globe and WGA Award nominations for the screenplay for the Best Picture-nominated film THE INSIDER. He garnered both Oscar® and Golden Globe nominations for the screenplays of Steven Spielberg’s drama MUNICH and more recently for David Fincher’s THE CURIOUS CASE OF BENJAMIN BUTTON. His other screenwriting credits include Michael Mann’s ALI, Robert De Niro’s THE GOOD SHEPHERD, Robert Redford’s THE HORSE WHISPERER and many more.
More recently, he wrote the screenplay for the Oscar®-nominated film EXTREMELY LOUD & INCREDIBLY CLOSE, based on the novel by Jonathan Safran Foer. For the small screen, Roth served as executive producer and wrote two episodes for David Milch’s HBO drama Luck, starring Dustin Hoffman and Nick Nolte. Currently, Roth is executive producer, with David Fincher, on Netflix’s first original television series, House of Cards, starring Kevin Spacey and Robin Wright, which premieres in January 2013. Roth is also writing the screenplay for the epic film CLEOPATRA, starring Angelina Jolie. In 2012, Roth received the Writers Guild’s prestigious Laurel Award for Lifetime Achievement in Screenwriting.
At this year’s Conference, Roth will present “A Conversation with Eric Roth,” giving an inside look into his films and career. He will also host a retrospective screening of his 1999 film, THE INSIDER.
For his full bio, click here.
Don’t forget to get your Awards Luncheon ticket when you buy your Conference or Producers Badge to see Roth and Chris Carter accept this year’s awards!
2012 SCREENPLAY & TELEPLAY COMPETITION SEMIFINALISTS AND SECOND ROUNDERS
AFF is pleased to announce its 2012 Screenplay & Teleplay Competition Semifinalists and Second Rounders who were chosen from a record field of more than 6500 entries in the Drama, Comedy, Enderby Entertainment Award, Dark Hero Studios Sci-Fi Award, and Teleplay categories. A total of 729 scripts advanced to the Second Round (roughly top 10-12%) before being eliminated. 96 scripts were selected for the Semifinals …
AFF is pleased to announce its 2012 Screenplay & Teleplay Competition Semifinalists and Second Rounders who were chosen from a record field of more than 6500 entries in the Drama, Comedy, Enderby Entertainment Award, Dark Hero Studios Sci-Fi Award, and Teleplay categories. A total of 729 scripts advanced to the Second Round (roughly top 10-12%) before being eliminated. 96 scripts were selected for the Semifinals to remain in contention.
The Finalists will be revealed by early October and the winners will be announced during this year’s Conference at the Awards Luncheon on Saturday, October 20th, 2012 at the Austin Club. Winners will receive cash prizes ranging from $1,000 to $5,000, reimbursements for travel and lodging while at AFF, and access to and recognition by some of the most important writers, agents, producers and filmmakers in the industry.
This year’s Semifinalists are (listed by category and alphabetically by title):
Screenplay – Comedy
- 12 Steps for Pussies by Dwayne McKenzie & Jim Patton
- Blind Date by Alex Cramer
- The Break-Up Nurse by Adeline Colangelo
- Candy Rocks Doesn’t Grow Up by Eric Randolph Rasmussen
- Concession Olympics by Megan Grano
- Detroit Nuke City by John Sheehan
- Donnie Lasagna by Anthony Stitt & Jeff Trently
- Get Real by Bev Atkinson
- Henchmen by Eric Gross & Marshall Johnson
- High School Seniors by Hamish McCollester
- How to Win in Politics by Jordan Newman
- MILFS by Carrie Stett
- The Monster of Perfect, California by Paul Sheridan
- The P.A.N.D.A. War by Daniel Shea
- Rusty by Michael Ouellette
- Santagate by Mike Sundy
- Two Old Dicks by Matt Zajac
- V-Day by Ali Imran Zaidi
- Western Bloc by Margot Arakelian
- Worst.Date.Ever. by Joshua Sheehan & Marco Rodriguez
Screenplay – Drama
- Bad Blood by Chris Connolly
- Child-Proof by Michael Levin & Kevin Brotman
- Clouds of Sorrow by Jack Davidson
- Cold Snap by Samuel J. Winokur
- Cry Mother Earth by Aron Wilburn & George Wilburn
- Cumberland by Scott Larson
- Dali by Lorraine Mauvais
- Dark Ops by Andrew Sodroski & Raven Burnett
- Deacon’s Point by Blake McCallister
- Drink With a Stranger by Anita J Skibski
- Freedom by Byron Hudson
- From New York to Florida by Austin Reynolds
- Havana Rules by Annie LaBarba
- Heaven’s Door by Geoff Redknap
- The House of Bathory by Shannon Pestock
- Lukomorie by Margot Arakelian
- The Mortality Game by Ed Vela
- The Murphys by Kaitlin McLaughlin
- My Sweet Genevese by William Viglione
- Our Enemies by Ramesh Santanam
- Paris Burning by Roberto Dantas
- The Rise and Fall of Lorenzo the Kid by Matthew A. Brown
- What’s Ailing Spencer Frayley by Michael Werwie
- The Witness by Nouri Zarrugh
Enderby Entertainment Award
(For feature scripts in all genres with an original concept and distinctive voice that can be produced under $5 million. The production company was founded by Rick Dugdale and Daniel Petrie, Jr.)
- Bad Blood by Chris Connolly
- The Break-Up Nurse by Adeline Colangelo
- Cancer by Bobby Duncan
- Drink With a Stranger by Anita J Skibski
- From New York to Florida by Austin Reynolds
- Hero Wanted by Dennis Douda
- Santagate by Mike Sundy
- The Scrubland by Corey Bodoh-Creed
- Suburban Gothic by Anton Diether
- Will’s Friend Will by Elaine Thomas
Dark Hero Studios Sci-Fi Award
(Open to Science Fiction, Fantasy, Horror, Surrealism, Myth/Legend and Fantastical Storytelling. The studio was founded by David Hayter and Benedict Carver)
- Bad Blood by Chris Connolly
- Coffin Makers by David B. Carren
- Dark Ops by Andrew Sodroski & Raven Burnett
- The Domain by Michael Raymond
- Heirloom by Noga Landau
- The House of Bathory by Shannon Pestock
- Little Lucy by Daniel J. Hernandez
- My Sweet Genevese by William Viglione
- Shiny Penny by Daniel Shea
- When the Moon Rises by Jeff Storms
Teleplay – One-Hour Pilot
- Beltway – “The Last of the Swinging Dicks” by Thom Woodley
- Bricks and Stones by Alexander Newman-Wise
- The Hinterland – “The Last Human City” by Jason Noto
- Horizon by B.D. Flory
- Mnemonic by Jimmy Miller
- Mustard by Christian Canterbury
- The Photographer by Jennifer Raite & Chris Cullari
- The Reel by Adam D’Alba
- Static – “Someone to Watch Over Me” by Keith Davidson
- Street Legal by Warren Hsu Leonard
- Thin Air by Niceole R Levy
- Under the Law by Rebecca Omahen
Teleplay – Sitcom Pilot
- Blood Types by Adam Meyer
- The Doghouse by Greg Karber
- Fangirls – “I Love Aquaman” by Lillian DeRitter
- Funny Motherfuckers – “Dropped, Weak, and Horny” by Joseph J. Vargas
- Katie and Becca Grow Up by Leila Cohan-Miccio
- The New Twenty – “Esse Quam Videri” by Tony Sekulich
- Welcome to the Sh!t Show by Robert Dearden
Teleplay – One-Hour Spec
- Dexter – “The Second Coming” by David Radcliff
- Justified – “Mama’s in the Graveyard; Papa’s in the Pen” by Courtney Kirkpatrick and Edward Kirkpatrick
- The Mentalist – “Cardinal Sins” by Julie Christie
- Parenthood – “How to Jew” by Nathaniel Orr
- Shameless – “Sleeping Dogs” by Jennifer Raite
- White Collar – “Face of Terror” by Bobak Esfarjani
Teleplay – Sitcom Spec
- 30 Rock – “Clinical Implantation” by Dayo Adesokan
- Bored to Death – “The Case of the Swinging Brewskee Ballers” by Lee Carlisle
- The Middle – “To Heck and Back” by Sheela Shrinivas
- Modern Family – “Earthquake Party” by Abi Wurdeman & Phil Wurdeman
- New Girl – “Schmidt Gets His Period” by Beau Henry
- Parks & Rec – “Ye Olde Pawnee” by Julie Benson
- Raising Hope – “Get Rich Quick, Boys and Girls!” by Kat Lombard
For the full list of this year’s Second Rounders, download the PDF below.
Semifinalist scripts will be reviewed by an industry panel of judges including representatives from Oasis Media, Energy Entertainment, Mosaic Media, Brucks Entertainment, Paradigm Agency, Escape Artists at Sony, Fortis Films, Washington Square Arts, Tom Sawyer Entertainment, APA, Gross Entertainment, and many other influential decision makers. Semifinalist, Finalists, and winners in this year’s competition will also be included in the Annual Producer’s Book which will be distributed to more than 400 production companies later this year.
Congratulations Everyone!
Robert Rodriguez – 2012 Film & Food Honorary Chair
We’re thrilled to announce that writer /director /producer Robert Rodriguez will serve as honorary chair for the 10th anniversary celebration of AFF’s annual Film & Food Party, benefitting AFF’s Young Filmmakers Program. Film & Food will be held on Wednesday, October 17, 2012 at the Driskill Hotel in Austin, TX and kicks off the 19th Annual Festival & Conference. In addition to attending Austin Film …
We’re thrilled to announce that writer /director /producer Robert Rodriguez will serve as honorary chair for the 10th anniversary celebration of AFF’s annual Film & Food Party, benefitting AFF’s Young Filmmakers Program. Film & Food will be held on Wednesday, October 17, 2012 at the Driskill Hotel in Austin, TX and kicks off the 19th Annual Festival & Conference.
In addition to attending Austin Film Festival for years, Rodriguez has a long history of supporting young filmmakers and the arts in Austin. A Texas native, Rodriguez grew up in San Antonio, later attending the University of Texas. Over the course of his dynamic career, he has produced over 16 films, including iconic titles such as DESPERADO, FROM DUSK ‘TIL DAWN, ONCE UPON A TIME IN MEXICO, MACHETE, SIN CITY, GRINDHOUSE, and the popular SPY KIDS franchise. Rodriguez continues to produce his films outside of the Hollywood system setting production in Austin at Troublemaker Studios.
Film & Food is an evening dedicated to honoring Austin as both a nationally recognized thriving film industry and a renowned culinary hotspot. Held in the glamorous and historic Driskill Hotel, this evening of specialty cocktails by Twin Liquors and innovative cuisine, presented by some of Austin’s hottest restaurants, brings together Austinites and visitors alike to celebrate the arts. Live and silent auctions present the very best in luxury items, trips and experiences. It’s also a great time to rub elbows with some of the top filmmakers and screenwriters in town for the Festival. The event will be a gathering of creative minds, with industry icons joined by the culinary talents behind Foreign & Domestic, Olive & June, Swift’s Attic, Haddington’s, TRACE, Trento, and many more.
10TH annual Film & Food Party
Wednesday, October 17th, 2012
7pm – 10pm
Driskill Hotel ~ Austin, TX
Tickets are $90 in advance ~ $100 at the door
$75 tickets available for AFF Members and Badge Holders
Click here to get your tickets
Interested in ticket packages or sponsorship? Click here!
Proceeds from the event benefit AFF’s Young Filmmakers Program. The Young Filmmakers Program was founded to encourage students, ages 9 – 18, to explore their creativity and improve their literacy skills through the arts of screenwriting and filmmaking. Programs are offered free through AISD schools and partner organizations and grant more than 300 students and teachers scholarships to the annual Austin Film Festival & Conference.
Cast Your Vote in the Film Poster Competition
This year, Austin Film Festival hosted its first film poster competition, encouraging artists to choose a film in AFF’s year-round film program and re-envision the movie poster for that film. For each of the films, AFF chose a winning poster and printed a limited edition run, sold at the screening. Now, the artists of the five winning posters (below) have a chance to win a …
This year, Austin Film Festival hosted its first film poster competition, encouraging artists to choose a film in AFF’s year-round film program and re-envision the movie poster for that film. For each of the films, AFF chose a winning poster and printed a limited edition run, sold at the screening. Now, the artists of the five winning posters (below) have a chance to win a Producers Badge to this year’s Festival! The winning poster will also be printed and sold at the Festival.
Vote for your favorite by selecting your favorite poster and clicking “submit your vote”. Don’t forget to click “like” and send the contest to your friends!
Voting closes September 21st at 5pm CST.
More Information
Tell Your Friends to Vote!
A Note to This Year’s Screenplay & Teleplay Competition Entrants
After several months of sifting through a record number of over 6500 entries involving unique stories, memorable characters, and exemplary dialogue, we have finally narrowed down the field to the celebrated Second Rounders (top 10%) and the Semifinalist scripts that are still in contention. The full results will be posted on our website next week but in the meantime, notification letters should be arriving in …
After several months of sifting through a record number of over 6500 entries involving unique stories, memorable characters, and exemplary dialogue, we have finally narrowed down the field to the celebrated Second Rounders (top 10%) and the Semifinalist scripts that are still in contention. The full results will be posted on our website next week but in the meantime, notification letters should be arriving in mailboxes before then. Regardless of the outcome, you have already taken an admirable step in your writing career by completing a story and putting it through the gauntlet. Evaluating screenplays at this level is a complicated process that is, by nature, extremely subjective. The measure of your success as a writer is not forecasted only by the outcome of a competition. Whether this was your first or nineteenth time submitting in AFF, rejection is never easy but it is an important part of growing as an artist. Without rejection, there would be no incentive to improve and no reason to push further to succeed. And when you do succeed, the rewards are far greater and the experience much sweeter. To those of you who advanced in the competition this year, congratulations on receiving a distinction that is achieved only by few. As a writer, you are of course only as good as your next work. If writing is your passion, please continue to pursue it.
- Matt Dy
Screenplay & Teleplay Competition Director
2012 EARLY 10 FILMS
2012 AUSTIN FILM FESTIVAL EARLY 10 FILMS INCLUDING CENTERPIECE FILM – FLIGHT We’re thrilled to announce today the first 10 films included in our 2012 lineup! From world premieres to the highly anticipated films that will compete for Oscars®, these ten films represent the unique and diverse films that will screen at this year’s festival. AFF 2012 EARLY 10 FILMS FLIGHT Centerpiece Film Writer: …
2012 AUSTIN FILM FESTIVAL EARLY 10 FILMS
INCLUDING CENTERPIECE FILM – FLIGHT
We’re thrilled to announce today the first 10 films included in our 2012 lineup! From world premieres to the highly anticipated films that will compete for Oscars®, these ten films represent the unique and diverse films that will screen at this year’s festival.
AFF 2012 EARLY 10 FILMS
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FLIGHT
Writer: John Gatins
Director: Robert Zemeckis
In this action-packed mystery thriller, Academy Award winner Denzel Washington stars as Whip Whitaker, a seasoned airline pilot who miraculously crash-lands his plane after a mid-air catastrophe, saving nearly every soul on board. After the crash, Whip is hailed as a hero, but as more is learned, more questions than answers arise as to who or what was really at fault, and what really happened on that plane? Directed by Robert Zemeckis, the highly anticipated new film also stars John Goodman, Don Cheadle, and Melissa Leo.
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FREE SAMPLES
Director: Jay Gammill
A Stanford law school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend’s birthday, she finds herself stuck running an ice cream truck fending off locals and oddball friends alike. This one day spent in a truck on the streets of LA will wake Jillian from her aimless daze and make her see that life doesn’t stop just because you want it to. Starring Jess Weixler, Jesse Eisenberg, Halley Feiffer, Jason Ritter, this great new comedy is directed by Baylor University film school grad Jay Gammill.
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IT’S A DISASTER
Four couples meet for Sunday brunch only to discover they are stuck in a house together as the world may be about to end. Starring Julia Stiles, America Ferrera and David Cross. Julia Stiles and America Ferrera will present the screening at AFF.
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LAST WILL & TESTAMENT
Directors: Laura Wilson, Lisa Wilson
It’s the greatest literary mystery of all time; who wrote the works of William Shakespeare? Although the official story of a Stratford merchant writing for the London box office has held sway for centuries, questions over the authorship of the plays and poems have persisted. Mark Twain, Sigmund Freud and Charlie Chaplin are among the many famous figures who doubt that a grain-dealer from Stratford was England’s “Star of Poets”. From Executive Producer ROLAND EMMERICH, DEREK JACOBI leads an impressive cast featuring VANESSA REDGRAVE and MARK RYLANCE on a quest to uncover the truth behind the world’s most elusive author and discovers a forgotten nobleman whose story could rewrite history.
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PICTURES OF SUPERHEROES
Writer/Director: Don Swaynos
A young maid is asked by her employer to pretend to be his wife as part of a highly questionable business scheme. Meanwhile, she meets the comic book superhero artist living in her employer’s home (seemingly without the employer’s knowledge or permission), and she begins to wonder if there is something more to life than fake marriages and carpet cleaners. Produced by Kelly Williams, and starring Kerri Lendo, John Merriman, Byron Brown and Chris Doubek.
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RISING FROM ASHES
Two worlds collide when cycling legend Jock Boyer (first American to compete in the Tour de France) moves to Rwanda and teams with Tom Ritchey (inventor of the mountain bike) to help a group of struggling genocide survivors pursue their dream of a national team. As they set out against impossible odds, both Jock and the team find new purpose as they rise from the ashes of their past. Narrated by Forest Whitaker and directed by Austin native T.C. Johnstone, this remarkable story culminated at the 2012 Olympics in London when one of the subjects of the film, Adrien Niyonshuti, competed in the Games and became Rwanda’s first Olympic cyclist.
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SHADOW DANCER
Director: James March
Single mother Collette McVeigh is a Republican living in Belfast with her mother and hardliner IRAbrothers. When she is arrested for her part in an aborted IRA bomb plot in London, an MI5 officer (Mac, played by Clive Owen) offers her a choice: lose everything and go to prison for 25 years or return to Belfast to spy on her own family. With her son’s life in her hands, Collette chooses to place her trust in Mac and return home, but when her brothers’ secret operation is ambushed, suspicions of an informant are raised and Collette finds both herself and her family in grave danger. Starring Clive Owen, Andrea Riseborough, and Gillian Anderson.
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SPINNING PLATES
Writer/Director: Joseph Levy
Spinning Plates is a feature documentary film about three restaurants, extraordinary for what they are today as well as the challenges they have overcome. A cutting-edge restaurant named the seventh best in the world whose chef must battle a life-threatening obstacle to pursue his passion… a 150-year-old family restaurant still standing only because of the unbreakable bond with its community… a fledgling Mexican restaurant whose owners are putting everything they have on the line just to make enough to survive and provide for their young daughter. Features Chef Grant Achatz of Chicago’s Alinea and Chef Thomas Keller of California’s The French Laundry.
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TO KILL A MEMORY
Writers: Dustin Rikert, William Shockley, Philip Tiboni
Director: Dustin Rikert
A respected US Marshal is imprisoned after being suspiciously involved in a bank robbery gone wrong. When he learns that the other bank robbers may be going after his wife, the Marshal must escape prison and catch them before it’s too late. This low budget indie Western features an astonishing lead performance from country western singer Kix Brooks of Brooks and Dunn. Kix Brooks will present the screening at AFF.
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PAUL FEIG PRESENTS: THE HUMAN TORNADO AND BRINGING UP BABY
This year, AFF is excited to introduce an all new Guest Programmer section, which invites some of our highly regarded panelists and guest filmmakers to program and present films that inspired them. Paul Feig (director of BRIDESMAIDS, creator of “Freaks and Geeks,” also directed episodes of “Arrested Development,” “The Office,” “Mad Men,” “30 Rock” and more) has chosen two very different films: the blaxsploitation Dolemite adventure THE HUMAN TORNADO and Howard Hawks’ immortal screwball comedy BRINGING UP BABY. Don’t miss an opportunity to hear how these two wildly diverse films influenced one of the most in-demand directors in Hollywood today.
2012 Outstanding Television Writer Award – Chris Carter
We’re proud to announce that this year’s Outstanding Television Writer Award recipient - The X-Files creator Chris Carter! Described by Time Magazine as a “televisionary,” Chris Carter created four ground-breaking television series for Fox: The X-Files, Millennium, Harsh Realm, and The Lone Gunmen. Carter is best known for his longest running series, the award-winning sci-fi drama The X-Files, which ran for nine seasons on Fox and …
We’re proud to announce that this year’s Outstanding Television Writer Award recipient - The X-Files creator Chris Carter!
Described by Time Magazine as a “televisionary,” Chris Carter created four ground-breaking television series for Fox: The X-Files, Millennium, Harsh Realm, and The Lone Gunmen. Carter is best known for his longest running series, the award-winning sci-fi drama The X-Files, which ran for nine seasons on Fox and spawned two feature films. He’s currently developing a new series for cable.
Carter’s participation during the Conference will include “A Conversation with Chris Carter,” where he will share stories from his long career in television and film. Carter will also present special retrospective screenings of The X-Files and Millennium episodes and, as a guest programmer, will host a screening of one of his favorite films for Festival audiences. And, stay tuned for details on The X-Files marathon at the Alamo Drafthouse!
Carter joins Paul Feig and Brian Helgeland as part of AFF’s new Guest Programmer section of the Festival, giving highly regarded filmmakers an opportunity to screen and discuss the films that influenced them. These filmmakers will shed new light not only on these classic films but also on their own work.
Carter is the most recent addition to the list of AFF’s Outstanding Television Writer recipients Hart Hanson (Bones), David Simon (The Wire), Mitchell Hurwitz (Arrested Development), Greg Daniels (The Office, Parks & Recreation) and many more.
2011 Alumni News
After world-premiering at AFF last year, the indie feature SEARCHING FOR SONNY went on to screen at over 30 festivals nationwide. Now, scheduled for simultaneous release on VOD, DVD and Blu-ray on August 28th, the comedy murder-mystery will also be shown at 19 nationwide limited-engagement screenings via the consumer-driven TUGG distribution program. The film stars Jason Dorhing (Veronica Mars) and Minka Kelly (Friday Night Lights) …
After world-premiering at AFF last year, the indie feature SEARCHING FOR SONNY went on to screen at over 30 festivals nationwide. Now, scheduled for simultaneous release on VOD, DVD and Blu-ray on August 28th, the comedy murder-mystery will also be shown at 19 nationwide limited-engagement screenings via the consumer-driven TUGG distribution program. The film stars Jason Dorhing (Veronica Mars) and Minka Kelly (Friday Night Lights) as former students who vie to find the answers when an old friend (Masi Oka of Heroes) goes missing.
LET GO, an 2011 AFF Official Selection, will be available on DVD on August 21st and well as via a number of digital options including VOD, iTunes, Amazon, Sony Playstation, Vudu, Microsoft Xbox and YouTube. Starring David Denham (aka Roy from The Office), Kevin Hart, Community star Gillian Jacobs and Ed Asner, LET GO follows the intertwining stories of Walter Dishman, a melancholy parole officer struggling with the doldrums of married life, and three eccentric ex-convicts recently placed under his supervision. Check out clips from the film on Indiewire.
And the 2011 AFF Audience Award-winning film in the Documentary Feature category, ECSTASY OF ORDER: THE TETRIS MASTERS, is now available in HD for rental or purchase on US iTunes, as well as a number of other VOD formats. ECSTASY, which charmed audiences at AFF and other film festivals around the country, follows the lives of several gamers from around the country as they prepare to compete in the 2010 Classic Tetris World Championship.
Congratulations, guys! We’re proud to have played these fantastic films.
Advance Sign Up: The Hart Chart with James V. Hart
Announcing the latest Advance Sign Up for the 2012 Austin Film Festival and Conference! Come experience the famous “Hart Chart” first hand. James V. Hart (HOOK, CONTACT, AUGUST RUSH, BRAM STOKER’S DRACULA) will explore how to better develop characters and stories by getting to the “heart” of the script. Using notable films as examples, join us in this breakdown of establishing main character desires, their …
Announcing the latest Advance Sign Up for the 2012 Austin Film Festival and Conference!
Come experience the famous “Hart Chart” first hand. James V. Hart (HOOK, CONTACT, AUGUST RUSH, BRAM STOKER’S DRACULA) will explore how to better develop characters and stories by getting to the “heart” of the script. Using notable films as examples, join us in this breakdown of establishing main character desires, their progress toward their goal and how to create a successful resolution. Through the Hart Chart’s guidelines for implementing craft, learn to embrace structure as a friend, not enemy, and how to flesh out ideas for the screen.
Open to all Conference and Producer Badges.
JAMES V. HART’s writing/producing credits include; HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6 year old Son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis.
Other writing/producing credits include: MARY SHELLEY’S FRANKENTSEIN, TUCK EVERLASTING, SAHARA, JACK AND THE BEANSTALK: THE REAL STORY, LARA CROFT: TOMBRAIDER – THE CRADLE OF LIFE, and AUGUST RUSH
Hart is currently in production on the animated feature EPIC with children’s book illustrator and home town friend, SMU graduate, William Joyce, and director-animator Chris Wedge, who created ICE AGE and ROBOTS with Joyce for release in 2013.
Click here to sign up!
First Round of Conference Panels Announced
We’re thrilled to announce our initial round of 2012 Conference panels, along with over 30 new panelists including top screenwriters, directors and more. This year’s Conference panels delve into a wide variety of topics ideal for writers and filmmakers of all levels, while also providing an entertaining and intriguing look behind the curtain for the general public. Click here for all confirmed panels Here are …
We’re thrilled to announce our initial round of 2012 Conference panels, along with over 30 new panelists including top screenwriters, directors and more.
This year’s Conference panels delve into a wide variety of topics ideal for writers and filmmakers of all levels, while also providing an entertaining and intriguing look behind the curtain for the general public.
Click here for all confirmed panels
Here are just some of the fantastic panels we’re offering this October:
D.C. VS MARVEL!
For the first time since the limited edition, bestselling comic book we’re bringing D.C. Comics and Marvel together! The creative minds behind the films IRON MAN 3, THOR, THE AVENGERS, THE AMAZING SPIDER-MAN, HULK, THE INCREDIBLE HULK, SUPERMAN RETURNS, ELEKTRA, THE GREEN LANTERN, X-MEN: THE LAST STAND, X2, X-MEN: FIRST CLASS and more will be under one roof at the Austin Film Festival this October. We’re planning a panel of spectacular proportions covering everything from writing for the D.C. and Marvel universes, rules the writers had to keep in mind about the characters and how they managed to infuse originality into these beloved and intricate stories.
CROWDFUNDING YOUR INDIE FILM
As our world gets more connected and technologically developed, filmmakers are finding numerous avenues and opportunities to get their projects off the ground. Learn from filmmakers how best to utilize crowdfunding platforms and get the money you need to make your project a reality.
WRITING ESPIONAGE
Everyone loves a good spy movie, but writing a compelling mystery set in the world of espionage is easier said than done. Get tips from the screenwriters behind such hard-to-crack mystery thrillers as SAFE HOUSE, THE BOURNE ULTIMATUM, GOLDENEYE, L.A. CONFIDENTIAL, and others on how to craft a truly fun and effective spy mystery.
WRITING FOR VIDEO GAMES
With the crossover writers behind such game-changing videos as Call of Duty: Modern Warfare 3, FEAR: Extraction Point, FEAR: Perseus Mandate, Ragnarok, Harm’s Way, Pursuit Force, From Russia with Love, Bloodstone and GoldenEye Reloaded, we had to have a panel on writing for video games.
REBOOTS
Hollywood is producing more and more reboots of classic tales and popular franchises, and while in some ways this can be advantageous for writers, since they have volumes of source material to draw from, it also presents another series of challenges. Join the conversations with screenwriters who have confronted these challenges when writing successful – or not so successful – reboots.
SPECIAL WRITERS ROOM ROUNDTABLE!
These roundtables are popular and famous in Hollywood for punching up the story and comedy of a script with a team of professional writers. For the first time ever, we’re going to have not one, but two of them at the Conference this year. They’re gonna go down fast, irreverent, funny, opinionated, harsh and illuminating. And you won’t want to miss a word.
ESSENTIALS FOR AN EFFECTIVE SCENE
For your script to be great, each scene must be essential and has to stand alone as a compelling piece of storytelling. Learn tips from the experts on how to make every scene you write effective. Remember, when you’re trying to get the studio to bet on you, your script’s not up against your cousin’s, it’s up against Brian Helgeland’s.
THE THROW
Terry Rossio will lead a new presentation on “the throw,” transitioning between scenes. When you get to shooting scenes, or work with a director, much thought goes into transitioning from one scene to another. Very practical, actual writing techniques will be discussed and accompanied by film clips demonstrating good – and bad – throws.
Click here to see all of the confirmed panels.
And just some of the newly confirmed 2012 panelists:
- Kent Alterman, Head of Original Programming and Production for Comedy Central
- Shane Black, writer/director IRON MAN 3, KISS KISS BANG BANG, writer THE LONG KISS GOODNIGHT, LETHAL WEAPON
- Michael Dougherty, writer SUPERMAN RETURNS, X2, TRICK ‘R TREAT
- Larry Doyle, writer I LOVE YOU, BETH COOPER, The Simpsons, Beavis and Butt-Head
- Paul Feig, director BRIDESMAIDS, The Office, Arrested Development, creator Freaks and Geeks, writer/director I AM DAVID
- Bruce Feirstein, writer GOLDENEYE, TOMORROW NEVER DIES, THE WORLD IS NOT ENOUGH
- Sacha Gervasi, director HITCHCOCK, writer/director MY DINNER WITH HERVE, ANVIL: THE STORY OF ANVIL, writer THE TERMINAL
- Michael Green, creator Kings, writer THE GREEN LANTERN, The River, Heroes, Smallville
- Rick Jaffa & Amanda Silver, writers/producers RISE OF THE PLANET OF THE APES, THE HAND THAT ROCKS THE CRADLE, writers THE RELIC
- Damon Lindelof, writer PROMETHEUS, Lost, writer/producer STAR TREK sequel
- Kari Lizer, creator/ep The New Adventures of Old Christine, writer/ep Will & Grace
- Matt Olmstead, writer/producer Chicago Fire, NYPD Blue, Prison Break, Breakout Kings
- Nancy Pimental, writer Shameless, South Park
- Bruce Joel Rubin, writer GHOST, THE TIME TRAVELER’S WIFE, THE LAST MIMZY, JACOB’S LADDER
- Elizabeth Sarnoff, writer/ep Lost, Alcatraz, Deadwood
- Paul Simms, writer The Flight of the Conchords, NewsRadio, The Larry Sanders Show, Late Night with David Letterman
- Juliet Snowden & Stiles White, writers THE POSSESSION, KNOWING, BOOGEYMAN
- Amy Talkington, writer VALLEY GIRL ‘12, PRIVATE BENJAMIN ‘12, writer/director NIGHT OF THE WHITE PANTS
- Rob Thomas, creator/writer Veronica Mars, Cupid, Party Down, writer Dawson’s Creek
- James Vanderbilt, writer ZODIAC, THE AMAZING SPIDER-MAN, THE RUNDOWN
These exciting new additions join a stellar, already announced initial lineup of over 120 panelists. You can find the full list here.
Film Poster Competition – THE IRON GIANT winner
Congratulations to Ben Garner, the final winner in our Film Poster Competition! We had a record number of entries for the film THE IRON GIANT, many of them fantastic. Ultimately, the AFF staff loved Ben’s stark, retro-futuristic poster that reminded us of Fritz Lang’s 1927 expressionist masterpiece, METROPOLIS. Benjamin Garner is a Graphic Designer and Illustrator based out of Austin, TX. He currently works for …
Congratulations to Ben Garner, the final winner in our Film Poster Competition! We had a record number of entries for the film THE IRON GIANT, many of them fantastic. Ultimately, the AFF staff loved Ben’s stark, retro-futuristic poster that reminded us of Fritz Lang’s 1927 expressionist masterpiece, METROPOLIS.
Benjamin Garner is a Graphic Designer and Illustrator based out of Austin, TX. He currently works for C3 Presents where he specializes in Gig-Poster and Merchandise design. His design style is a mix of simple, clean and modern design elements with hints of retro chic. You can see more of his work at www.benjamingarner.com.
Congratulations, Ben!
Now that we have the 5 winners of our Film Poster Competition, stay tuned to find out how to vote for your favorite and help pick the grand prize winner!
RECORD ENTRIES FOR 2012 SCREENPLAY COMPETITION
AUSTIN FILM FESTIVAL RECEIVES RECORD ENTRIES FOR 2012 SCREENPLAY & TELEPLAY COMPETITION OVER 6,500 ENTRIES FOR 2012, UP BY 12% FROM 2011 AUSTIN, TX (JUNE 13, 2012) – Austin Film Festival (AFF) is excited to announce record entries for their 19th annual Screenplay & Teleplay competition. The 2012 competition received a total of over 6,500 entries, up by approximately 700 entries or 12% from last …
AUSTIN FILM FESTIVAL RECEIVES RECORD ENTRIES FOR 2012 SCREENPLAY & TELEPLAY COMPETITION
OVER 6,500 ENTRIES FOR 2012, UP BY 12% FROM 2011
AUSTIN, TX (JUNE 13, 2012) – Austin Film Festival (AFF) is excited to announce record entries for their 19th annual Screenplay & Teleplay competition. The 2012 competition received a total of over 6,500 entries, up by approximately 700 entries or 12% from last year’s record of over 5,800. Entries came in from all over the U.S. and 42 other countries, and the records show the Competition has grown by over 62% since 2009.
This year, a significant rise in entries occurred in each category of the competition, including screenplay entries in Drama, Comedy, Sci-Fi and the Enderby Entertainment Award; and teleplay entries in Sitcom Spec, One-Hour Spec, Sitcom Pilot, and One-Hour Pilot. Panels of judges, including some of the industry’s top writers, showrunners, producers and managers, will choose the winners in each category, who will accept their awards and prizes at the 19th annual Austin Film Festival & Conference October 18-25, 2012 in Austin, TX.
Competition winners will receive cash prizes ranging from $1,000 to $5,000; reimbursements for travel and lodging while at the 2012 Festival & Conference; access to and recognition by some of the most important writers, agents, producers and filmmakers in the industry; and will also be included in the annual Producers Book distributed to more than 400 production companies. Advancing writers in the Second Round (roughly top 10-12%), Semifinals and Finals will be given exclusive opportunities to attend special roundtables and panels at this year’s Conference.
AFF not only recognizes the work of writers for feature screenplays but also those for television. This year’s number of entries includes over 1,500 submissions in the Teleplay Competition, which is open to both spec scripts for existing shows and original pilots. For the first time, the winner of the Sitcom Pilot category will be given the opportunity to have his or her winning script read aloud and workshopped during a special Roundtable session at the Conference with a panel of industry professionals including Alec Berg (writer The Dictator, Eurotrip, “Curb Your Enthusiasm”), Kell Cahoon (writer/producer “Psych”, “NewsRadio”, “Just Shoot Me”), and Etan Cohen (writer Men in Black III, Tropic Thunder, “King of the Hill”), among others.
The Writer’s Guild of America, East, this year’s underwriting sponsor of the Drama Screenplay Award, will present the winner of the Drama category at this year’s Conference and have provided the following three WGAE writers to judge and choose the winner: Stephen Schiff (Wall Street: Money Never Sleeps, True Crime), Christopher Kyle (Alexander, The Weight of Water) and John J. McLaughlin (Hitchcock, Black Swan). Overall, 40 industry jurors have been confirmed to judge the Screenplay & Teleplay Competition including Herschel Weingrod (writer, Trading Places; producer, Falling Down), Kyle Killen (writer, The Beaver; showrunner, “Awake”, “Lone Star”), Craig Mazin (writer, The Hangover II), and representatives from Escape Artists at Sony, Oasis Media, Washington Square Arts and Paradigm Agency.
In its 19-year history, the AFF Screenplay & Teleplay Competition has served to jumpstart many writing careers. In the competition’s first year, screenplay competition winner Max Adams’ script Excess Baggage was optioned by Columbia and made into a film starring Alicia Silverstone and Benicio Del Toro. Rachel Long and Brian Pittman’s 2008 Semifinalist script Stranded was acquired by Enderby Entertainment (Daniel Petrie, Jr. and Rick Dugdale’s production company). The project is currently in pre-production with Petrie set to direct. Julie Howe, 2010 Comedy Screenplay Award Winner for Jasper Milliken, signed an exclusive deal with Experience Media Studios after the 2010 Conference with the help of an AFF judge and panelist. The producers of the film have officially signed on veteran director Jonathan Lynn (My Cousin Vinny, The Whole Nine Yards) to helm the film.
The 19th annual Austin Film Festival & Conference will be held Oct 18 – 25, 2012 in Austin, TX. AFF has already announced the first round of panelists for this year’s Conference, including some of the top screenwriters, directors, showrunners and producers in the business. The full list of panelists can be found here. Stay tuned for announcements from AFF with this year’s awardees, film lineup, Conference panels and more panelists, and more. For more information on Austin Film Festival and to purchase passes or badges go to www.austinfilmfestival.com.
For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
ABOUT AUSTIN FILM FESTIVAL
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts.
Poster Winner – THE BLACK STALLION
AFF congratulates Rebecca Leigh as the fourth winner of our Film Poster Competition! Her stunning poster for THE BLACK STALLION will be available at our screening on Saturday, June 2 at 3:00pm. Rebecca Leigh, co-owner, editor and contributor of Poster Collective, is currently freelancing, focusing primarily on entertainment advertising. After graduating from the University of Idaho with a Bachelor of Arts in crime and justice …
AFF congratulates Rebecca Leigh as the fourth winner of our Film Poster Competition! Her stunning poster for THE BLACK STALLION will be available at our screening on Saturday, June 2 at 3:00pm.
Rebecca Leigh, co-owner, editor and contributor of Poster Collective, is currently freelancing, focusing primarily on entertainment advertising. After graduating from the University of Idaho with a Bachelor of Arts in crime and justice studies, Rebecca moved to Los Angeles and received an Associate’s Degree in entertainment graphic design. Her portfolio can be viewed online here.
THE BLACK STALLION is the first screening in our free Made in Texas Family Film Series at the Bob Bullock Texas State History Museum.
When a shipwreck leaves Alec, a courageous young boy, and “The Black,” a wild Arabian stallion, stranded on a desolate island, the two share a frightening adventure of survival which forges a lasting bond of friendship between them. Upon their rescue, the boy and the horse join forces with an ex-jockey (Mickey Rooney) to take on the world’s best thoroughbreds in the “race of the century.”
Win tickets to the On Story Party!
Like us on Facebook for a chance to win a pair of tickets to the On Story Season 2 Premiere Party! Click here to learn more! Rules: Only one submission per person. Contest ends May 23rd, 2012, 12:00pm Central Standard Time. Winners will be notified via email invitation with party details following the end of the contest. Winners will have their name +1 added to …
Like us on Facebook for a chance to win a pair of tickets to the On Story Season 2 Premiere Party!
Rules:
Only one submission per person. Contest ends May 23rd, 2012, 12:00pm Central Standard Time. Winners will be notified via email invitation with party details following the end of the contest. Winners will have their name +1 added to the guest list of the Season 2 Premiere Party for On Story:Presented by Austin Film Festival. Invitation is non-transferable.
Teacher Training Instructors
May 19th and 20th, Austin Film Festival is offering a series of free workshops focused on providing educators with the knowledge base and tools to implement a screenwriting and filmmaking curriculum that encourages students’ imagination and artistic talent while improving literacy and technical skills.
Meet Your 2012 Workshop Instructors!
May 19th and 20th, Austin Film Festival is offering a series of free workshops focused on providing educators with the knowledge base and tools to implement a screenwriting and filmmaking curriculum that encourages students’ imagination and artistic talent while improving literacy and technical skills.
To find out more about the workshop, visit the event page.
Saturday, May 19th:
Ya’Ke Smith – Widely regarded as one of this generation’s next film directors to watch, Ya’Ke has made a name for himself as a filmmaker with a veracious style of storytelling that takes an unflinching look at issues facing today’s society.
Ya’Ke made his first film at the age of 15, while a student at Sam Houston High School in his native San Antonio, TX and has yet to look back. His films have received world-wide acclaim, screening and winning awards at over 70 film festivals, including The Cannes International Film Festival, The DC Shorts Film Festival, Austin Film Festival, The Dallas International Film Festival, The BET/Urbanworld Film Festival and The American Black Film Festival. His films have also screened on HBO, Showtime and BET. He is the recipient of a Director’s Guild of America Student Film Award, a regional Student Academy Award and an HBO Short Film Award. His short, Katrina’s Son, won 14 film festivals and was eligible for this year’s Academy Award in short filmmaking. His debut feature film WOLF, had its world premiere at the 2012 SXSW Film Festival and won The Panavision Best Texas Feature Award at the 2012 Dallas International Film Festival.
Ya’Ke graduated with his B.A. from the Communication Arts Department at the University of The Incarnate Word and his M.F.A. from the University of Texas at Austin’s film program. He is currently a professor at the University of Texas at Arlington, where he was recently named the Morgan Woodward Distinguished Professor of Film and Video.
Cindy McCreery – Cindy is a graduate of the Walt Disney/ABC Feature Writing Fellowship program for the 2002-2003 year. Her script POWDER PUFFS got her into the program and was sold to Walt Disney Pictures after she finished the fellowship. Cindy immediately wrote and sold her next feature spec script, SOCCER MOM to New Line Cinema. In the fall of 2005 Cindy sold a pitch of the true story of Maria Pepe who sued the Little League for discrimination when she was ten years old to Paramount. In 2006 National Geographic Films hired Cindy to rewrite ELEPHANT WILD and later in 2007 in partnership with Warner Brothers, they hired her again to develop and write FREE WILLY: ESCAPE FROM PIRATES COVE which was released in March of 2010. Also in 2007 Cindy sold a pitch of a revamped BABY BOOM to MGM. In 2009 Disney Channel hired her to adapt the book, RISING STAR into a Disney Channel Original movie. Cindy recently finished a spec script co written with Tara Miele for Broken Road Entertainment and is currently developing both feature and Television projects. In 2011, Disney Channel once again hired her along with Tara Miele to write the Disney Channel Original Movie, UNPLUGGED, which is slated for an July 2012 production date. Along with her writing, Cindy has been teaching in the Film Studies department at UC Santa Barbara for the last six years and is also on the UCLA Professional Program in Screenwriting Faculty. She has most recently joined the faculty as an Assistant Professor in the Department of Radio TV and Film at The University of Texas at Austin where she teaches both undergraduate and graduate TV and Feature screenwriting.
Sunday, May 20th:
Richard Lewis – Richard has worked as an editor, producer, director, and/or writer for companies including National Geographic Television, Channel 4 (UK), A&E, PBS, Sierra Club Productions, and Devillier-Donegan Enterprises. His most recent script, Acceleration, a finalist for a Sundance Sloan grant, is currently under option. His recent feature script, Small Fryes, was optioned by Broken Road Productions (The Zookeeper, Knight & Day). Richard also wrote the treatment for and worked as a creative consultant on The Living Weapon, an episode of American Experience for PBS which won an Emmy for research in 2008. Richard’s documentary, Chimp Rescue, premiered on National Geographic Explorer and won a Genesis Award as the year’s Best Cable Documentary. His editing credits include Nick Broomfield’s Aileen Wuornos: The Selling of A Serial Killer. Additional experience includes three years as a story analyst in Los Angeles and three years as a management consultant with Andersen Consulting in Atlanta and London. Richard currently teaches as an Associate Professor in the Department of Radio-TV-Film at the University of Texas. His primary teaching areas are producing and screenwriting. He is originally from Fayetteville, North Carolina.
Stephen Belyeu – Director of Youth Education at Austin Film Festival, Stephen Belyeu received his Bachelors Degree in Film from Texas A&M University. An award winning writer/director, Belyeu’s debut feature film, Dig, competed in the 2010 Austin Film Festival and took home the Narrative Feature Audience Award. While pursuing his own film projects, Belyeu began teaching filmmaking to youth through various organizations in the Austin area, including the City of Austin Parks and Recreation, Austin School of Film, and the Austin Film Society. In 2011, Belyeu became involved with AFF as the Film Competition Programmer. After a year in this position, he stepped into the Director of Youth Education position, where he now oversees Austin Film Festival’s Young Filmmakers Program. He is currently working on his second feature film.
2012 Screenplay & Teleplay Competition Judges
Austin Film Festival has assembled a panel of influential industry judges to read and determine the Semifinalists, Finalists, and winners of this year’s competition. We are proud to announce the following confirmed judges.
Austin Film Festival has assembled a panel of influential industry judges to read and determine the Semifinalists, Finalists, and winners of this year’s competition. We are proud to announce the following confirmed judges:
- Dan Benamor | Producer, Nasser Entertainment
- Richard Bever | Co-President, Chill Entertainment
- Maggie Biggar | VP of Production, Fortis Films
- David Boxerbaum | Literary Agent, Paradigm Agency
- Christine Boylan | Writer/Producer, “Castle”, “Off the Map”, “Leverage”
- Melissa Breaux | Manager, Washington Square Arts
- Bryan Brucks | President, Brucks Entertainment
- Kell Cahoon | Writer/Producer, “The Larry Sanders Show”, “Newsradio”, “Just Shoot Me”
- Angelina Chen | Literary Manager, Energy Entertainment
- Lloyd Cherin | Producer, Safe Passage Pictures
- Jon De La Luz | Producer, Luz Works
- Allison Doyle | Literary Manager, Oasis Media Group
- Lindsay Goffman | VP of Development, Gross Entertainment
- Mark Goffman | Exec Producer, “White Collar”
- Noah Hawley | Showrunner, “My Generation”, “The Unusuals”; producer, “Bones”
- Kyle Killen | Showrunner, “Awake”, “Lone Star”; Writer, THE BEAVER
- Angela Lee | Producer, Nifty Pictures
- Brent Lilley | Literary Manager, Mosaic Media
- Jeff Lowell | Producer, “Spin City”, “Just Shoot Me!”
- Rachel Miller | President, Tom Sawyer Entertainment
- Noreen O’Toole | Producer, “Lost”, “Castle”
- Ed Radtke | Producer, Transparent Films
- Joyce San Pedro | Creative Executive for Alex Siskin & Escape Artists at Sony
- Ryan Saul | Literary Agent, APA
- Stephen Schiff | Writer, WALL STREET: MONEY NEVER SLEEPS, TRUE CRIME, LOLITA
- John Schwartz | Creative Executive, Quadrant Pictures
- Sandhya Shardanand | Associate Producer, THE TREE OF LIFE, THE NEW WORLD
- Fred Strype | Producer, Raindance Pictures
- Meta Valentic | Producer, URBANIA; Asst Dir, “Lost”
- Ric Roman Waugh | Writer/Director/Producer, FELON, SNITCH
- Herschel Weingrod | Writer, TRADING PLACES; Producer, FALLING DOWN
We are also proud to have the following sponsors for this year’s competition:
The Writers Guild of America, East
The WGAE is now the underwriting sponsor of the Drama Screenplay Award category. Drama Finalist scripts will be judged by a select panel of WGAE screenwriters and the winner will be presented by a WGAE representative at the Awards Luncheon during the 2012 Conference. The first confirmed judge is Stephen Schiff (WALL STREET: MONEY NEVER SLEEPS, TRUE CRIME, LOLITA).
Enderby Entertainment
Enderby Entertainment is the new judge for the 2012 sponsored award category! Co-founded by AFF panelists Rick Dugdale and Daniel Petrie Jr (BEVERLY HILLS COP, THE BIG EASY), the company previously acquired the 2008 Finalist script “Stranded” with Petrie currently set to direct the project in June 2012. The Enderby Entertainment Award category is open to feature scripts in all genres with an original concept and distinctive voice that can be independently produced with a production budget under $5 million.
Dark Hero Studios
Dark Hero Studios returns as the official sponsor of the Sci-Fi Screenplay Award! The company is the creation of David Hayter (screenwriter WATCHMEN, X2) and Benedict Carver (producer DOOMSDAY, TEKKEN). Submit your sci-fi, fantasy, or horror script in the Dark Hero Studios Sci-Fi Award category for the opportunity to have your script read by this up-and-coming production company.
More judges will be confirmed soon! Check back here for an updated list.
The Daniel Petrie, Jr. Trivia Game!
Wednesday, May 9th, Austin Film Festival and Texas Film Commission will present a special retrospective screening of the 1991 cult thriller, TOY SOLDERS, with writer/director Daniel Petrie, Jr. in attendance. For more about the event, visit the event page. In anticipation of the screening, we’ve created the Daniel Petrie, Jr. Trivia Game! We will play the game at the screening, and audience members will have …
Wednesday, May 9th, Austin Film Festival and Texas Film Commission will present a special retrospective screening of the 1991 cult thriller, TOY SOLDERS, with writer/director Daniel Petrie, Jr. in attendance. For more about the event, visit the event page.
In anticipation of the screening, we’ve created the Daniel Petrie, Jr. Trivia Game! We will play the game at the screening, and audience members will have a chance to win a number of prizes, including a Lone Star Badge or several pairs of Film Passes to the 2012 Austin Film Festival, AFF merchandise, and more!
To give you a leg up – we’ve posted the questions below. Come to the screening prepared with your answers and you might be one of the lucky winners!
- 1. Petrie is the former president of what organization?
- 2. Name the production company co-founded by Petrie in 2006 “with an old-fashioned emphasis on storytelling.”
- 3. True or False: Petrie is credited as the writer, director, and producer of TOY SOLDIERS.
- 4. Daniel Petrie Jr. was nominated for Best Original Screenplay at the Oscars®. In what year and for what screenplay was he recognized?
- 5. For what non-profit has Petrie been an active supporter and volunteer since 1997?
- 6. Petrie was the host at whose memorial service this past weekend?
- 7. What was the estimated revenue that the production of TOY SOLDIERS brought to the city of San Antonio?
- 8. Into what city was part of San Antonio transformed for the production of TOY SOLDIERS?
- 9. Each year at Austin Film Festival, Daniel Petrie Jr. hosts the panel “A Shot of Inspiration with Daniel Petrie, Jr.” What is Petrie’s shot of choice?
- Bonus: What is the name of the stunt woman who was thrown out of the third-story window of the downtown San Antonio post office during the filming of TOY SOLDIERS?
AUSTIN FILM FESTIVAL ANNOUNCES NEW FILM SERIES, AFF AUDIENCE AWARD FILM SERIES, PRESENTED BY ESURANCE
Austin, TX – Austin Film Festival (AFF) is excited to announce its newest screening series, AFF Audience Award Film Series Presented by Esurance, featuring four of the most beloved films from the 2011 Austin Film Festival. The series, screening at the Alamo Drafthouse Village (2700 W Anderson Lane, Austin, TX 78757), will take place every third Monday of the month, beginning on May 21st, 2012 …
Austin, TX – Austin Film Festival (AFF) is excited to announce its newest screening series, AFF Audience Award Film Series Presented by Esurance, featuring four of the most beloved films from the 2011 Austin Film Festival. The series, screening at the Alamo Drafthouse Village (2700 W Anderson Lane, Austin, TX 78757), will take place every third Monday of the month, beginning on May 21st, 2012 at 7:00pm.
Last year during the 2011 Austin Film Festival, audience members were invited to rate the 170+ films that screened at the Festival and vote for their favorites. This year, AFF will bring four of the Esurance Audience Award Winners back to Austin audiences for an encore screening: RESTIVE (writer/director Jeremiah Jones, winner – Narrative Feature Competition); ECSTASY OF ORDER: THE TETRIS MASTERS (director Adam Cornelius, winner (tie) – Documentary Feature Competition); STORIES FROM AN UNDECLARED WAR (director Dennis Rice, winner (tie) – Documentary Feature Competition); and SIRONIA (writer/director Brandon Dickerson, writers Thomas Ward and Wes Cunningham, winner – Texas Independents Category). The award-winning writers and/or directors of each film will be present at the screening to discuss their film, creative process, and future projects.
“There truly is no greater reward for a filmmaker than an Audience Award, which confirms their ability to tell a good story. Every filmmaker is a storyteller at heart, and you can’t receive better validation than the approval of your audience,” says AFF Film Program Director Stephen Jannise.
AFF will kick off the series with SIRONIA on May 21st. Singer/songwriter Wes Cunningham stars as a man who has been chewed up and spit out by the Hollywood music machine. A once ambitious musician, he impulsively moves with his pregnant wife to a small town called Sironia, Texas in search of authenticity and purpose in his life. This poignant film played to two standing-room-only audiences at AFF last year. The writer/director of SIRONIA, Brandon Dickerson, will be present at the screening for a Q&A.
The next entry in the series, screening on Monday June 18th, will be ECSTASY OF ORDER: THE TETRIS MASTERS, co-winner of the AFF Audience Award in the Documentary Feature category. The film follows a group of record-holding Tetris players as they prepare to compete in the 2010 Classic Tetris World Championship. The film gives us an intimate look at the Masters as they reveal their secrets, recount their obsessions with the game, and take us to the transcendental state required to reach the highest level, known as the ‘Ecstasy of Order.’
The series will continue on with RESTIVE, a Southern Gothic tale from promising new writer/director and University of Texas graduate Jeremiah Jones, and STORES FROM AN UNDECLARED WAR, a documentary that follows The Freedom Writers Diary, a collection of journal entries written by 150 at-risk students from Long Beach, CA. The dates of these two screenings are TBD and will be announced on Austin Film Festival’s website.
The AFF Audience Award Film Series is sponsored by Esurance, the direct-to-consumer car insurance company. Esurance has been a longtime supporter of filmmakers and artists who help bring compelling stories to life.
About Austin Film Festival
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft, and business of filmmakers and screenwriters, and recognizing their contributions to film, television, and new media. AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation, and encouraging dynamic and long-lasting community partnerships.
Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts.
For more information on the upcoming 19th Annual Austin Film Festival & Conference, October 18th – 25th, 2012 in Austin, TX, visit www.austinfilmfestival.com, or call 1-800-310-FEST (3378). Badges and Film Passes are currently on sale and can be purchased online. For regular updates, follow AFF on Facebook at www.facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Esurance®
Esurance provides auto insurance direct to consumers online, over the phone, and through select agents, including sister company, Answer Financial. With easy-to-use mobile apps, quick comparison quotes, and online repair monitoring, Esurance is insurance for the modern world™ and the smart choice for today’s web-savvy consumer. As a member of the Allstate family with an A+ rating from A.M. Best, Esurance is a reliable choice for car insurance, offering anytime, anywhere service just a click, call, or tap away. For more information, visit www.esurance.com or call 1-800-ESURANCE (1-800-378-7262).
PBS Television Show “On Story: Presented by Austin Film Festival” Premieres Second Season on KLRU
Picked Up Nationwide in Over Sixty Markets including Los Angeles, New York, San Francisco, Boston and Houston Austin, TX – Austin Film Festival (AFF) is excited to announce that its original television show, “On Story: Presented by Austin Film Festival” has been picked up for a second season on KLRU, Austin’s PBS station, and will expand to 100 stations in over 60 markets, including New …
Picked Up Nationwide in Over Sixty Markets including Los Angeles, New York, San Francisco, Boston and Houston
Austin, TX – Austin Film Festival (AFF) is excited to announce that its original television show, “On Story: Presented by Austin Film Festival” has been picked up for a second season on KLRU, Austin’s PBS station, and will expand to 100 stations in over 60 markets, including New York, Los Angeles, San Francisco, Boston, Houston, Dallas, New Orleans, Detroit, Tampa, Denver, and more.
“On Story” is a half-hour series that gives viewers anecdotal backstories into the making of some of the most popular and beloved films and television shows ever made and premiered on Austin’s PBS station KLRU-Q in 2011 to an audience of over 500,000 viewers in Central Texas. Season one has already begun airing on various stations around the country and the entire first season can also be viewed online at www.austinfilmfestival.com/onstory.
The show features interviews with some of the industry’s most accomplished and acclaimed screenwriters, directors and producers, and offers behind-the-scenes insight into the process of screenwriting and filmmaking. Featured filmmakers include Academy Award-winning director and producer Sydney Pollack (Tootsie, Out of Africa, The Way We Were), Judd Apatow (The 40-Year-Old Virgin, Knocked Up), Academy Award winner Ron Howard (Cocoon, Apollo 13, A Beautiful Mind), Emmy Award winner David Milch (NYPD Blue, Deadwood, Luck), Buck Henry (screenwriter – The Graduate), Emmy Award winner Matthew Weiner (The Sopranos, Mad Men), David Simon (The Wire), and more.
“Accessibility has always been one of the touchstones of our mission. I’m thrilled we can now bring the gems of wisdom from the writers and filmmakers who speak at the Festival to an even greater audience,” says Austin Film Festival’s Executive Director, Barbara Morgan.
The second season of “On Story” will premiere on KLRU-Q on Saturday, May 26th at 7:30pm. The season will bring you 12 all new episodes featuring interviews and discussions from the 2011 Austin Film Festival & Conference. Audiences will have the chance to hear from 2011 AFF Extraordinary Contribution to Filmmaking Awardee John Lasseter (Chief Creative Officer, Walt Disney and Pixar Animation Studios), 2011 AFF Distinguished Screenwriter Awardee Caroline Thompson (Edward Scissorhands, The Nightmare Before Christmas, The Addams Family), 2011 AFF Outstanding Television Awardee Hart Hanson (Bones), and many more.
John August, screenwriter of Go, Big Fish, and Charlie and the Chocolate Facotry, notes, “Austin Film Festival is unique in its focus on writing, and the stories behind the stories. I’m excited that viewers across the country will get to learn more about how their favorite movies and television shows came to be.”
For more information on “On Story: Presented by Austin Film Festival,” and to watch previously aired episodes, visit www.austinfilmfestival.com/onstory. For the full list of stations, visit the Austin Film Festival’s website, www.austinfilmfestival.com. Check with your local PBS affiliate to find out when “On Story” airs in your city.
For more information on the upcoming 19th Annual Austin Film Festival & Conference, October 18th – 25th 2012 in Austin, TX, visit www.austinfilmfestival.com, or call 1-800-310-FEST (3378). Badges and Film Passes are currently on sale and can be purchased online. For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Austin Film Festival
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft, and business of filmmakers and screenwriters, and recognizing their contributions to film, television, and new media. AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation, and encouraging dynamic and long-lasting community partnerships.
Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts.
Teleplay Competition & TV Programming
Some of the new exclusive opportunities we’ll provide to advancing writers in this year’s teleplay competition include: A Special Roundtable Workshop Session for the Sitcom Pilot Winner For the first time, we are very excited to offer the 2012 Sitcom Pilot winner the invaluable opportunity to have his or her winning pilot read aloud and workshopped during a special Roundtable Session. These roundtables are …
Original pilot scripts have joined the traditional spec script as the principal currency for staffing television shows. Whether you’ve got the funniest Curb Your Enthusiasm spec script Larry David never wrote or the next great procedural that’s sure to impress Bones creator Hart Hanson, you won’t get noticed unless you submit.
Left: “Everybody Loves Raymond” creator Phil Rosenthal at the premiere of his film EXPORTING RAYMOND
Some of the new exclusive opportunities we’ll provide to advancing writers in this year’s teleplay competition include:
A Special Roundtable Workshop Session for the Sitcom Pilot Winner
For the first time, we are very excited to offer the 2012 Sitcom Pilot winner the invaluable opportunity to have his or her winning pilot read aloud and workshopped during a special Roundtable Session. These roundtables are popular and famous in Hollywood for punching up the story and comedy of a script with a team of professional writers. Whatever jokes or changes the pros throw out, the winning writer will be able to cherry-pick those they think might be helpful to his or her script.
Just some of the industry pros on board to run the roundtable include:
- Alec Berg, writer THE DICTATOR, EUROTRIP, Curb Your Enthusiasm, Late Night with Conan O’Brien, Seinfeld
- Kell Cahoon, writer/producer The Larry Sanders Show, Newsradio, Just Shoot Me, King of the Hill, Method and Red, and Psych
- Etan Cohen, writer MEN IN BLACK III, TROPIC THUNDER, IDIOCRACY, King of the Hill, Beavis and Butt-Head
- Jay Wade Edwards, television producer and editor Aqua Teen Hunger Force
- Chris Kelly, writer Cartoon Network’s Adult Swim: Squidbillies, Stroker & Hoop, Aqua Teen Hunger Force, and Harvey Birdman: Attorney at Law
- Jeff Lowell, writer/producer Inside Schwartz, Just Shoot Me!, Spin City, Cybill
- Tim Talbott, writer South Park
Lunch with TV Industry Pros
From this year’s pool of Second Rounders (top 10%) in the teleplay competition, we’ll randomly select a group of lucky winners to have lunch with these TV industry pros during the Conference*.
- Phil Rosenthal (writer/director EXPORTING RAYMOND, creator/executive producer Everybody Loves Raymond, Coach, Down the Shore) will have lunch with 5 Second Rounders in the Sitcom Pilot category
- Hilary Winston (writer/producer Happy Endings, Community, My Name is Earl) will have lunch with 5 Second Rounders in the Sitcom Spec category
Submit today and if your script advances, you’ll be entered to win this invaluable opportunity to pick the brains of these industry pros. And… AFF will pick up the tab!
*Only Second Rounders registered for the Conference will be eligible for this opportunity
Some of this year’s TV panelists confirmed for the 2012 Conference include:
- Jane Francis, Senior Vice President of Creative Affairs, Fox 21
- Matthew Gross, Gross Entertainment
- Barry Josephson, Josephson Entertainment
- Kyle Killen, creator/producer Awake, Lonestar, writer THE BEAVER
- Peter Murrieta, head writer/executive producer Wizards of Waverly Place, Hope & Faith
- Marti Noxon, writer/producer Glee, Mad Men, Private Practice, Grey’s Anatomy
- Phil Rosenthal, writer/director EXPORTING RAYMOND, creator/executive producer Everybody Loves Raymond, Coach, Down the Shore
- Liz Tigelaar, creator/executive producer Life Unexpected, writer/producer Brothers & Sisters,
- American Dreams, Once and Again, Once Upon a Time, Revenge
- Hilary Winston, writer/producer Happy Endings, Community, My Name is Earl
For a current list of this year’s Conference panelists click here.
The Teleplay Competition
AFF puts your script in front of the right people. Semifinalist and Finalist teleplays are evaluated directly by representatives from major television studios, producers, and showrunners (2012 judges to be announced soon). Advancing writers will also be included in the 2012 Producers Book which is distributed to more than 300 agents, production companies, and studios. Previous teleplay entrants have been staffed on shows such as The Finder, Justified, Gossip Girl, and Samantha Who?. What show will you get staffed on?
Click here to find out more about AFF’s Teleplay Competition
Screenplay and teleplay winners will be announced at the 2012 Austin Film Festival and Conference held October 18 – 25, 2012.
For more information, contact Matt Dy, Screenplay & Teleplay Competition Director at 1.800.310.3378 or matt@austinfilmfestival.com.
“Make a Movie, Make a Difference” PSA Winners
For more on Austin Film Festival’s Young Filmmaker’s Program, click here.
On Thursday April 19, Travis County Sheriff Greg Hamilton and Austin Film Festival Executive Director Barbara Morgan, honored the winners of the 6th Annual Awareness Public Service Announcement Contest, which encourages teens to submit a PSA to raise awareness on topics of social challenges they face. The PSA Contest is part of Austin Film Festival’s Young Filmmaker’s Program, founded to encourage and support students, ages 9 – 18, to explore their creativity and improve their literacy skills through the arts of screenwriting and filmmaking.
“We could not be more thrilled about the talents of these high school students and the successes that lie ahead of them,” said Sheriff Greg Hamilton. “It is imperative that through our Awareness Campaign, we continue to bring attention to the importance of healthy emotional, behavioral and physical issues that affect teens.” This year’s winning films address teen suicide, bullying and cyber bullying.
The Winners
First Place, Westlake High School, Bullying
“The Dream” by Silas Connolly & Conner Stephens
1st Runner Up, Anderson High School, Teen Suicide
“Depression Hits Fast” by Sebastian Crank & Nathan Bott
2nd Runner Up, Westlake High School, Cyber Bullying
“Cyber Bullying” by Sara Pledger, Julia Artaza & Hillel Rodarte
Honorable Mention, Westlake High School, Teen Suicide
“Weighted Down” by Zach Douma, Kyle Zemborain & Emma Blackwood
For more on Austin Film Festival’s Young Filmmaker’s Program, click here.
Film Poster Competition – “Party Down” Winner
The third installment of AFF’s Film Poster Competition is for our screening of the original, unaired pilot “Party Down,” written and directed by Rob Thomas. Our winner is Austin artist Robert W. Jackson, who created a poster inspired by the 1960′s board game, Game of Life. Congratulations, Robert! The posters will be sold at our Conversation in Film with Rob Thomas this Wednesday and will …
The third installment of AFF’s Film Poster Competition is for our screening of the original, unaired pilot “Party Down,” written and directed by Rob Thomas. Our winner is Austin artist Robert W. Jackson, who created a poster inspired by the 1960′s board game, Game of Life. Congratulations, Robert!
The posters will be sold at our Conversation in Film with Rob Thomas this Wednesday and will be signed by Rob Thomas himself!
Robert W. Jackson is a designer based in Austin, but inspired by the mid-west. Heavily influenced by the designs of the mid-century, motivated by creating with his hands, and rooted in technical design. His work, although prolific, is now seldom and select.
To read more about our Film Poster Competition, and to submit a poster for another film on our list, click here.
Film Poster Competition – Ziggy Stardust Winner
AFF has chosen its second winning poster in the Film Poster Competition – Mary Streepy has won for her “Ziggy Stardust and the Spiders From Mars” poster! From Mary: “I’m 25 and originally from Wichita, Kan., where I received a Bachelor of Fine Arts degree in painting and drawing. I moved to Austin two years ago and continue to work on and sell art. I …
AFF has chosen its second winning poster in the Film Poster Competition – Mary Streepy has won for her “Ziggy Stardust and the Spiders From Mars” poster!
From Mary:
“I’m 25 and originally from Wichita, Kan., where I received a Bachelor of Fine Arts degree in painting and drawing. I moved to Austin two years ago and continue to work on and sell art. I will be a part of the upcoming W.E.S.T. studio tours in May, so people can come visit where I work! My artwork can be seen and purchased on my website @ marystreepy.com.”
You can get one of these limited edition posters at our screening of “Ziggy Stardust” Wednesday, April 4th, at 7pm at Jo’s downtown (242 West Second St.).
Congratulations, Mary!
Film Poster Competition – The Silence of The Lambs Winner
We are excited to announce our first of five Film Poster Competition winners! Stefanie Patten won with her macabre design for THE SILENCE OF THE LAMBS. We will sell a limited run of the poster at our screening of THE SILENCE OF THE LAMBS this Sunday, March 25th at the Bob Bullock Texas State History Museum. The posters will be signed by the film’s Academy …
We are excited to announce our first of five Film Poster Competition winners!
Stefanie Patten won with her macabre design for THE SILENCE OF THE LAMBS. We will sell a limited run of the poster at our screening of THE SILENCE OF THE LAMBS this Sunday, March 25th at the Bob Bullock Texas State History Museum. The posters will be signed by the film’s Academy Award-winning screenwriter Ted Tally!
Stefanie recently graduated from California State University, Sacramento with a B.A. in Digital Film/Video Production. She is a freelance Graphic Designer as well as a Cinematographer, 2nd Cameraman, and Storyboard Artist at And1 Productions. You can see more of her work on her website.
Stay tuned as we pick our other four winners in the coming months.
2012 SUMMER CAMP REGISTRATION NOW OPEN!
Summer Film Camp, presented by Austin Film Festival’s Young Filmmakers Program, returns in June for its tenth annual program of screenwriting, filmmaking and claymation workshops for aspiring filmmakers ages 9 – 18. Workshops offer students unparalleled access to in-depth, personal instruction from industry professionals. In addition to workshop sessions, campers are provided with opportunities to participate in panel discussions with special guest speakers. Past speakers …
Summer Film Camp, presented by Austin Film Festival’s Young Filmmakers Program, returns in June for its tenth annual program of screenwriting, filmmaking and claymation workshops for aspiring filmmakers ages 9 – 18. Workshops offer students unparalleled access to in-depth, personal instruction from industry professionals.
In addition to workshop sessions, campers are provided with opportunities to participate in panel discussions with special guest speakers. Past speakers include Anne Rapp (screenwriter - Dr. T and the Women, script supervisor - Funny People, He’s Just Not That Into You, The Color Purple), Jeff Nichols (writer/director - Take Shelter), Dan French (Emmy®-nominated late-night comedy writer), Alvaro Rodriguez (screenwriter, Machete) and Tom Holland (writer/director - Fright Night). Topics are based on the distinct expertise and experiences of each guest.
June 11 – August 3, 2012
Austin High School map
All completed camp films will premiere at the Summer Film Camp Showcase. Family and friends are invited to attend and celebrate these films on the big screen! Students will also receive a DVD copy of their film.
All workshops and panels are held at Austin High School, home to one of the leading media arts programs in the United States.
2012 POSTER COMPETITION
** We’ve had a few requests to extend the deadline for our poster competition. See below for the deadlines for each film. ** The Austin Film Festival is excited to announce their first ever Film Poster Competition! AFF has chosen a series of five films from their 2012 year-round programming to feature the art of Austin’s local artists. Interested designers can choose one of the …
** We’ve had a few requests to extend the deadline for our poster competition. See below for the deadlines for each film. **
The Austin Film Festival is excited to announce their first ever Film Poster Competition! AFF has chosen a series of five films from their 2012 year-round programming to feature the art of Austin’s local artists. Interested designers can choose one of the films in the series and create an original film poster. AFF will choose one winner for each film, and a limited number of each winning poster will be displayed and sold at the screenings.
In addition, audience members and online voters will have a chance to vote on their favorite film poster in the series. The artist of the winning poster will receive a Producer’s Badge to the 2012 Austin Film Festival & Conference ($695 value) and their poster on display at the Festival. This showcase is an invaluable opportunity to have your artwork seen by tens of thousands of people and viewed by an audience of filmmakers eager to find their next poster artist!
The Films:
- The Silence of the Lambs– March 18th VIEW THE WINNING POSTER!
- Ziggy Stardust and the Spiders from Mars – March 30th VIEW THE WINNING POSTER!
- Party Down (TV Pilot)– April 10th VIEW THE WINNING POSTER!
- The Black Stallion– May 20th
- The Iron Giant– June 15th
To submit your film poster, please send a high-res PDF to taylor@austinfilmfestival.com
Questions?
Contact Taylor Cumbie
taylor@austinfilmfestival.com
512.478.4795
Highlights from Austin Film Festival 2011!
Highlights from the 2011 Festival!
Highlights from the 2011 Festival!
AUSTIN FILM FESTIVAL ANNOUNCES DANIEL PETRIE, JR AND RICK DUGDALE’S ENDERBY ENTERTAINMENT AS NEW SCREENPLAY COMPETITION SPONSOR
AUSTIN, Texas—Jan. 26, 2012— Austin Film Festival (AFF) is pleased to announce that Daniel Petrie, Jr. and Rick Dugdale’s production company Enderby Entertainment is the new judge for the sponsored award category of the 19th Annual Screenplay Competition. The new Enderby Entertainment Award is a sub-category of the Screenplay Competition and is open to feature scripts in all genres with an original concept and distinctive …
AUSTIN, Texas—Jan. 26, 2012— Austin Film Festival (AFF) is pleased to announce that Daniel Petrie, Jr. and Rick Dugdale’s production company Enderby Entertainment is the new judge for the sponsored award category of the 19th Annual Screenplay Competition. The new Enderby Entertainment Award is a sub-category of the Screenplay Competition and is open to feature scripts in all genres with an original concept and distinctive voice that can be independently produced with a production budget under $5 million. Enderby Entertainment will review the top scripts submitted in this category and will determine the Semifinalists, Finalists, and winner. Finalists will be given the opportunity to meet with the production company during the Festival and Conference, which will be held Oct. 18-25, 2012. The winner of the Enderby Entertainment Award will receive a prize package including $2,500, reimbursement for airfare (up to $500) and hotel (up to $500) for attendance to the Festival and Conference, and the bronze AFF Typewriter Award.
“We’re thrilled that Enderby Entertainment was chosen to be part of Austin Film Festival’s screenwriting competition” said Daniel Petrie, Jr. and Rick Dugdale. “Austin Film Festival has always believed, as we do, that the screenplay is the heart of a film. It’s a pleasure and an honor to be a small part of all the good work the Festival does to encourage and empower screenwriters.”
Festival badges and film passes for the 2012 Austin Film Festival, taking place October 18-25th, are currently on sale. For more information on the upcoming 19th annual Austin Film Festival, visit the official website at www.austinfilmfestival.com or call 1-800-310-FEST (3378). For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Enderby Entertainment
Los Angeles-based Enderby Entertainment is an independent film, television and digital media company with an old-fashioned emphasis on storytelling, on the creative side, and transparency, on the financial side. Founded in 2006 by partners Rick Dugdale and Daniel Petrie, Jr., Enderby Entertainment’s film credits include writer/director Stephen Elliot’s upcoming film Cherry, starring James Franco and Heather Graham, which will premiere at the 2012 Berlin International Film Festival, and five films from Enderby’s thriller division: The Speak, Vile, 5 Souls, Silver Falls and No Tell Motel. Upcoming films include The Storm, to be directed by Walter Hill, and Stranded, to be directed by Daniel Petrie, Jr. from a screenplay by Austin Film Festival semi-finalists Rachel Long & Brian Pittman. Films in development include Heartbreak Hill, to be directed by Donald Petrie, and the comedy 50 Yard Line. Digital media properties include the internet production Get Wylde and a soon-to-be-released gaming application.
About Rick Dugdale
Enderby Entertainment President Rick Dugdale oversees all aspects of finance and physical production for Enderby. He serves as producer or executive producer on all Enderby Entertainment projects, including Cherry, which Dugdale produced for Enderby in addition to playing a key role in arranging the financing for the film. Dugdale also serves as CEO of Tony-Seven Films, Enderby Entertainment’s thriller division; he served as executive producer on The Speak, Vile and 5 Souls and as producer on Silver Falls and No Tell Motel. Dugdale joined Daniel Petrie, Jr. & Company as Vice President, Production in 2003 before becoming a full partner in 2004. He then founded Enderby Entertainment with Petrie in 2006.
About Daniel Petrie, Jr.
Enderby Entertainment partner Daniel Petrie, Jr. oversees creative affairs for the company. Petrie was nominated for an Academy Award for his first produced script, the box-office hit Beverly Hills Cop, starring Eddie Murphy. Next came Petrie’s original screenplay of the romantic thriller The Big Easy, starring Dennis Quaid and Ellen Barkin. Petrie served as producer of the thriller Shoot to Kill, starring Sidney Poitier and Tom Berenger, and as executive producer of the comedy Turner & Hooch, starring Tom Hanks; Petrie co-wrote both films. Petrie also served as executive producer of The 6th Day, starring Arnold Schwarzenegger.
Petrie’s directorial debut was the film Toy Soldiers, starring Sean Astin, Wil Wheaton, and Louis Gossett, Jr., which he also co-wrote. Petrie also directed the HBO film Dead Silence, starring James Garner and Marlee Matlin, and adapted and directed the TNT movie Framed, starring Rob Lowe and Sam Neill. Most recently, Petrie was executive producer, showrunner and co-creator of the 13 episode TV series Combat Hospital, simulcast on ABC and Canada’s Global TV in the summer of 2011.
A past President of the Writers Guild of America, West, Inc., Petrie currently serves as Vice President, Programs of the Writers Guild Foundation. He is a former Governor of the Academy of Motion Picture Arts and Sciences and a former Trustee of the American Film Institute. Petrie has also been an active supporter for Austin Film Festival since 1997.
About Austin Film Festival’s Screenplay Competition
One of the most respected competitions in the country, the AFF Screenplay Competition provides emerging writers the means to expose their work to major players in the entertainment industry. Past entrants have signed with Artisan Entertainment, Creative Artists Agency, Metropolitan Talent Agency, William Morris Agency, DreamWorks Studios, Pixar Animation Studios, Miramax Films, and other highly respected companies.
The Screenplay Competition has two main categories: Drama and Comedy, and also features two sub-categories: The Enderby Entertainment Award and the Dark Hero Studios Sci-Fi Award (science fiction, horror, supernatural thriller, fantasy, etc.). The Teleplay Competition is open to spec scripts from a currently airing network and original pilot scripts and features four main categories: Sitcom Pilot, One-Hour Pilot, Sitcom Spec, and One-Hour Spec. The Screenplay Competition deadline is May 15 with a late deadline of June 1. The Teleplay Competition final deadline is June 1. Winners of the competitions will be announced in Austin at the Annual Awards Luncheon on Saturday, Oct. 20, 2012 at The Austin Club.
For additional information on the 19th Annual Austin Film Festival Screenplay and Teleplay Competition including entry forms, submission fees and Competition guidelines rules call 1-800-310-FEST (3378) or visit the official website at www.austinfilmfestival.com.
About Austin Film Festival
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts.
Alexis Bledel Joins AFF’s 9th Annual Film & Food Gala as Honorary Co-Chair
AUSTIN, TX (October 7, 2011)—The Austin Film Festival (AFF) announced today that Actress Alexis Bledel has been named honorary co-chair for the 9th Annual Film & Food Gala, benefitting AFF’s Young Filmmakers Program. Previously announced honorary co-chair, Actress and Producer America Ferrera is no longer able to attend due to a work schedule conflict. Bledel will be joined by writer/director Ryan Piers Williams (The Dry …
AUSTIN, TX (October 7, 2011)—The Austin Film Festival (AFF) announced today that Actress Alexis Bledel has been named honorary co-chair for the 9th Annual Film & Food Gala, benefitting AFF’s Young Filmmakers Program. Previously announced honorary co-chair, Actress and Producer America Ferrera is no longer able to attend due to a work schedule conflict. Bledel will be joined by writer/director Ryan Piers Williams (The Dry Land).
A native of Houston, Bledel is a versatile actress in both film and television. She starred as “Rory Gilmore” in the critically acclaimed series “Gilmore Girls.” She recently appeared with James McAvoy and Robin Wright Penn in Director Robert Redford’s period drama “The Conspirator.” Next, Bledel stars opposite Saoirse Ronan in Oscar winner Geoffrey Fletcher’s directorial debut “Violet and Daisy.” The film centers on a pair of teenage assassins who are lured into what is supposed to be just another quick and easy job, only to find complications as the man they’re supposed to kill is not what they expected. Bledel’s additional film credits include “Sisterhood of the Traveling Pants,” “Tuck Everlasting” and the Robert Rodriguez film “Sin City,” which was filmed in Austin.
The Gala will be held on Wednesday, October 19, 2011 at the Driskill Hotel in Austin, TX and kicks off the 18th Annual Festival and Conference. For more information, please visit www.austinfilmfestival.com/.
9TH ANNUAL FILM & FOOD GALA
WEDNESDAY, OCTOBER 19, 2011
7PM – 10PM
DRISKILL HOTEL / AUSTIN, TX
Tickets are $90/$75 for AFF Members and Badge Holders
Call 512.478.4795 or visit austinfilmfestival.com for tickets
Benefitting Young Filmmakers Program
All chairs are confirmed based on permitting schedules and are subject to change and/or cancellation without notice. Proceeds from the ticket sales and event auctions benefit Austin Film Festival’s Young Filmmakers Program, which was founded to encourage students, ages 9-18, to explore their literacy skills through the arts of screenwriting and filmmaking. Programs are offered free through AISD schools and partner organizations.
Sponsors of the Film & Food Gala include Whole Foods Market, KVUE, Twin Liquors, Dos Equis, Shweiki Media Printing, Livestrong Austin Marathon & Half Marathon, and United/Continental Airlines.
More information on the 18th annual Austin Film Festival is available at www.austinfilmfestival.com/ or call 1-800-310-FEST (3378). For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestivaland Twitter @austinfilmfest.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Dos Equis, KVUE, KUT 90.5 FM, United/Continental Airlines, Esurance, and Wells Fargo Advisors.
An Exclusive Staged Reading of “The Nice Guys”
A NOIR SCRIPT BY SHANE BLACK & ANTHONY BAGAROZZI. READ BY PROFESSIONAL ACTORS WITH BLACK DIRECTING. SUNDAY, OCT. 23RD AT THE ROLLINS THEATER IN AUSTIN, TX AUSTIN, TX (August 30, 2011) – The Austin Film Festival (AFF) announced today an exclusive staged reading of Shane Black and Anthony Bagarozzi’s noir script, “The Nice Guys,” during the Festival. The script will be read by professional actors …
A NOIR SCRIPT BY SHANE BLACK & ANTHONY BAGAROZZI. READ BY PROFESSIONAL ACTORS WITH BLACK DIRECTING.
SUNDAY, OCT. 23RD AT THE ROLLINS THEATER IN AUSTIN, TX
AUSTIN, TX (August 30, 2011) – The Austin Film Festival (AFF) announced today an exclusive staged reading of Shane Black and Anthony Bagarozzi’s noir script, “The Nice Guys,” during the Festival. The script will be read by professional actors with Black and Bagarozzi in attendance, with Black directing. The reading will be Sunday, October 23rd at 4:30pm at the Rollins Theatre at The Long Center for the Performing Arts in Austin, TX.
It’s going to be a production you won’t want to miss during the Festival, as these two seasoned screenwriters give film fans a first glimpse at this dark murder mystery read live by actors. “The Nice Guys” follows last year’s wildly popular and successful reading of Maggie Carey’s “The Hand Job.” AFF’s script readings are energetic and considered some of the Conference’s most beloved events, bringing the page to life with comedic, dramatic and exciting performances.
ABOUT THE NICE GUYS
In smoggy 1970s Los Angeles, Jackson Healy (muscle-for-hire, recovering alcoholic) and Holland March (private eye, practicing alcoholic) are brought together by the suicide of a fading porn star. Problem is, the dead girl’s aunt is convinced she saw her niece alive and well, AFTER the highly publicized incident. March needs money, takes the case-and within days, it’s blossomed into a far-reaching murder conspiracy, bizarrely rooted in smog and the U.S. auto industry.
Shane Black has had tremendous success in creating a number of box office blockbusters, including the first two “Lethal Weapon” movies and 1991’s “The Last Boyscout.” In 1990, Shane sold his espionage script “The Long Kiss Goodnight” for a record sum of money. His directorial debut, the romantic thriller “Kiss, Kiss, Bang, Bang” re-teamed him with producer Joel Silver. Black was the recipient of the 2006 Austin Film Festival’s Distinguished Screenwriter Award. Next, he’s writing and directing “Iron Man 3” starring Robert Downey, Jr., scheduled for release May 2013.
Anthony Bagarozzi broke into the business with the sale of “Tick Tock,” an original screenplay, which he co-wrote with Chuck Mondry. Along with writing “The Nice Guys” with Shane Black, Bagarozzi is currently working on a “Doc Savage” screenplay for Sony Pictures, as well as adapting the best selling manga “Death Note” for Warner Brothers. Next year he plans to make his directorial debut with the supernatural thriller “Deathless,” co-written by Chuck Mondry and produced by Modern Pictures.
Past Austin Film Festival script readings include works by Anne Rapp, Ya’Ke Smith, Jim Dauterive, Tim McCandlies, Bill Wittliff, Larry Wright, Mike Fry, Kat Candler, the late Bud Shrake and, most recently, the 2009 Black List scripts “By Way of Helena” by Matthew Cook with Jeff Fahey, D.B. Sweeney and others, and “The Hand Job” by Maggie Carey, with performers Aubrey Plaza, Bill Hader, Jessica Alba, Colin Hanks, and others.
Film Passes and Festival Badges are currently on sale at a discounted rate until September 30th and can be purchased athttp://austinfilmfestival.myshopify.com/collections/2011-badges-film-passes. Right now, Film Passes are only $42. All Badges and Passes grant admission to the script reading.
AFF has also announced the early 10 films screening at the festival this year, as well as this year’s award winners and the confirmed Conference panelists. These announcements and general information on the 18th annual Austin Film Festival is available atwww.austinfilmfestival.com/ or call 1-800-310-FEST (3378). For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Dos Equis, KVUE, KUT 90.5 FM, United/Continental Airlines, and Esurance.
The Early 10 Films Confirmed to Screen
INCLUDING JEFF WHO LIVES AT HOME, PUSS IN BOOTS, BENEATH THE DARKNESS, ALBERT NOBBS, HAROLD’S GOING STIFF, ECSTASY OF ORDER: THE TETRIS MASTERS, AND MORE FULL LINEUP COMING MID-SEPTEMBER AUSTIN, TX (August 23, 2011) – The Austin Film Festival (AFF), the premiere film festival recognizing writers’ and filmmakers’ contributions to film, television and new media, announced today the first 10 films included in the 2011 …
INCLUDING JEFF WHO LIVES AT HOME, PUSS IN BOOTS, BENEATH THE DARKNESS, ALBERT NOBBS, HAROLD’S GOING STIFF, ECSTASY OF ORDER: THE TETRIS MASTERS, AND MORE
FULL LINEUP COMING MID-SEPTEMBER
AUSTIN, TX (August 23, 2011) – The Austin Film Festival (AFF), the premiere film festival recognizing writers’ and filmmakers’ contributions to film, television and new media, announced today the first 10 films included in the 2011 lineup of Festival film screenings October 20-27. AFF annually hosts over 170 film screenings and special events, and the Conference boasts more than 100 speakers participating in panels and roundtable discussions.
Included in the early 10 films announced are Jeff Who Lives At Home, a new comedy by the Duplass brothers starring Jason Segel; Ecstasy of Order: The Tetris Masters (world premiere), a documentary about the obsession of the masters at the 2010 Classic Tetris World Championship; Harold’s Going Stiff (U.S. premiere), a contemporary and affecting zombie film; UCB dance film Freak Dance (world premiere); the gender-blurring tale of Albert Nobbs, starring Glenn Close, with director Rodrigo Garcia in attendance; Puss in Boots, the animated film about the swashbuckling feline; American Teacher, an inspiring documentary about U.S. educators; We Need To Talk About Kevin, a gripping drama starring Tilda Swinton and John C. Reilly; and the Southern Gothic tale Restive.
One of the films announced, Beneath the Darkness, was birthed out of the 2003 Festival when writer Bruce Wilkinson and director Martin Guigui met following a screening of Guigui’s film Swing. This meeting at the Festival allowed Wilkinson to achieve a life dream before his passing following the film’s completion. This will be the world premiere of Beneath the Darkness, which stars Dennis Quaid as a psychopathic killer. Quaid, along with the director and much of the cast, will be in attendance.
The 2011 film lineup includes several World, U.S., and regional premieres in all genres ranging from comedy to horror, documentary to drama. Filmmakers from around the world and Texas alike showcase everything from obscure indie films to big-budget Oscar®-bound productions.
The complete list of films screening at AFF this year, including short films and competition titles, will be announced in mid-September. Cast and crew attendance is subject to change and based on permitting schedules
AFF’S 2011 EARLY 10 FILMS ARE:
ALBERT NOBBS
Writers: Glenn Close, John Banville
Director: Rodrigo Garcia (in attendance)
Cast: Glenn Close, Mia Wasikowska, Aaron Johnson, Jonathan Rhys Meyers, Brendan Gleeson
Glenn Close stars as a woman who must disguise herself as a male butler in order to find work in 19th century Ireland.
AMERICAN TEACHER
Director: Vanessa Roth
Narrator: Matt Damon
Regional Premiere
Weaving interviews of policy experts and startling facts with the lives and careers of four teachers, Matt Damon narrates the collective story by and about those closest to the issues in our educational system—the 3.2 million teachers who spend every day in classrooms across the country.
BENEATH THE DARKNESS
Writer: Bruce Wilkinson
Director: Martin Guigui (in attendance)
Cast: Dennis Quaid, Tony Oller, Aimee Teegarden, Stephen Lunsford, Brett Cullen (entire cast listed will be in attendance)
World Premiere
After watching their best friend get murdered, a group of teens struggle to expose a local hero (Dennis Quaid) as the psychopathic killer and keep from becoming his next victims.
ECSTASY OF ORDER: THE TETRIS MASTERS
Director: Adam Cornelius
World Premiere
This video game documentary brings world-record-holding Tetris players together for the 2010 Classic Tetris World Championship. Witness the Masters as they reveal their secrets, recount their obsession with the game, and enter the transcendental state required to reach the highest levels known as the ‘Ecstasy of Order’.
FREAK DANCE
Writer: Matt Besser
Directors: Matt Besser, Neil Mahoney
Cast: Michael Cassady, Megan Heyn, Amy Poehler, Matt Besser, Ian Roberts, Matt Walsh, Tim Meadows, Andy Daly, Horatio Sanz
World Premiere
The Upright Citizens Brigade unleash their unique take on the dance film with this funky, epic dance floor battle, featuring several past and present members of the popular sketch comedy group.
HAROLD’S GOING STIFF
Writer/Director: Keith Wright
Cast: Stan Rowe, Sarah Spencer, Andy Pandini, Lee Thompson, Richard Harrison, Phil Gascoyne
US Premiere
Lonely pensioner, Harold Gimble, has become the first man to suffer from a new neurological disease that is slowly turning him into a zombie-like state. Harold’s hermit-like existence is shaken up when a vivacious nurse, Penny Rudge, is sent along to alleviate his stiffness.
JEFF WHO LIVES AT HOME
Writers/Directors: Jay Duplass, Mark Duplass
Cast: Jason Segel, Ed Helms, Susan Sarandon, Judy Greer, Rae Dawn Chong
Regional Premiere
Jeff (Jason Segel) is living in his mother’s (Susan Sarandon) basement and waiting for destiny to fall right into his lap. When he goes out on a simple errand, he runs into his estranged brother (Ed Helms) and starts to see the signs that may point him toward a new life.
PUSS IN BOOTS
Writers: Brian Lynch, David H. Steinberg, Tom Wheeler, Jon Zack
Director: Chris Miller
Cast: Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris
Regional Premiere
Way before Puss (Antonio Banderas) ever met Shrek, our suave and furry feline hero goes on a swashbuckling ride, as he teams with mastermind Humpty Dumpty (Zach Galifianakis) and the street-savvy Kitty Softpaws (Salma Hayek) to steal the famed Goose that lays the Golden Eggs.
RESTIVE
Writer/Director: Jeremiah Jones
Cast: Christopher Denham, Connor Hill, Michael Mosley, Marianna Palka, Ivan Sandomire
Regional Premiere
A mother deals with emotional and physical abuse from her mentally unstable husband as the narrative twists and turns in this thrilling Southern Gothic tale.
WE NEED TO TALK ABOUT KEVIN
Writers: Lynne Ramsay, Rory Kinnear
Director: Lynne Ramsay
Cast: Tilda Swinton, John C. Reilly, Ezra Miller
Regional Premiere
Two parents (Tilda Swinton and John C. Reilly) try to come to terms with the horrifying atrocities committed by their young son in this wrenching drama from acclaimed filmmaker Lynne Ramsay.
The 2011 Conference will offer registrants the opportunity to attend informative and inspiring discussions, including A Conversation with John Lasseter, Chief Creative Officer for Walt Disney and Pixar Animation Studios, and Academy Award®-winning director and executive-producer of Monsters, Inc., Finding Nemo, Ratatouille, Toy Story 3, and more. Also on tap is A Conversation with “Bones” and upcoming “The Finder” show creator Hart Hanson, as well as A Conversation with Caroline Thompson, writer of Edward Scissorhands and The Nightmare Before Christmas. There will be in-depth Script-To-Screen discussions on The Graduate with writer Buck Henry, Fight Club with writer Jim Uhls, and “Veronica Mars” with show creator Rob Thomas, as well as a panel on Zombies, Apes & Vampires: Breathing New Life Into Old Subjects with Rick Jaffa and Amanda Silver (Rise of The Planet of The Apes, The Relic), Alvaro Rodriguez (Machete, From Dusk Till Dawn 3), and Rhett Reese (Zombieland). Full panel schedule coming soon.
This year’s Extraordinary Contribution to Filmmaking Award recipient is John Lasseter (Chief Creative Officer of Walt Disney and Pixar Animation Studios). Along with Distinguished Screenwriter Awardee Caroline Thompson (screenwriter of Edward Scissorhands, The Nightmare Before Christmas) and Outstanding Television Writer Awardee Hart Hanson (creator, writer, executive producer of “Bones,” “The Finder”), they will receive their awards at the annual Award Luncheon on Saturday, October 22, 2011 at the Austin Club.
Film passes and Festival badges are currently on sale at a discounted rate until September 30th and can be purchased athttp://austinfilmfestival.myshopify.com/collections/2011-badges-film-passes. Right now, Film Passes are only $42. All badges and passes grant admission to films.
For more information on the 18th annual Austin Film Festival, panels, film screenings and special events, visit the official website atwww.austinfilmfestival.com/ or call 1-800-310-FEST (3378). For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Dos Equis, KVUE, KUT 90.5 FM, United/Continental Airlines, and Esurance.
2011 Script-To-Screen Panels During the Conference Announced
INCLUDES FIGHT CLUB WITH JIM UHLS, THE GRADUATE WITH BUCK HENRY, AND “VERONICA MARS” WITH ROB THOMAS PLUS, ADDITIONAL CONFERENCE PANELISTS ANNOUNCED AUSTIN, TX (AUGUST 4, 2011) – The 18th annual Austin Film Festival (AFF) announced today this year’s Script-To-Screen panels during the Festival Conference, which will take place October 20th-23rd. Also announced, are many of the AFF’s 2011 Conference panelists, including many film and …
INCLUDES FIGHT CLUB WITH JIM UHLS, THE GRADUATE WITH BUCK HENRY, AND “VERONICA MARS” WITH ROB THOMAS
PLUS, ADDITIONAL CONFERENCE PANELISTS ANNOUNCED
AUSTIN, TX (AUGUST 4, 2011) – The 18th annual Austin Film Festival (AFF) announced today this year’s Script-To-Screen panels during the Festival Conference, which will take place October 20th-23rd. Also announced, are many of the AFF’s 2011 Conference panelists, including many film and television writers, producers, directors, show creators and more.
The 2011 Script-To-Screen conversations include examinations of FIGHT CLUB with screenwriter Jim Uhls, THE GRADUATE with screenwriter Buck Henry, and “Veronica Mars” with creator Rob Thomas. During the Script-To-Screen section of the Conference lineup, film and television writers go in depth about their triumphs and tragedies as they worked to bring the project from script to screen. Audience members gain insight into some of their favorite productions as well as get an accurate picture of what it takes to bring a film or show from original idea to completion.
2011 SCRIPT-TO-SCREENS
FIGHT CLUB with Jim Uhls
In 1997, Chuck Palahniuk’s manuscript for the soon to be published FIGHT CLUB had made the rounds all over town and been rejected by everybody as being “unadaptable.” But, with the help of Laura Ziskin, then the executive running Fox 2000, screenwriter Jim Uhls and director David Fincher, the film went on to become one of the most controversial and talked-about films of 1999, turning the book into an instant cult classic.
With script in hand and film clips on the wall, screenwriter Jim Uhls (FIGHT CLUB, SEMPER FI, JUMPER) will dissect his critically acclaimed screenplay FIGHT CLUB, discussing his writing process, what worked, what didn’t, what needed to be changed for film production and why.
THE GRADUATE with Buck Henry
Ranked as the seventh greatest film of all time on AFI’s 100 Years… 100 Movies, THE GRADUATE is a 1967 classic comedy-drama directed by Mike Nichols and based on the 1963 novel of the same name by Charles Webb. Prolific writer Buck Henry wrote the screenplay, and was nominated for an Academy Award for his adaptation.
At the Conference, Buck Henry will dissect his critically acclaimed screenplay THE GRADUATE, discussing his writing process and the film’s production, what worked, what didn’t, what needed to be changed and why.
“Veronica Mars” with Rob Thomas
Rob Thomas’ critically acclaimed TV series “Veronica Mars,” starring Kristen Bell in the title role, premiered on September 22, 2004 during television network UPN’s final two years, and ended tragically prematurely on May 22, 2007. During the series’ run, it was nominated for two Satellite Awards, four Saturn Awards, five Teen Choice Awards and was featured on AFI’s TV Programs of the Year for 2005.
With the original pilot script in hand and film clips on the wall, television producer, screenwriter, and author Rob Thomas (“Veronica Mars,” “Party Down,” “Cupid,” “90210″ ’08) will dissect his pilot episode of “Veronica Mars.” Using this episode as a case study for how a TV show comes together, he will discuss how the idea for the show came about, the research and staff writing process, and other aspects of the show’s production.
More panels and discussions during AFF’s 2011 Conference will be announced soon, but you can find more information online atwww.austinfilmfestival.com//new/2011_panelists. Many of this year’s participating panelists have been announced below, including many of the industry’s top writers, directors, producers, show creators and more. More details on their specific panels to come shortly.
2011 CONFIRMED PANELISTS
-Elizabeth Avellan, producer Sin City, Machete, Predators, Shorts, Grindhouse
-Henry Bean, writer Internal Affairs, Deep Cover, The Believer
-Alec Berg, writer “Curb Your Enthusiasm,” “Late Night with Conan O’Brien,” Eurotrip, “Seinfeld”
-Pen Densham, Trilogy Entertainment Group, author Riding the Alligator, writer Robin Hood: Prince of Thieves, Moll Flanders, Houdini
-Rodrigo Garcia, Albert Nobbs, “In Treatment,” Mother and Child
-Pamela Gray, writer Conviction, A Walk on the Moon, “Once and Again”
-Buck Henry, writer The Graduate, To Die For, Catch-22
-Jim Herzfeld, writer Meet The Fockers, Meet The Parents, Tapeheads, writer/producer “Married… With Children”
-Laeta Kalogridis, executive producer Avatar, writer Shutter Island, Alexander, Night Watch
-Lawrence Kasdan, writer Raiders of the Lost Ark, The Empire Strikes Back, Return of the Jedi, Body Heat, The Big Chill, The Accidental Tourist
-Mike Mitchell, director Alvin and the Chipmunks: Chip-Wrecked ’11, Shrek Forever After, Surviving Christmas
-Rhett Reese, writer Zombieland, GI Joe 2, Deadpool
-Alvaro Rodriguez, writer Machete, Shorts, From Dusk Till Dawn 3: The Hangman’s Daughter
-Terry Rossio, writer Shrek, Déjà Vu, The Mask of Zorro, Pirates of the Caribbean franchise
-Amy Talkington, writer Valley Girl ’12, Private Benjamin ’12, Night of the White Pants
-Rob Thomas, creator/writer “Veronica Mars,” “Cupid,” “Party Down,” developer/writer “90210,” writer “Dawson’s Creek”
-Jim Uhls, writer Fight Club, Semper Fi, Jumper
-Kyle Killen, creator/producer “Awake,” “Lonestar,” writer The Beaver
-Ric Roman Waugh, writer Snitch, Bobby Martinez, Felon
*All panelists are confirmed, schedules permitting and are subject to change. The complete list is available atwww.austinfilmfestival.com/, or upon request.
AFF will take place October 20-27, 2011 in Austin, Texas and will host more than 170 exciting film screenings and events. AFF will also include a conference lineup with over 100 panelists participating in 90 plus panels and roundtable discussions. Film screenings, additional panelists and special events will be announced in the coming months. Attendance of Conference speakers is schedule permitting and subject to change without notice.
Austin Film Festival’s 2011 award recipients have already been announced, including John Lasseter (Chief Creative Officer of Walt Disney and Pixar Animation Studios), who will receive the Extraordinary Contribution to Filmmaking Award; Caroline Thompson (screenwriter of Edward Scissorhands, The Nightmare Before Christmas) receiving the Distinguished Screenwriter Award; and Hart Hanson (creator, writer, executive producer of “Bones”) receiving the Outstanding Television Writer Award. They will accept their awards at AFF’s annual Award Luncheon held on Saturday, October 22, 2011 at the Austin Club.
To purchase passes or badges to the 2011 Austin Film Festival (October 20 – 27, 2011), go tohttp://austinfilmfestival.myshopify.com/collections/2011-badges-film-passes.
For regular updates, follow AFF on Facebook at facebook.com/AustinFilmFestival and Twitter @austinfilmfest.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by United Airlines and Esurance.
2011 AFF Extraordinary Contribution to Filmmaking Awardee Announced
CHIEF CREATIVE OFFICER OF WALT DISNEY AND PIXAR ANIMATION STUDIOS JOINS DISTINGUISHED SCREENWRITER AWARDEE CAROLINE THOMPSON AND “BONES” CREATOR HART HANSON, OUTSTANDING TELEVISION WRITER AWARDEE John Lasseter appears courtesy of the Academy of Motion Picture Arts and Sciences Visiting Artists program. AUSTIN, TX (June 14, 2011) – The Austin Film Festival (AFF) is proud to announce that this year’s recipient of the 2011 Extraordinary Contribution …
CHIEF CREATIVE OFFICER OF WALT DISNEY AND PIXAR ANIMATION STUDIOS JOINS DISTINGUISHED SCREENWRITER AWARDEE CAROLINE THOMPSON AND “BONES” CREATOR HART HANSON, OUTSTANDING TELEVISION WRITER AWARDEE
John Lasseter appears courtesy of the Academy of Motion Picture Arts and Sciences Visiting Artists program.
AUSTIN, TX (June 14, 2011) – The Austin Film Festival (AFF) is proud to announce that this year’s recipient of the 2011 Extraordinary Contribution to Filmmaking Award will be John Lasseter, Chief Creative Officer, Walt Disney and Pixar Animation Studios. He will accept the Award, along with the other awardees, at AFF’s annual Award Luncheon held on Saturday, October 22, 2011 at the Austin Club. The Awards Luncheon is presented by the Alice Kleberg Reynolds Foundation. Lasseter will also speak on panels during the Conference, including “A Conversation with John Lasseter” and “The Art of Storytelling with Caroline Thompson, Hart Hanson and John Lasseter.”
Lasseter is a two-time Academy Award®-winning director and creatively oversees all films and associated projects from Walt Disney and Pixar Animation Studios. His executive-producing credits include “Monsters, Inc.,” “Finding Nemo,” “The Incredibles,” “Ratatouille,” “WALL•E,” “Bolt” and last year’s critically acclaimed “Up,” the first animated film ever to open the Cannes Film Festival and the recipient of two Academy Awards® for Best Animated Feature and Best Original Score. Lasseter also served as executive producer for Disney’s Oscar®-nominated films “The Princess and the Frog” and “Tangled” as well as Pixar’s most recent Academy Award® winner for Best Animated Feature and Best Original Song, “Toy Story 3.”
Under Lasseter’s supervision, Pixar’s animated features and short films have earned a multitude of critical accolades and film industry honors.
Lasseter joins Caroline Thompson who will receive the 2011 Distinguished Screenwriter Award and Outstanding Television Writer Awardee Hart Hanson. Thompson’s writing credits include “Edward Scissorhands,” “The Nightmare Before Christmas,” “Corpse Bride,” “The Addams Family,” “The Secret Garden” and more. Hanson is most well known in his role as creator, writer and executive producer of the popular television series “BONES,” which just got picked up for a 7th season on Fox.
The Austin Film Festival annually recognizes outstanding filmmakers for going above and beyond with their consistently exceptional body of work with the Extraordinary Contribution to Filmmaking Award. Previous recipients of the award include Robert Rodriguez (’10), Ron Howard (’09), Danny Boyle (’08), Oliver Stone (’07), and the late Sydney Pollack (’06.)
The inclusion of Lasseter in the 2011 Conference will round out an impressive list of animation writers, filmmakers, and executives attending and speaking at the Festival, helping make this an outstanding year for animation at AFF. Below are a few of the confirmed names in film and television and their animation credits taking part in AFF 2011.
• Jonathan Aibel & Glenn Berger, writers “Kung Fu Panda,” “Kung Fu Panda 2,” “Alvin and the Chipmunks: The Squeakuel,” “Alvin and the Chipmunks: Chip-Wrecked,” “Monsters vs. Aliens,” “King of the Hill”
• Rita Hsiao, writer “Toy Story 2,” “Mulan”
• Jason Eaton, writer “Ice Age 3”
• Lisa Fragner, 20th Century Fox Animation/Blue Sky Studios, Inc.
• Tim McCanlies, writer “The Iron Giant”
• Mike Mitchell, director “Alvin and The Chipmunks: Chip-Wrecked,” “Shrek Forever After”
• Nancy Pimental, writer “South Park”
• Rhett Reese, writer “Dinosaur”
• Tim Talbott, writer “South Park”
AFF will take place October 20-27, 2011 in Austin, Texas and will host more than 170 exciting film screenings and events. AFF will also include a conference lineup with over 100 panelists participating in 90 plus panels and roundtable discussions. The complete list is available at www.austinfilmfestival.com/, or upon request. Film screenings, additional panelists and special events will be announced in the coming months. Attendance of Conference speakers is schedule permitting and subject to change without notice.
Awards Luncheon tickets are $50 each and are available for purchase by Conference and Producers Badge holders only. For additional information on the 18th Annual Austin Film Festival, panels and film screenings, and how to purchase everything from a Producers Badge to a Film Pass, visit the official website at www.austinfilmfestival.com/ or call 1-800-310-FEST (3378).
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental and United Airlines, KVUE, KUT 90.5, and Dos Equis.
Click here to buy your Badge today!
Austin Film Festival & Ballet Austin Present a Special Screening of Center Stage
AUSTIN FILM FESTIVAL & BALLET AUSTIN PRESENT A SPECIAL SCREENING OF CENTER STAGE FOLLOWED BY A BALLET CLASS TAUGHT BY A BALLET AUSTIN COMPANY MEMBER AT BUTLER DANCE EDUCATION CENTER SUNDAY, JULY 24TH FINAL EVENT IN DANCE FILM SERIES Who: Austin Film Festival & Ballet Austin What: Screening of the 2000 film Center Stage When: Sunday, July 24, 2011 at 3pm / $10 (free for …
AUSTIN FILM FESTIVAL & BALLET AUSTIN PRESENT A SPECIAL SCREENING OF CENTER STAGE
FOLLOWED BY A BALLET CLASS TAUGHT BY A BALLET AUSTIN COMPANY MEMBER AT BUTLER DANCE EDUCATION CENTER SUNDAY, JULY 24TH
FINAL EVENT IN DANCE FILM SERIES
Who: Austin Film Festival & Ballet Austin
What: Screening of the 2000 film Center Stage
When: Sunday, July 24, 2011 at 3pm / $10 (free for AFF members with RSVP)
Where: Ballet Austin’s AustinVentures StudioTheater (501 W 3rd Street)
Tickets: All tickets are $10 and include admission to Ballet class ($17 value) immediately following the screening. Visitwww.balletaustin.org/film
AUSTIN, TX (June 13, 2011) – Austin Film Festival (AFF) and Ballet Austin announce a special dance film screening of Center Stage (2001) followed by a free Beginning Ballet class for all attendees on July 24th at Ballet Austin. In addition, a pair of ballet shoes signed by the Ballet Austin Company will be given away to a lucky audience winner.
The screening at Ballet Austin’s AustinVentures StudioTheater (501 West 3rd St) offers a special treat for ballet fans as well as film buffs looking to expand their artistic horizons and get moving with a dance class following the film. With the event, AFF and Ballet Austin hope to engage new arts audiences outside of their genres and bring them a new appreciation for both dance and film.
About Center Stage:
This story follows the challenges that a group of young talented dancers face when they enroll in the American Academy Ballet in New York. Each student is talented and ambitious, but how far will they go to achieve their dream?
Austin Film Festival and Ballet Austin came together for special screenings of the film Fame on Sunday, May 22nd with a free Jazz Class workshop, as well as The Company on Sunday, June 26th with a free Ballet Fit Class. AFF and Ballet Austin first worked together on the screening of Black Swan during the 2010 Austin Film Festival, and everything went so well, they decided to create other opportunities to collaborate for a full artistic experience. They have been working together as part of the Austin Shared Service group, which is a collection of local arts organizations collaborating to increase awareness, participation and excitement for the arts as well as arts education in Austin.
All proceeds benefit the Ballet Austin Academy Scholarship Program.
AFF members must RSVP in advance of the screening. All RSVP information will be posted at www.austinfilmfestival.com/ shortly. All non-AFF members are able to purchase $10 tickets at www.balletaustin.org/film
For more information on Austin Film Festival’s year round events, go to www.austinfilmfestival.com//new/events
For more information on Ballet Austin’s year round events, go to www.balletaustin.org
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts.
Special support for Summer Film Camp is provided to the Austin Film Festival by Austin High School, Shweiki Media, KVUE, and Whole Foods Market.
About Ballet Austin
As distinctive and dynamic as the city it calls home, Ballet Austin welcomes audiences near and far to participate in its “classically innovative” vision for the democratization of dance. With a rich history spanning five decades, acclaimed productions, and one of the nation’s largest classical ballet academies, the organization is poised for an even greater future. From their new home at the Butler Dance Education Center and Community School in downtown Austin, Ballet Austin and artistic director Stephen Mills actively engage the community, dancers, and audiences alike. The New York Times proclaims Ballet Austin “a company with big ambitions” originating work that is “absorbing.”
AFF & KLRU-TV Announce new series “On Story: Presented by Austin Film Festival”
AUSTIN, TX (April 11, 2011) – Austin Film Festival and KLRU-TV, Austin PBS, announced today the new 12-episode series “On Story: Presented by Austin Film Festival” will premiere on Saturday, April 16, 2011, on KLRU Q. The new half-hour series will focus on the inspiration and creative process at the conception of the filmmaking process and air right after “Roger Ebert presents: At the Movies” and …
AUSTIN, TX (April 11, 2011) – Austin Film Festival and KLRU-TV, Austin PBS, announced today the new 12-episode series “On Story: Presented by Austin Film Festival” will premiere on Saturday, April 16, 2011, on KLRU Q.
The new half-hour series will focus on the inspiration and creative process at the conception of the filmmaking process and air right after “Roger Ebert presents: At the Movies” and just before the station’s new movie package at 8pm. “On Story” will include new interviews and footage from past Austin Film Festival panels and screenings of screenwriters and filmmakers discussing their craft and films. Each episode will pair these conversations with a short film from a Texas filmmaker, which has previously screened at the Austin Film Festival. “On Story” is produced by Austin Film Festival co-Founder and Executive Director Barbara Morgan.
“Austin Film Festival is quite proud of the new series, and we’re so happy to be working with KLRU on it,” says Barbara Morgan. “We’ve been working on concept for a while and are thrilled to finally be able to give local audiences a taste of the Festival.”
The filmmakers and screenwriters appearing on the show include Lawrence Kasdan (EMPIRE STRIKES BACK), Shane Black (LETHAL WEAPON), Ed Burns (THE BROTHERS MCMULLEN), Randall Wallace (BRAVEHEART), John Lee Hancock (THE BLIND SIDE), David Peoples (BLADE RUNNER), Judd Apatow (KNOCKED UP), Ron Howard, and more.
PROGRAM SCHEDULE
April 16, 2011 at 7:30pm: Episode 1
Footage: Lawrence Kasdan, Shane Black, and Randall Wallace at Austin Film Festival
Short film: FRENTE NORESTE by Angela Torres Camarena
April 23, 2011 at 7:30pm: Episode 2
April 30, 2011 at 7:30pm: Episode 3
May 7, 2011 at 7:30pm: Episode 4
May 14, 2011 at 7:30pm: Episode 5
May 21, 2011 at 7:30pm: Episode 6
May 28, 2011 at 7:30pm: Episode 7
June 4, 2011 at 7:30pm: Episode 8
June 11, 2011 at 7:30pm: Episode 9
June 18, 2011 at 7:30pm: Episode 10
June 25, 2011 at 7:30pm: Episode 11
July 2, 2011 at 7:30pm: Episode 12
The show airs on KLRU-Q broadcast channel 18.3, which is available free over the air in KLRU’s 18 county viewing area including Travis, Hayes, Bastrop, Williamson and Caldwell counties. KLRU-Q is also available to digital cable subscribers of Time Warner (channel 20 or 225) or Grande (channel 284).
Episodes will also be available online at klru.org the Sunday following the broadcast.
For more information on the Austin Film Festival, visit www.austinfilmfestival.com/. And, go to www.klru.org to find out more about the station and for programming schedules.
About Austin Film Festival
Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story.
Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts. Special support is provided to the Austin Film Festival by Continental Airlines, KVUE, KUT 90.5, and Dos Equis.
About KLRU
KLRU-TV, Austin PBS, reflects, celebrates and inspires Central Texas through creative excellence, community engagement and lifelong learning. In addition to providing locally produced and quality national television programming, KLRU is also a non-profit organization helping to build a stronger community through educational workshops, community engagement projects and public events. Known as the producing station of the longest-running live music television show “Austin City Limits,” KLRU has also worked on several other national productions including the documentaries CITIZEN ARCHITECT and LAST BEST HOPE. Get more information about KLRU at www.klru.org.
2011 AFF Distinguished Screenwriter Awardee Announced
SCREENWRITER OF EDWARD SCISSORHANDS, THE NIGHTMARE BEFORE CHRISTMAS, CORPSE BRIDE, THE ADDAMS FAMILY AND MORE JOINS HART HANSON, RECIPIENT OF THIS YEAR’S OUTSTANDING TELEVISION WRITER AWARD AUSTIN, TX (April 5, 2011) – Austin Film Festival (AFF) proudly announced today this year’s recipient of the 2011 Distinguished Screenwriter Award will be Caroline Thompson, screenplay writer of EDWARD SCISSORHANDS, THE NIGHTMARE BEFORE CHRISTMAS, CORPSE BRIDE, THE ADDAMS …
SCREENWRITER OF EDWARD SCISSORHANDS, THE NIGHTMARE BEFORE CHRISTMAS, CORPSE BRIDE, THE ADDAMS FAMILY AND MORE JOINS HART HANSON, RECIPIENT OF THIS YEAR’S OUTSTANDING TELEVISION WRITER AWARD
AUSTIN, TX (April 5, 2011) – Austin Film Festival (AFF) proudly announced today this year’s recipient of the 2011 Distinguished Screenwriter Award will be Caroline Thompson, screenplay writer of EDWARD SCISSORHANDS, THE NIGHTMARE BEFORE CHRISTMAS, CORPSE BRIDE, THE ADDAMS FAMILY, THE SECRET GARDEN, BLACK BEAUTY, and more. Thompson will accept the award at the Festival’s annual Award Luncheon held on Saturday, October 22, 2011 at the Austin Club. Thompson will also speak on panels during the Conference.
Caroline Thompson published her first novel, First Born, in 1983, and adapted it for the screen with director Penelope Spheeris. Although the film was never made, Thompson discovered her love for writing screenplays, and her first film was 1990’s EDWARD SCISSORHANDS, which was immediately followed by THE ADDAMS FAMILY in 1991. She went on to write HOMEWARD BOUND: THE INCREDIBLE JOURNEY, THE SECRET GARDEN, THE NIGHTMARE BEFORE CHRISTMAS, BLACK BEAUTY, BUDDY, SNOW WHITE: THE FAIREST OF THEM ALL, CORPSE BRIDE and CITY OF EMBER. She is currently working on adaptations of Melissa Marr’s novel Wicked Lovely and Mikhail Bulgakov’s The Master and Margarita. Eager to encourage the strange and idiosyncratic in young filmmakers, Caroline and her husband Steve Nicolaides founded and run the website Small & Creepy Films at www.smallandcreepy.com.
Thompson joins Hart Hanson, who is set to receive AFF’s Outstanding Television Writer Award at this year’s Festival. Hanson is best known as the creator, writer and executive producer of the popular television series “Bones,” which is currently in it’s 6th season on Fox. Hanson’s other credits include creator/showrunner for “Traders,” which was nominated for multiple Gemini Awards (Canadian Emmy’s), as well as writing for “Judging Amy,” “Joan of Arcadia,” and more. Presenting Hanson with his award will be “Bones” stars David Boreanaz and Emily Deschanel. Still to be announced is this year’s recipient of the Extraordinary Contribution to Filmmaking Award.
The Austin Film Festival annually recognizes outstanding filmmakers and screenwriters for their accomplished bodies of work and contributions to filmmaking. Previous recipients of the Distinguished Screenwriter Award include David Peoples, Steven Zaillian, Harold Ramis, Lawrence Kasdan, Barry Levinson, Frank Pierson, James L. Brooks, Richard LaGravenese and Horton Foote, among others.
Since 1994, Austin Film Festival has been dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story. The Austin Film Festival’s Conference offers over 80 panels, craft sessions and roundtable discussions led by more than 100 top professionals in the television and film industries. Focusing on the art, craft and business of film and television writing and production, it provides registrants unparalleled access to the best writers and filmmakers in the field. Just some of the speakers confirmed for 2011, schedules permitting, include:
• Alec Berg, “Curb Your Enthusiasm,” “Late Night with Conan O’Brien,” “Seinfeld”
• Jon Aibel & Glenn Berger, KUNG FU PANDA 1 & 2, ALVIN AND THE CHIPMUNKS 2 & 3, MONSTERS VS. ALIENS
• Shane Black, IRONMAN III ‘12, KISS KISS, BANG BANG, LETHAL WEAPON
• Lindsay Doran, producer STRANGER THAN FICTION, NANNY MCPHEE, SENSE AND SENSIBILITY
• Rodrigo Garcia, writer/director “In Treatment,” MOTHER AND CHILD
• Pamela Gray, writer CONVICTION, A WALK ON THE MOON
• Ted Griffin, creator “Terriers,” writer OCEAN’S ELEVEN, RUMOR HAS IT…, MATCHSTICK MEN
• Noah Hawley, creator “My Generation,” writer/producer “The Unusuals,” “Bones”
• Jim Herzfeld, writer MEET THE FOCKERS, MEET THE PARENTS, TAPEHEADS
• Rita Hsiao, writerTOY STORY 2, MULAN
• Elizabeth Hunter, writer BEAUTY SHOP, THE FIGHTING TEMPTATIONS, “ER”
• Lawrence Kasdan, writer RAIDERS OF THE LOST ARK, THE EMPIRE STRIKES BACK, RETURN OF THE JEDI, THE BIG CHILL, THE ACCIDENTAL TOURIST
• Kyle Killen, writer THE BEAVER, creator “Lonestar”
• Luisa Leschin, writer “Are We There Yet?,” “Everybody Hates Chris,” “George Lopez”
• Craig Mazin, writer THE HANGOVER 2, SCARY MOVIE 3 & 4
• Tim McCanlies, director ALABAMA MOON, writer SECONDHAND LIONS, THE IRON GIANT
• Mike Mitchell, director ALVIN AND THE CHIPMUNKS: CHIP-WRECKED ’11, SHREK FOREVER AFTER, SURVIVING CHRISTMAS
• Peter Murrieta, creator “Wizards of Waverly Place,” “Hope and Faith”
• Nancy Pimental, writer “South Park,” THE SWEETEST THING
• Rhett Reese, writer DEADPOOL ‘12, ZOMBIELAND, GI JOE2, MONSTERS, INC.
• Howard A. Rodman, writer AUGUST, SAVAGE GRACE, JOE GOULD’S SECRET
• Alvaro Rodriguez, writer MACHETE, SHORTS, FROM DUSK TILL DAWN 3
• Alex Smith, co-writer/director DANCE WITH THE ONE, THE SLAUGHTER RULE
• Dana Stevens, writer “What About Brian,” LIFE OR SOMETHING LIKE IT, FOR LOVE OF THE GAME
• Amy Talkington, writer VALLEY GIRL ‘12, PRIVATE BENJAMIN ‘12, NIGHT OF THE WHITE PANTS
• Beau Thorne, writer MAX PAYNE
• Donald Todd, writer/producer “Samantha Who?,” “Caroline in the City,” “Dave’s World,” “ALF”
The Conference will also include representatives from Overbrook Entertainment, 20th Century Fox Animation/Blue Sky Studios, Josephson Entertainment, di Bonaventura Pictures, CAA, UTA and many more. The complete list is available at www.austinfilmfestival.com/, or upon request. Film screenings, additional panelists and special events will be announced in the coming months. Attendance of Conference speakers is schedule permitting and subject to change without notice.
Awards Luncheon tickets are $50 each and are available for purchase by Conference and Producers Badge holders only.
Click here to buy your Badge today!
2011 AFF Outstanding Television Awardee Announced
CREATOR OF “BONES” COMES TO AUSTIN WITH EMILY DESCHANEL AND DAVID BOREANAZ HANSON WILL LEAD THIS YEAR’S LINEUP OF TELEVISION WRITERS & SHOW CREATORS AT THE CONFERENCE AUSTIN, TX (February 14, 2011) – Austin Film Festival (AFF) proudly announced today that this year’s recipient of the 2011 Outstanding Television Writer Award will be Hart Hanson, creator, executive producer, show runner, and writer of 20th Century …
CREATOR OF “BONES” COMES TO AUSTIN WITH EMILY DESCHANEL AND DAVID BOREANAZ
HANSON WILL LEAD THIS YEAR’S LINEUP OF TELEVISION WRITERS & SHOW CREATORS AT THE CONFERENCE
AUSTIN, TX (February 14, 2011) – Austin Film Festival (AFF) proudly announced today that this year’s recipient of the 2011 Outstanding Television Writer Award will be Hart Hanson, creator, executive producer, show runner, and writer of 20th Century Fox Television’s “BONES.” “BONES” stars Emily Deschanel (Cold Mountain, Glory Road) and David Boreanaz (“Angel,” “Buffy, the Vampire Slayer”) will present Hanson with the Award at the Festival’s annual Awards Luncheon held on Saturday, October 22, 2011 at the Austin Club. “I am thrilled the Austin Film Festival is recognizing the talents of Hart Hanson,” said Deschanel. “He is such a gifted writer and storyteller, and is truly the voice of our show. It’s been a joy to work with him, and it’s a great honor to celebrate his work.”
Hart Hanson is perhaps best known for his current work on the highly acclaimed television series “Bones,” now in its sixth season, where he serves as creator, executive producer, and show runner.
A native Canadian, Hanson received a B.A. from the University of Toronto and an MFA from the University of British Columbia. He began his writing career on the iconic Canadian show, “Beachcombers” and went on to write and produce episodes of many acclaimed Canadian shows including “North of 60,” “Road to Avonlea,” “The Odyssey,” “Ready or Not,” “Poltergeist,” “Street Legal,” “Neon Rider,” and the made for television movies “Trust in Me,” “Whale Music,” “Guitarman,” and “African Sky.” Hanson created and ran the show “Traders”, which was nominated for multiple Gemini Awards (Canadian Emmy’s).
Upon moving to the United States, Hanson served as a writer and producer on the television shows “Joan of Arcadia,” “Judging Amy,” “Snoops,” “Cupid,” “Stargate SG-1,” and “The Outer Limits.” He is a CTU fellow at the Banff Television Festival, A Trustee for the Humanitas Foundation, and an Advisor to the Canadian Film Centre.
Hanson will speak on panels during the Conference, including ‘A Conversation with Hart Hanson’ moderated by producer – and Austin Film Festival board member – Barry Josephson (LIFE AS WE KNOW IT, ENCHANTED, HIDE AND SEEK). In addition, Hanson, Josephson, Deschanel, and Boreanaz will present a special screening of an episode of “Bones.” The show is produced by Far Field Productions and Josephson Entertainment in association with 20th Century Fox Television. Hanson, Stephen Nathan, Ian Toynton and Barry Josephson are executive producers. In honoring Hanson, the Austin Film Festival is especially pleased to reach out to and be involved with the Canadian screenwriting and filmmaking community and the Writers Guild of Canada.
The Austin Film Festival annually recognizes an Outstanding Television Writer for their elevation of and impact on television writing and contributions to the culture of television. Previous recipients of the award include David Simon (“The Wire”), Mitchell Hurwitz (“Arrested Development”), Greg Daniels (“The Office”), David Milch (“Deadwood”), Garry Shandling (“The Larry Sanders Show”), David Chase (“The Sopranos”), Tom Fontana (“Oz”), Darren Star (“Sex and the City”), and Mike Judge (“King of the Hill”), among others.
Since 1994, Austin Film Festival has been dedicated to furthering the art and craft of filmmaking by inspiring and championing the work of screenwriters, filmmakers, and all artists who use the language of film to tell a story. The AFF’s Conference offers over 125 panels, craft sessions and roundtable discussions led by more than 100 industry professionals. Focusing on the art, craft and business of film and television writing and production, it provides registrants unparalleled access to the best writers in the field. Some of the speakers confirmed for 2011, schedules permitting, include:
• Alec Berg, “Curb Your Enthusiasm,” “Late Night with Conan O’Brien,” “Seinfeld”
•Shane Black, KISS KISS, BANG BANG, LETHAL WEAPON, THE LONG KISS GOODNIGHT
•Lindsay Doran, producer Nanny McPhee, Nanny McPhee Returns, Sense and Sensibility
•Rodrigo Garcia, “In Treatment,” MOTHER AND CHILD
•Ted Griffin, OCEAN’S ELEVEN, MATCHSTICK MEN
•Lawrence Kasdan, RAIDERS OF THE LOST ARK, THE EMPIRE STRIKES BACK, BODY HEAT, THE BIG CHILL
•Luisa Leschin, “Are We There Yet?,” “Everybody Hates Chris,” “George Lopez”
•Craig Mazin, THE HANGOVER 2, SCARY MOVIE 3 & 4
•Tim McCanlies, ALABAMA MOON, SECONDHAND LIONS, THE IRON GIANT
•Peter Murrieta, “Wizards of Waverly Place,” “Hope and Faith”
•Pamela Ribon, “Samantha Who,” “Romantically Challenged”
•Alvaro Rodriguez, MACHETE, FROM DUSK TILL DAWN 3: THE HANGMAN’S DAUGHTER
•Alex Smith, DANCE WITH THE ONE, THE SLAUGHTER RULE, SON OF THE GUN
•Donald Todd, “Samantha Who?,” “Caroline in the City,” “Dave’s World,” “ALF”
The Conference will also include representatives from Overbrook Entertainment, 20th Century Fox Animation/Blue Sky Studios, Fortis Films, CAA, UTA, and many more. The complete list is available at www.austinfilmfestival.com/ or upon request. Film screenings, additional panelists and special events will be announced in the coming months. Attendance of Conference speakers is schedule permitting and subject to change without notice.
Awards Luncheon tickets are $50 each and are available for purchase by Conference and Producers Badge holders only.
Click here to buy your Badge today!
Film Pass Frenzy Press Release
AUSTIN FILM FESTIVAL’S FILM PASS FRENZY STARTS SATURDAY, JULY 17TH ENTER TO WIN A VARIETY OF PRIZES BY PURCHASING 2 AFF FILM PASSES AUSTIN, TX (July 14, 2010) – The 17th annual Austin Film Festival announces the Film Pass Frenzy with 17 days of giveaways starting Saturday, July 17th. Anyone who purchases two Film Passes to this year’s Austin Film Festival (October 21-28, 2010) during …
AUSTIN FILM FESTIVAL’S FILM PASS FRENZY
STARTS SATURDAY, JULY 17TH
ENTER TO WIN A VARIETY OF PRIZES BY PURCHASING 2 AFF FILM PASSES
AUSTIN, TX (July 14, 2010) – The 17th annual Austin Film Festival announces the Film Pass Frenzy with 17 days of giveaways starting Saturday, July 17th. Anyone who purchases two Film Passes to this year’s Austin Film Festival (October 21-28, 2010) during the 17 days of the Film Pass Frenzy, which ends Monday, August 2nd, will have the chance to win a variety of cool prizes.
Each day, those who purchase two AFF Film Passes online between the hours of 12am and 11:59pm will be entered into that day’s drawing, with winners chosen at random from an AFF hat, to win the prize pack of the day. Prizes range from tickets to Fun Fun Fun Fest to Bird’s Barbershop swag to a free night’s stay at Lakeway Resort and Spa to an AFF badge upgrade that grants you further access to the Festival’s panels and parties. Each day’s winner will be announced via AFF’s twitter (@austinfilmfest) and Facebook page at 9:00am the following day, at which time that day’s prizes will also be announced. So, keep an eye on AFF’s social media sites to find out what you could win.
Right now, Film Passes are only $42 each, granting admission to all eight nights of film screenings and the Paramount Theatre Film Pass Party at Aces Lounge on Tuesday, October 26th where Film Pass holders can purchase$2 Dos Equis from 10pm – midnight. The Festival boasts an outstanding program of Oscar©-winning studio and independent films each year, and due to AFF’s very accessible and open atmosphere, Film Pass holders are likely to be in close contact with many of the famous and award-winning filmmakers, screenwriters and actors in attendance. Past film screenings have included JUNO, SLUMDOG MILLIONAIRE, UP IN THE AIR, PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE, and AN EDUCATION. The Film Pass price increases to $50 on August 1st.
Many of this year’s amazing panelists for the conference have already been announced, as well as this year’s recipient of the Outstanding Television Writer Award. Stay tuned for updates on films to be screened this year and other news. For additional information on all things AFF and the Film Pass Frenzy, go to www.austinfilmfestival.com/ or call 1-800-310-FEST (3378). Follow AFF on Twitter @austinfilmfest and become a Facebook fan.
About Austin Film Festival
The Austin Film Festival (AFF) is a nonprofit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental Airlines, KVUE and Dos Equis.
David Simon Press Release
DAVID SIMON TO RECEIVE OUTSTANDING TELEVISION WRITER AWARD AT 2010 AUSTIN FILM FESTIVAL CREATOR OF “THE WIRE” AND “TREME,” WRITER/PRODUCER OF “HOMICIDE: LIFE ON THE STREET” WILL LEAD THIS YEAR’S STELLAR LINEUP OF TELEVISION WRITERS & SHOW CREATORS AT THE CONFERENCE AUSTIN, TX (June 30, 2010) – The Austin Film Festival (AFF) proudly announced today this year’s recipient of the 2010 Outstanding Television Writer …
DAVID SIMON TO RECEIVE
OUTSTANDING TELEVISION WRITER AWARD
AT 2010 AUSTIN FILM FESTIVAL
CREATOR OF “THE WIRE” AND “TREME,” WRITER/PRODUCER OF “HOMICIDE: LIFE ON THE STREET”
WILL LEAD THIS YEAR’S STELLAR LINEUP OF TELEVISION WRITERS & SHOW CREATORS AT THE CONFERENCE
AUSTIN, TX (June 30, 2010) – The Austin Film Festival (AFF) proudly announced today this year’s recipient of the 2010 Outstanding Television Writer award will be David Simon, creator of HBO’s “Treme” and “The Wire.” Simon will accept the award at the Festival’s annual Award Luncheon held on Saturday, October 23, 2010, at the Austin Club. In addition, Simon will speak on panels during the Conference.
David Simon is perhaps best known for his work on the HBO series “The Wire,” where he served as creator, executive producer, head writer and show runner for the duration of the series. He also worked as a journalist for The Baltimore Sun for many years and wrote the narrative non-fiction book Homicide: A Year on the Killing Streets and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood. The NBC series “Homicide: Life on the Street” was based on the former, and Simon adapted the latter into a mini-series for HBO called “The Corner.” He also adapted the non-fiction book Generation Kill, chronicling the experience of a battalion of Marines in Iraq during the 2003 invasion, into an HBO miniseries under the same name, where he also served as show runner.
The Austin Film Festival annually recognizes outstanding filmmakers and screenwriters for their accomplished bodies of work and contributions to filmmaking. Previous recipients of the Outstanding Television Writer Award include Mitchell Hurwitz (“Arrested Development”), Greg Daniels (“The Office”), David Milch (“Deadwood”), Garry Shandling (“The Larry Sanders Show”), David Chase (“The Sopranos”), Tom Fontana (“Oz”), Darren Star (“Sex and the City”), and Mike Judge (“King of the Hill”), among others.
The Festival offers some of the best panelists and speakers from television and film during the Conference, and several of those already scheduled this year include Allan Loeb (Wall Street: Money Never Sleeps), Peter Murrieta ( “Wizards of Waverly Place”), Jon Lucas & Scott Moore (The Hangover), John Lee Hancock (The Blind Side), Phil Hay (Clash of the Titans I & II), Larry Doyle (“The Simpsons” ), John August (Charlie and the Chocolate Factory), Randall Wallace (Braveheart), and many more.
Since 1994, AFF has been dedicated to furthering the art, craft and business of writers and filmmakers while recognizing their contributions to film, television and new media. Last year, Extraordinary Contribution to Filmmaking Award recipient Ron Howard presented a special retrospective screening event of Apollo 13 with archival footage from NASA and a panel discussion that followed featuring cast and crew. Danny Boyle was named the 2008 Extraordinary Contribution to Filmmaking Award recipient and he premiered critically-acclaimed Slumdog Millionaire at the Festival. AFF prides itself on bringing great movies from independent writers and directors to Austin, Texas. Diablo Cody and Jason Reitman (writer and director, respectively) of the break-out film Juno attended the festival in 2007, and Reitman returned in 2009 to premiere Up in the Air.
The AFF’s Screenwriters Conference offers over 65 panels, craft sessions and roundtable discussions led by more than 100 industry professionals. Focusing on the art and commerce of film and television writing and production, it provides registrants unparalleled access to the best writers in the field. Past participants include Damon Lindelof (Star Trek, “Lost”), Matthew Weiner (“Mad Men”), Harold Ramis (Groundhog Day), Wes Anderson & Owen Wilson (Rushmore), John Milius (Apocalypse Now), Sydney Pollack (Tootsie), Robert Altman (Nashville), Joel & Ethan Cohen (Fargo), Russell Crowe (Gladiator), Bryan Singer (X-Men), and Oliver Stone (Platoon).
Already confirmed screenwriter and filmmaker speakers, schedules permitting, for the 2010 Screenwriters Conference include:
• John August, Corpse Bride, Charlie and the Chocolate Factory, Big Fish, Charlie’s Angels
• Shane Black, Kiss Kiss, Bang Bang, Lethal Weapon, The Long Kiss Goodnight, The Last Boyscout
• Michael Brandt & Derek Haas, Wanted, 3:10 to Yuma, 2 Fast 2 Furious
• Larry Doyle, I Love You, Beth Cooper, “The Simpsons,” “Beavis and Butt-Head”
• John Lee Hancock, The Blind Side, A Perfect World, The Rookie
• Phil Hay, Clash of the Titans 2, Clash of the Titans, AEon Flux
• Peter Hedges, About a Boy, What’s Eating Gilbert Grape, Pieces of April
• Allan Loeb, Cheaters, Wall Street: Money Never Sleeps, The Switch
• Jeff Lowell, Over Her Dead Body, John Tucker Must Die, “Just Shoot Me,” “Spin City”
• Jon Lucas & Scott Moore, The Hangover, Ghosts of Girlfriends Past, Four Christmases
• Craig Mazin, The Hangover 2, Scary Movie 4, Scary Movie 3
• Peter Murrieta, “Hope and Faith,” “Wizards of Waverly Place”
• Dan Petrie, Jr., Beverly Hills Cop, The Big Easy, Shoot to Kill
• Alvaro Rodriguez, Machete, Shorts, From Dusk Till Dawn 3: The Hangman’s Daughter
• Tim Talbott, “South Park”
• John Turman, Hulk, Fantastic Four II: Rise of the Silver Surfer
• Randall Wallace, Secretariat, The Man in the Iron Mask, Braveheart
• Jorge Zamacona, “Wanted”, “Homicide: Life on the Street”, “The Unusuals”
The Conference will also include representatives from Pixar Animation Studios, Paramount Pictures, Touchstone/ABC, Josephson Entertainment, Disney Animation Studios, di Bonaventura Pictures, Fortis Films, Focus Features, UTA, WME, APA, Inc., Mosaic Media, Depth of Field, 20th Century Fox and many more. Complete list available at www.austinfilmfestival.com/ or upon request. Film screenings, more panelists and special events will be announced shortly. Attendance of Conference speakers is schedule permitting and subject to change without notice.
Awards Luncheon tickets are $45 each and are available for purchase by Conference and Producers Badge holders only. For additional information on the 17th Annual Austin Film Festival, panels and film screenings, and how to purchase everything from a Producers Badge to a Film Pass, visit the official website at www.austinfilmfestival.com/ or call 1-800-310-FEST (3378).
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental Airlines, KVUE and Dos Equis.
Conversations in Film: Chuck Sklar Press Release
Austin Film Festival Hosts a Conversation in Film with Emmy® Award-Winning Comedy Writer Chuck Sklar! AUSTIN, Texas – June 24, 2010 – Join comedy writer Chuck Sklar (“The Chris Rock Show” and the Chris Rock-produced documentary Good Hair) for a Conversation in Film on how to turn your funny ideas and stories into comedy material for the screen. In this workshop, Chuck will discuss writing for …
Austin Film Festival Hosts a Conversation in Film with Emmy® Award-Winning Comedy Writer Chuck Sklar!
AUSTIN, Texas – June 24, 2010 – Join comedy writer Chuck Sklar (“The Chris Rock Show” and the Chris Rock-produced documentary Good Hair) for a Conversation in Film on how to turn your funny ideas and stories into comedy material for the screen. In this workshop, Chuck will discuss writing for sketch comedy, sitcom and late night, as well as the changing landscape of television at Cap City Comedy Club on Sunday, July 25, 2010, from 2:00pm – 3:30pm. Ticket prices are $8 for AFF members and $10 for non-members.
Chuck is an Emmy® Award-winning comedy writer whose credits include “Weekends at the DL,” with D.L. Hughley, the ABC family sitcom “Roommates,” “The Late Late Show with Craig Kilborn,” “Late Night with Conan O’Brien,” “Politically Incorrect” and “Everybody Hates Chris.” He was head writer on “Scratch and Burn” and “The Man Show” in 2001. Sklar also worked on “The Chris Rock Show” from 1996-2000. Most recently, Chuck wrote the Chris Rock-produced documentary Good Hair, which won the Black Reel Award, Gotham Award, Image Award, and Sundance Special Jury Prize for Best Documentary. The screenplay was nominated for a WGA Award.
Created in 2007, Conversations in Film is a year-round series of film seminars that provide the public with the unique experience to interact with local and visiting filmmakers. Cap City Comedy Club is located at 8120 Research Blvd # 100, Austin, TX 78758.
To purchase tickets with your AFF membership, please call (512)478-4795. Non-members may purchase tickets and find out more about AFF memberships, by visiting www.austinfilmfestival.com/ or by calling.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental Airlines, KVUE and Dos Equis.
For press inquiries, contact:
Elaine Garza / Giant Noise / 512-382-9017 / elaine@giantnoise.com
William Mills / Giant Noise / 512-382-9017 / will@giantnoise.com
Spiderwood Press Release
Spiderwood Studios to Sponsor Narrative Feature Film Award at Austin Film Festival State-of-the-Art Production Studio Backs Film Competition at Festival Focused on Discovering New Talent AFF Film Competition Submission Deadline July 14 AUSTIN, Texas – June 16, 2010 – The Austin Film Festival announced today that Austin-based motion picture, music and animation production facility Spiderwood Studios will award the Narrative Feature Winner, a sub-category of …
Spiderwood Studios to Sponsor Narrative Feature Film Award at Austin Film Festival
State-of-the-Art Production Studio Backs Film Competition at Festival Focused on Discovering New Talent
AFF Film Competition Submission Deadline July 14
AUSTIN, Texas – June 16, 2010 – The Austin Film Festival announced today that Austin-based motion picture, music and animation production facility Spiderwood Studios will award the Narrative Feature Winner, a sub-category of the AFF Film Competition, a $5,000 cash prize as well as $5,000 toward services at their studios.
For seventeen years, AFF has provided emerging filmmakers with a platform for screening their films in front of an audience of almost 30,000 and exposure to industry professionals. The Festival is among the select events accredited by the Academy of Motion Picture Arts and Sciences®, and all award winning narrative short and animated short films are also eligible for an Academy Award®. The 2010 Austin Film Festival will be held Oct. 21-28, 2010, and winners of the Film and Screenplay Competitions will be announced in Austin at the Annual Awards Luncheon on Saturday, Oct. 23, 2010, at The Austin Club.
In addition to the $5,000 cash prize, Spiderwood Studios will also donate $5,000 towards services at their studios, which could include Soundstages, Jumbor Cyclorama Wall, Edit Bay, Back Lot, and much more.
“Austin Film Festival is delighted that Spiderwood Studios is sponsoring the 2010 Narrative Feature Award. The ability to offer a larger cash award, in addition to use of their studio space for potential future projects, will hopefully assist the winning filmmaker in the promotion of their current film,” said Kelly Williams, Film Program Director for the Austin Film Festival.
1st Place Winners receive a cash prize of $5,000; $5,000 toward services at Spiderwood Studios; reimbursement (up to $500) of one round-trip airfare to Austin to attend the 2010 AFF; reimbursement (up to $500) for stay at an AFF hotel during the Film Festival; and the AFF Typewriter Award.
About Spiderwood Studios
SPIDERWOOD STUDIOS is a state-of-the-art, motion picture, music and animation production facility situated on 200-acres of diverse terrain along the banks of the Colorado River. Spiderwood Studios is fully equipped with sound stages, full service audio suites, production offices, 24’ x 100′ cyclorama wall, edit bays, render farm, R.V. park and 200 acres groomed for production backlot.
About the Austin Film Festival Film Competition
The AFF Film Competition encourages and advocates the work of new and talented filmmakers. One of the most respected competitions in the country, the AFF Film Competition provides emerging filmmakers the means to expose their work to major players in the entertainment industry.
Categories include: Narrative Feature, Narrative Short, Narrative Student Short, Animated Short, Documentary Feature, and Documentary Short. The film competition has a late postmark deadline of July 2nd, and a very late postmark deadline of July 14, 2010.
Films can be submitted to the Austin Film Festival Competition three ways: on-line at www.austinfilmfestival.com/, through www.withoutabox.com or by Entry Form, available by calling 800-310-FEST (3378.)
For additional information on the 17th Annual Austin Film Festival and the Film Competition, including entry forms, submission fees and Competition guidelines rules, visit the official website at www.austinfilmfestival.com/ or call David Gil, Film Competition Programmer, at (512)478-4795.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental Airlines, KVUE and Dos Equis.
For press inquiries, contact:
Elaine Garza / Giant Noise / 512-382-9017 / elaine@giantnoise.com
William Mills / Giant Noise / 512-382-9017 / will@giantnoise.com
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9500 Liberty Press Release
TEXAS SENATOR KIRK WATSON AND THE AUSTIN FILM FESTIVAL PRESENT A SPECIAL SCREENING OF “9500 LIBERTY” DISCUSSION AFTER THE FILM WITH SENATOR WATSON, POLICE CHIEF ART ACEVEDO, FILMMAKER ERIC BYLER, AND OTHERS WILL EXPLORE THE IMMIGRATION ISSUE IN TEXAS Austin, TX – May 24, 2010 – Texas Senator Kirk Watson and the Austin Film Festival are pleased to announce a joint presentation of a special …
TEXAS SENATOR KIRK WATSON AND THE AUSTIN FILM FESTIVAL PRESENT A SPECIAL SCREENING OF “9500 LIBERTY”
DISCUSSION AFTER THE FILM WITH SENATOR WATSON, POLICE CHIEF ART ACEVEDO, FILMMAKER ERIC BYLER, AND OTHERS WILL EXPLORE THE IMMIGRATION ISSUE IN TEXAS
Austin, TX – May 24, 2010 – Texas Senator Kirk Watson and the Austin Film Festival are pleased to announce a joint presentation of a special advance screening event of the documentary film “9500 Liberty” by award-winning filmmakers Eric Byler and Annabel Park at the Bob Bullock Texas State History Museum in Austin, TX. “9500 Liberty” takes an intimate look at a Virginia county that adopted a resolution similar to the controversial law recently signed by Arizona Governor Jan Brewer, and the decision’s effects on the people who lived there.
Scheduled for 7:00PM on Wednesday, June 2nd, the screening will be immediately followed by a discussion moderated by Senator Watson with filmmaker Eric Byler, Austin Police Chief Art Acevedo, Brown McCarroll LLP partner and past American Immigration Lawyers Association President Kathleen Campbell Walker, and Eddie Aldrete, Senior Vice President for IBC Bank. The discussion will also take place in the Texas Spirit Theater at the Bullock Museum, which is located at 1800 North Congress Avenue.
Byler’s timely documentary explores Prince William County, Virginia, which became ground zero in America’s explosive battle over immigration policy after elected officials adopted regulations requiring police officers to question anyone suspected of being an undocumented immigrant.
“9500 Liberty” reveals the startling vulnerability of a local government that was targeted by national anti-immigration networks with Internet-based tactics designed to frighten citizens and intimidate lawmakers. And it documents efforts of residents to resist the sudden climate of fear and racial division, setting up a real-life showdown between those elected to represent a divided community. Depicting many of the same highly publicized conflicts at the intersection of politics and immigration – many of which are now on display in Arizona – “9500 Liberty” brings an affecting perspective to this inflamed debate.
This special advance screening event is free and open to the public. To reserve tickets, please visit www.austinfilmfestival.com/ or call (512)478-4795.
After a sold-out premiere in Tempe, AZ, “9500 Liberty” is opening in theaters across the country. Byler will remain in Austin for Friday’s theatrical premiere at the Landmark Dobie Theater, 2025 Guadalupe Street in the Dobie Mall.
For more information about “9500 Liberty”, go to www.9500liberty.com.
For press inquiries, contact:
Elaine Garza / Giant Noise / 512-382-9017 / elaine@giantnoise.com
William Mills / Giant Noise / 512-382-9017 / will@giantnoise.com
ABOUT AUSTIN FILM FESTIVAL
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships. www.austinfilmfestival.com/.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by Continental Airlines, KVUE and Dos Equis.
Producers Badge Promo
17TH ANNUAL AUSTIN FILM FESTIVAL ANNOUNCES LIMITED TIME PRODUCERS BADGE PROMOTION TO KICK OFF MAY 24TH AND, A PEEK AT SOME OF THE CONFERENCE’S CONFIRMED PANELISTS AUSTIN, TX – The 17th annual Austin Film Festival (Oct. 21 – 28), the premiere film festival recognizing writers’ and filmmakers’ contributions to film, television and new media, announced today a special one-week promotion which will kick off …
17TH ANNUAL AUSTIN FILM FESTIVAL
ANNOUNCES LIMITED TIME PRODUCERS BADGE PROMOTION
TO KICK OFF MAY 24TH
AND, A PEEK AT SOME OF THE CONFERENCE’S CONFIRMED PANELISTS
AUSTIN, TX – The 17th annual Austin Film Festival (Oct. 21 – 28), the premiere film festival recognizing writers’ and filmmakers’ contributions to film, television and new media, announced today a special one-week promotion which will kick off Monday, May 24th and run through May 31st.
Everyone who purchases a Producers Badge during that week will be automatically entered into a drawing for lunch with John Lee Hancock, writer/director of “The Blind Side” and “The Alamo”, writer of “A Perfect World” and director of “The Rookie”. Only five winners will be selected for this intimate lunch to kick off the 2010 Conference the afternoon of Thursday, October 21st. And, AFF will pick up the tab.
Producers Badges are only $525 until midnight on May 31st, and then $585 through September 28th. After that, they go up to $650. With a Producers Badge, you gain access to parties, networking events, all four days of Conference panels and you’ll be the first in line for 200+ movies during the eight days of Festival screenings.
If you have already purchased your Producers Badge, you will still be entered in the drawing.
In case you need a little more incentive to buy your Badge early, here’s a look at some of the already confirmed panelists for this year’s Conference:
JON LUCAS & SCOTT MOORE: “The Hangover,” “Ghosts of Girlfriends Past”
CRAIG MAZIN: screenwriter “The Hangover 2,” “Scary Movie 4,” “Scary Movie 3”
ASHLEY BRUCKS: Paramount Pictures
MARY COLEMAN: Pixar Animation Studios
JOHN AUGUST: screenwriter “Corpse Bride,” “Charlie and the Chocolate Factory,” “Big Fish,” “Charlie’s Angels”
SHANE BLACK: screenwriter/director “Kiss Kiss, Bang Bang,” screenwriter “Lethal Weapon,” “The Long Kiss Goodnight,” “The Last Boyscout”
MICHAEL BRANDT & DEREK HAAS: screenwriters “Wanted,” “3:10 to Yuma,” “2 Fast 2 Furious;” Haas is also the author of The Silver Bear and Columbus
JEFF GORIN: William Morris Endeavor Entertainment
REBECCA EWIGN: United Talent Agency
MAGGIE MALONE: Disney Animation Studios
PETER HEDGES: screenwriter “About a Boy,” “What’s Eating Gilbert Grape,” writer/director “Pieces of April”
PETER MURRIETA: showrunner “Wizards of Waverly Place,” “Hope and Faith”
Also, please note that there will be a home football game the weekend of the Conference. And, well, this being Texas, we strongly advise booking your hotel sooner rather than later. To take advantage of the substantial discounts AFF offers at surrounding area hotels, reservations must be booked through our office and you must be registered in advance. To make a reservation, please call 1-800-310-FEST (3378).
To buy your Badge or for more information on the Festival and Conference, go to www.austinfilmfestival.com/.
ABOUT AUSTIN FILM FESTIVAL
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships. www.austinfilmfestival.com/.
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Steven Zaillian to Receive Distinguished Screenwriter Award at 2009 Austin Film Festival
AUSTIN, TX— August 18, 2009 — Academy Award®-winning screenwriter, director and producer Steven Zaillian will be presented with the Distinguished Screenwriter Award at the 16th Annual Austin Film Festival & Conference, October 22-29, 2009. Steven Zaillian will be presented with the award during the Awards Luncheon on Saturday, October 24th, at the Austin Club. The Awards Luncheon is funded by AKR Foundation. In addition, Zaillian …
AUSTIN, TX— August 18, 2009 — Academy Award®-winning screenwriter, director and producer Steven Zaillian will be presented with the Distinguished Screenwriter Award at the 16th Annual Austin Film Festival & Conference, October 22-29, 2009. Steven Zaillian will be presented with the award during the Awards Luncheon on Saturday, October 24th, at the Austin Club. The Awards Luncheon is funded by AKR Foundation. In addition, Zaillian will be a featured speaker during the Festival’s four-day Conference, October 22-25, 2009.
“Starting with our inaugural Distinguished Screenwriter Award recipient, Pulitzer Prize and Oscar®-winning screenwriter Horton Foote, the Austin Film Festival annually celebrates a screenwriter for their body of work and contributions to furthering the art of screenwriting,” said Austin Film Festival Executive Director and Co-Founder Barbara Morgan. “Steven’s work is revered and respected by so many screenwriters. We are delighted that he will be joining us this October.”
Steven Zaillian received an Academy Award® for his screenplay for Schindler’s List. His work on the film was also honored with a Writers Guild Award, the British Academy’s BAFTA Award and the Humanitas Prize.
His other screenplays include the Academy Award®-nominated Awakenings, The Falcon and the Snowman, Jack the Bear and American Gangster. He co-wrote Clear and Present Danger, The Interpreter and the Academy Award®-nominated Gangs of New York. He also wrote and directed Searching for Bobby Fischer, Writers Guild Award-nominated A Civil Action and All the King’s Men.
Previous Distinguished Screenwriter Award recipients were John Milius, Shane Black, Harold Ramis, Barry Levinson, Frank Pierson, Richard LaGravanese, Lawrence Kasdan, Buck Henry, Robert Altman, William Wittliff, Paul Schrader, Paul Mazursky and Horton Foote.
Also at the Austin Film Festival this year, Academy Award®-winning filmmaker Ron Howard will accept the Extraordinary Contribution to Filmmaking Award. Mitchell Hurwitz, Emmy Award®-winning creator of “Arrested Development” will accept the Outstanding Television Writer Award.
This year’s Austin Film Festival and Conference will host over 140 exciting premiere film screenings and events, and produce over 80 panels and roundtable discussions focusing on the art and commerce of film and television writing and production. The AFF and Conference provides registrants unparalleled access to the best writers and filmmakers in the industry.
Recent confirmed screenwriter and filmmaker panelists include William Broyles, Jr. (writer Flags of Our Fathers, Cast Away, Apollo 13), Damon Lindelof (co-creator “Lost”), Kirsten Smith (writer The Ugly Truth, Legally Blonde), Matthew Weiner (creator “Mad Men”), David Hayter (Watchmen, X2, X-Men), Melissa Rosenberg (Twilight, New Moon, and Breaking Dawn), Paul Feig (creator “Freaks and Geeks”), Michael Green (creator “Kings”, writer The Green Lantern ‘10, “Heroes”), and Peter Hedges (writer About a Boy, What’s Eating Gilbert Grape.)
The Conference will also include representatives from Paramount Pictures, ABC Studios, Dreamworks, Josephson Entertainment, Disney Animation Studios, Kurtzman/Orci, 20th Century Fox and many more.
For a complete list of panelists and events, for more information, click here or call 800-310-3378.
Conference badges and film passes are on sale now and can be purchased here or by phone.
About Austin Film Festival
The Austin Film Festival (AFF) is a non-profit organization dedicated to furthering the art, craft and business of writers and filmmakers and recognizing their contributions to film, television and new media. The AFF champions the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation and encouraging dynamic and long-lasting community partnerships. www.austinfilmfestival.com/
The Austin Film Festival is funded and supported in part by the City of Austin through the Cultural Arts Division and by a grant from the Texas Commission on the Arts and an award from the National Endowment for the Arts, which believes that a great nation deserves great art.
Special support is provided to the Austin Film Festival by the Academy of Motion Picture Arts and Sciences®, Continental Airlines, Clear Channel Radio, KVUE, Target®, and AKR Foundation.
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For more information, please contact:
Elaine Garza
Giant Noise
512.382.9017 o
917.693.7064 c
elaine@giantnoise.com
R.I.P. Blake Snyder
With great regret we announce the unexpected passing of Blake Snyder, bestselling author of Save the Cat!® The Last Book on Screenwriting You’ll Ever Need and Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told. His third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, is scheduled for publication in Fall 2009. In his 20-year career as a screenwriter …
With great regret we announce the unexpected passing of Blake Snyder, bestselling author of Save the Cat!® The Last Book on Screenwriting You’ll Ever Need and Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told. His third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, is scheduled for publication in Fall 2009. In his 20-year career as a screenwriter and producer, Blake Snyder sold dozens of scripts, including co-writing Blank Check, and Nuclear Family for Steven Spielberg — both million-dollar sales.
Blake was a dear friend of the screenwriting community and he will continue to inspire and teach writers through his books. His enthusiasm for teaching and love of film will be greatly missed.
AFF’s 7th Annual Film & Food Party Benefits Arts Education in Austin Schools!
7th Annual Film and Food Gala (PDF)




































